http://www.notalike.com/alike/alike-studio 2017-06-09 weekly 0.5 https://imageproxy.viewbook.com/32039d1def676951a2af7ca38f480efb_hd.jpg https://imageproxy.viewbook.com/5a70c97f836bc9f620b696dfd2d3f863_hd.jpg The man with the white beard Johnson, Vermont (US) https://imageproxy.viewbook.com/8286a023172d1ff78ff5f79c81b908cf_hd.jpg David eats a moth (artist) Johnson, Vermont (US) https://imageproxy.viewbook.com/ef4d8d2c800480efdca8cca37a9f1b61_hd.jpg https://imageproxy.viewbook.com/9a7d9d90267ab46c16ad4bd328fd6853_hd.jpg https://imageproxy.viewbook.com/5f14c10c64fce29a27bb322e71653516_hd.jpg https://imageproxy.viewbook.com/aac0aa85c05e282efe1a9bb4c031edc0_hd.jpg http://www.notalike.com/ 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/dba1f40fe8e85d362c41efac830f5fa3_hd.jpg Everything is collected nothing is saved. Alice Pedroletti for ATRII Collective Photograph, 2017 Original words by Allen Ruppersberg Miami Art Basel, Plane text air exhibition, 2012. https://imageproxy.viewbook.com/24529/b34d06835e7fe6f378150d0bc7ba81d6_hd.jpg The city, the island. ATRII/Berlin. Publication. ZK/U Press, 2022 The city, the island Zine project is designed in collaboration with Graphic Designer and Art Director Ilaria Pittassi. The texts are in collaboration with curator and researcher Alessandra Saviotti. https://imageproxy.viewbook.com/24529/8e953fa4f7e52043efd2722d422b62fc_hd.jpg The Clash (Scontrarsi) Artist book, 2016. Puzzle for two people without instructions. Performative object. https://imageproxy.viewbook.com/24529/1a158c2fde40c3b38e75dc80fe52fd7d_hd.jpg Study for a book. Shanghai, CN, 2016 Artist Book. Unique. Handmade. http://www.notalike.com/archive/archive-1 2025-01-21 weekly 0.5 http://www.notalike.com/866980 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/96ee06551541da83f0f91d04c2c5df77_hd.jpg https://imageproxy.viewbook.com/24529/d54dc36415f6c1dd1ed6f04e2514876f_hd.jpg THE POLICY OF WATER. [Collaborative AI reading], 2023. Video Essay on laptop, 13:49. Four AI actors. iPhone video and fictional words by Alice Pedroletti. Words extract from Solution 295-304, Mare Amoris. Courtesy of Ingo Niermann. With contributions by Marah J. Hardt & Eduardo Navarro. Sternberg Press, 2020. https://imageproxy.viewbook.com/24529/c8895e55f93fbb22ee0b104d19ead308_hd.jpg https://imageproxy.viewbook.com/24529/4b0de223b9aec544c532b0dbabc9b194_hd.jpg https://imageproxy.viewbook.com/24529/0d47f4a1d1ec4540ad2546bf1b6cb212_hd.jpg https://imageproxy.viewbook.com/24529/e1549cdecc5f0ecb42e518b295fbc34d_hd.jpg https://imageproxy.viewbook.com/24529/52e44bb56c2d8f6d84e281de60e1540f_hd.jpg https://imageproxy.viewbook.com/24529/78a2d519ce4c299e65d0cd62f1ee9920_hd.jpg https://imageproxy.viewbook.com/24529/8ca74e1357a081fcbb5bc6be8c7e79cf_hd.jpg https://imageproxy.viewbook.com/24529/60daf53e9060c1ead080037a46e7d466_hd.jpg https://imageproxy.viewbook.com/24529/cd42670f233b0b460a2d87d8c4ce7cdc_hd.jpg https://imageproxy.viewbook.com/24529/7641ae9541b9c5fd448b152c26197c3d_hd.jpg https://imageproxy.viewbook.com/24529/063ce9659cb30ab334ef865493c02e02_hd.jpg https://imageproxy.viewbook.com/24529/70862dc7026fef98fec19821a4ba27cb_hd.jpg https://imageproxy.viewbook.com/24529/2f1aee028c7a585ad9f4f45377e8cdc5_hd.jpg https://imageproxy.viewbook.com/24529/3c43fc87d363ccb312a27c34c13baaa7_hd.jpg https://imageproxy.viewbook.com/24529/e45914eb2fa277411c53f477957a7e51_hd.jpg https://imageproxy.viewbook.com/24529/b60c56fef4fe3538ec5f369e723cfcd0_hd.jpg In 2022, I was invited by Latra, a non-profit organisation based in Lesvos, to participate in several activities conducted by Artsformation and to create an “artistic provocation” for a workshop during the Berlin Transmediale Festival 2023. I conceived my intervention with a ‘video essay’ realised during an art residency on Schwanenwerder Island in Berlin, deciding to work on the architecture of the place, the ‘flow of time’ in contemplating the landscape and my relationship with technology. Living for three months in one of the few houses on the island and having private access to the water, I began to perceive the enormous window of my studio as an aquarium in which, safe from the reality of the surrounding world, I could observe the lake. The window slowly became the extension of the laptop screen. As if trapped in an imaginary computer, I observed how rain, wind and snow were free to quickly modify my view, dictating times utterly different from those of our society, which is increasingly conditioned by technology. Isolated from the city and other people, I decided to work with a digital alias. https://imageproxy.viewbook.com/24529/c8b80e57a6c510b102208265f3894f9e_hd.jpg http://www.notalike.com/alike/highlights 2023-02-21 weekly 0.5 https://imageproxy.viewbook.com/24529/39af857ae203b6d89a079832279dd16f_hd.jpg https://imageproxy.viewbook.com/24529/b17a46bc9aaa9a87152ede151bcced2f_hd.jpg https://imageproxy.viewbook.com/24529/e0570cf2fe649c237708249bfcb952ea_hd.jpg https://imageproxy.viewbook.com/24529/6ee394ecf415c0ce5a783e8b71c40f75_hd.jpg https://imageproxy.viewbook.com/24529/ff6d524cb56eef04dfbd57fecac0f882_hd.jpg Iselba Resort - Isola d'Elba (Italy) https://imageproxy.viewbook.com/24529/9b7fe488b7311abb04e6b097fb5e7d36_hd.jpg https://imageproxy.viewbook.com/24529/430c029cf010dfee804eef85879cbb9b_hd.jpg https://imageproxy.viewbook.com/24529/ca0620f2ffe924cf75ef756c9efe361e_hd.jpg https://imageproxy.viewbook.com/24529/7189c2f54d478dacd6a801e0b71d8f98_hd.jpg https://imageproxy.viewbook.com/24529/da86554e17f5db4308d74941b5e9eee9_hd.jpg https://imageproxy.viewbook.com/24529/b9604516814f43846da16f9e1b8862d9_hd.jpg https://imageproxy.viewbook.com/24529/c61ec48202d0ed58dda21a16ef88ee6e_hd.jpg https://imageproxy.viewbook.com/24529/3512886d84fbad10429a8b9ae6c98ee4_hd.jpg https://imageproxy.viewbook.com/24529/26b594ea5091cd7f25fcd941fbdfcc2b_hd.jpg https://imageproxy.viewbook.com/24529/0036ff1f13ff320ffdc678defcce3044_hd.jpg https://imageproxy.viewbook.com/24529/7035b7e303f8c2740ed4734d4dda6d6c_hd.jpg https://imageproxy.viewbook.com/24529/464368a6fc5ead7700c3ba9f316f99b3_hd.jpg https://imageproxy.viewbook.com/24529/7b201c3caecc103304c14defe1bc4b7c_hd.jpg https://imageproxy.viewbook.com/24529/339403bf68d8813eb453bffcbdd0fc05_hd.jpg https://imageproxy.viewbook.com/24529/68920fc565f0741c0fa05bfb1f80153d_hd.jpg https://imageproxy.viewbook.com/24529/29691a86c0333c1c827ec9b980994fde_hd.jpg https://imageproxy.viewbook.com/24529/905bb0c2b3a1b0b301dfecfba9e5ab44_hd.jpg https://imageproxy.viewbook.com/24529/29081e11959a418546d8da9cec3fe485_hd.jpg https://imageproxy.viewbook.com/24529/3ede8b37d436abdea526edd7b5a3203b_hd.jpg https://imageproxy.viewbook.com/24529/598e79f3838123615595201bd645fec1_hd.jpg Art direction, shooting (photo-video), web graphic. 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https://imageproxy.viewbook.com/24529/193732d498fac441f57ee4864266ebfd_hd.jpg Palazzi (lost buildings) [Space drawings: boat ropes, debris, archaeological ruins, architectural roof]. During In-ruins Residency 2022. Ph: Armando Perna. https://imageproxy.viewbook.com/24529/c4bc5f0899de0011df86c92baae7e3f6_hd.jpg The beach. [The way to the shoreline in front of the Palazzi di Villa Romana with the hidden ruins] https://imageproxy.viewbook.com/24529/6fb1745f7c87e24ae82f055649a4fe11_hd.jpg Most of my works concern water as a bodily element that touches, nourishes and gives memory to a territory. Still, it is also an element that protects an environment in a more metaphorical sense. Other times I consider water a component capable of transporting my body - intended as an archive and travel tool immersed in it - towards an indefinite and imaginative elsewhere. I worked at Palazzi di Villa Romana di Casignana considering the site from an 'aquatic' point of view, swimming and diving, looking for underwater ruins. Locals say they can be seen sometimes through darker shadows in the water: it is unknown if that is a piece of accurate information. So far, not even archaeologists have found those ruins. https://imageproxy.viewbook.com/24529/68c1c7f1cd7db9704e08a5c6a1c0b627_hd.jpg For months I wondered if there would be any submerged traces of other houses, columns, a berth for boats, or any fishing facilities. What vision did the guests or the traders have coming from the sea? What did they think in front of the Villa and the other houses along the coast? I asked myself what vision I could have while immersed and floating in the water, waiting to touch the ground with my feet. How would the landscape appear to be to me? How does the shore appear to migrants seeking survival? https://imageproxy.viewbook.com/24529/9d29a13a4a92f8ed6489538c9b544bef_hd.jpg It is unknown precisely how many types of goods production took place at the Villa: wine amphorae were found in Rome, suggesting that wine was the primary source of wealth and export. https://imageproxy.viewbook.com/24529/5f53cb5dcc95b3e67ef3dbbfce652acc_hd.jpg Dionysius and his amphora. https://imageproxy.viewbook.com/24529/8769a543dd79a73e3ddcda373e293357_hd.jpg https://imageproxy.viewbook.com/24529/082033637e46d8af3d872a40df03a620_hd.jpg Mosaics. [Waves shaped mosaics at Villa Romana di Casignana: the floor collapsed under the weight of the roof who also collapsed when the Villa was abandoned, revealing previous walls, probably from a first house who was then redesigned and enlarged]. https://imageproxy.viewbook.com/24529/3d79ad835efb2f4c9c5c724c64fdea0c_hd.jpg https://imageproxy.viewbook.com/24529/7607dc3b09ee79f2ab0dcd965d99ad3e_hd.jpg The vastness of the area and its historical importance as a production site provided a commercial exchange not only by land but – probably – also by river and sea. https://imageproxy.viewbook.com/24529/6c39cb0db1f5c7a41930f39b0b35a867_hd.jpg https://imageproxy.viewbook.com/24529/c0efc3a13f5c581b9a8509d1e90f1557_hd.jpg Palazzi (lost buildings) [Space drawings: boat ropes, debris, archaeological ruins, architectural roof]. During In-ruins Residency 2022. Photos: Armando Perna. https://imageproxy.viewbook.com/24529/30ebfcdfe8b73a26d2c4b968aa3be47b_hd.jpg https://imageproxy.viewbook.com/24529/da9a2be4d343eda68f57b06fe7dfe3ee_hd.jpg https://imageproxy.viewbook.com/24529/c55bbfcff16f26d4d2ff6bea6b4f9df4_hd.jpg https://imageproxy.viewbook.com/24529/b027575ad05569f23794c1fc8a8f8545_hd.jpg https://imageproxy.viewbook.com/24529/02fad801ecd398595f3071dcb5b4d2e5_hd.jpg http://www.notalike.com/865431 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/e48dfda686b5c63ea3fd8edbc5063e06_hd.jpg Have you ever heard the wind being born? HYEHTWBB? (2023) is a one-day installation part of the project ‘The city, the island’. It is based on a few objects [found life jacket, plastic veil, votive chapel, boat pieces, one stone], 25 questions to the public and one piece of my writings excerpt from the homonymous publication. The environmental photographs are part of the ongoing series 'Study for an archipelago'. The installation tells my idea of archives, islands and boats, which I’ve investigated in my research for over ten years, alongside reflections upon themes such as migration, inclusion, communities and accessibility in the European context. https://imageproxy.viewbook.com/24529/d999ca1a491141e5baaf59540e697666_hd.jpg https://imageproxy.viewbook.com/24529/59876b048cf08639dfd2518aa56b6d3b_hd.jpg Artsformation and Latra Artsformation is a research project exploring the intersection between arts, society and technology. LATRA works towards making communities inclusive, sustainable and resilient, by ensuring that citizens from geographically remote, socio-economically disadvantaged and minority backgrounds are equitably included in science, technology, research and innovation. Thanks to both institutions, I had the opportunity to work in Lesvos, Greece, making it one of the islands in my archipelago of research. https://imageproxy.viewbook.com/24529/699f5b817eea80c4ca55cb7afcfe274b_hd.jpg Lesvos represents a turning point where my research unifies with my collaborative practice and collective: ATRII which investigates the meaning of 'atrium' in art, architecture and geography. Lesvos is also a fundamental case study in the Mediterranean Sea, along with Lampedusa and Cyprus. Politics use islands and everything that makes them such peculiar geographical sites: water, wind and sand, for example. Islands are transforming into symbols of the EU’s political complexity in addressing, often failing, contemporary and historical issues. https://imageproxy.viewbook.com/24529/72a1482bacd537f6a519021707cf03f9_hd.jpg Islands can also represent the opposite: they can be hubs for creativity and equality. Through art and curatorial practices, we can shape different contemporary discourses to engage and activate an actual decolonising process, first of all, of ourselves. Being on islands for such processes isn’t by chance. The complexity of our environment can help us to understand different social systems and situations, to create a more empathetic society. https://imageproxy.viewbook.com/24529/449c484160438fd8d01b7ee064159e80_hd.jpg Study for an archipelago 'Study for an archipelago', 2023. Boat wood fragments. https://imageproxy.viewbook.com/24529/ae2e366a7cffa62ea312c5237aa3e852_hd.jpg Have you ever heard the wind being born? Have you ever heard the wind being born?, 2023. Found life jacket, plastic veil, votive chapel, boat pieces, one stone, 25 questions to the public, writing. Variable dimension. Site specific. Latra foundation, Mytilene, Lesvos - GR. https://imageproxy.viewbook.com/24529/c476e1fd2c084ebad282c013ae57db33_hd.jpg https://imageproxy.viewbook.com/24529/78602f7b238183a9ba2f5cf056ac1005_hd.jpg https://imageproxy.viewbook.com/24529/9d9eb674d3a2bf845dbdaf023d47be86_hd.jpg Study for an archipelago 'Study for an archipelago', 2023. The black dinghy. https://imageproxy.viewbook.com/24529/3301097d3be033da5e4d486346d5f6de_hd.jpg Study for an archipelago 'Study for an archipelago', 2023. The white dinghy. https://imageproxy.viewbook.com/24529/4399f0b4b36a70b4594c248430b6f776_hd.jpg Have you ever heard the wind being born? In my multidisciplinary practice, installation, sculpture, photography, illustration and writing intersect and relate as archives or site-specific interventions. Have you ever heard the wind being born?, 2023. Found life jacket, plastic veil, votive chapel, boat pieces, one stone, 25 questions to the public, writing. Variable dimension. Site specific. Latra foundation, Mytilene, Lesvos - GR. https://imageproxy.viewbook.com/24529/5cccb6cccd22f572da9b4873f00d1eee_hd.jpg https://imageproxy.viewbook.com/24529/00b6df3f4b3feff2c8c241ddb1ca8cae_hd.jpg https://imageproxy.viewbook.com/24529/0889a971a711df4db61e08c1401e442b_hd.jpg https://imageproxy.viewbook.com/24529/84153ae7fe52f9b82bfbac924fc3a0e5_hd.jpg https://imageproxy.viewbook.com/24529/238ee6945887b630618675bb3907d142_hd.jpg http://www.notalike.com/alike/portfolio 2023-02-21 weekly 0.5 http://www.notalike.com/archive/mosaferat-checking-on-you 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/44b6b0d3acab2e19fa66c853d70abf7a_hd.jpg https://imageproxy.viewbook.com/24529/eda261cc67ff72f1e594d4457d488fae_hd.jpg https://imageproxy.viewbook.com/24529/334f0a17e56fe51173da3878cf435880_hd.jpg https://imageproxy.viewbook.com/24529/a2851b2ae4609b6bb2bebe38783ef1ce_hd.jpg https://imageproxy.viewbook.com/24529/56f5e1430908136f382e67b4c955d266_hd.jpg 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ATRII/Berlin) Site-specific installation (QR code, 3 sails, ropes, wind, iron pole. 4.50x3m). ZK/U, Berlin. Project supported by the Italian Council program (9th Edition, 2020) Directorate-General for Contemporary Creativity, Italian Ministry of Culture | Cultural partners: Untitled Association, ZK/U Berlin, ATRII, Cittadella degli Archivi (Milan), Albumarte (Rome). archives.berlin in collaboration with artist Isaac Schaal (Anchorage). Project Assistant: Alice Lamperti (Berlin). Research Assistant: Laura Petrucci. Graphic Designer: Ilaria Pittassi (Milan) https://imageproxy.viewbook.com/24529/f37506ee4c87406406d63687cfabe121_hd.jpg Study for an Archive (studio installation), 2021 On the occasion of the OPENHOUSE at ZK/U (10.06.2021) Untitled Association is pleased to present the first part of the project ATRII / Berlin. The city, the island developed by artist Alice Pedroletti during her ongoing nine-month-long residency in Berlin. Alice Pedroletti is supported by the Italian Council (9th Edition, 2020), program to promote Italian contemporary art in the world by the Directorate-General for Contemporary-Creativity of the Italian Ministry of Culture. https://imageproxy.viewbook.com/24529/0632481dca75a5f522b2dcb7d9748aa1_hd.jpg QR code presenting archives.berlin where the whole archive of my research is stored and managed by an AI presenting it differently at every access by computers, or in a form of a digital artwork on mobile devices. https://imageproxy.viewbook.com/24529/9a319602f289feb84cc7f6e6cffa564b_hd.jpg archives.berlin Alice Pedroletti presents www.archives.berlin realised in collaboration with artist Isaac Schaal: an ever-growing online space collecting images related to the themes of islands, boats and navigation, accessible on-site through a QR Code. https://imageproxy.viewbook.com/24529/53f47293293cd277fc529cf438d3d732_hd.jpg https://imageproxy.viewbook.com/24529/5111fff0ce2467078a3d49c9e56a916b_hd.jpg The Archives records the visual information, along with texts chosen by the artist, and maps them into a multidimensional location in the Cloud where the viewer - using a web browser - is able to move through the space and explore what lies within. https://imageproxy.viewbook.com/24529/919755f906429a738dc605d820ff6811_hd.jpg The Database will be accompanied by Islands never cry, a site-specific installation in which Pedroletti considers the wind as an element and tool for crossing barriers, revealing itself only through the consequences of its movements. https://imageproxy.viewbook.com/24529/d557da0a232042ad390e58166b7a43d7_hd.jpg https://imageproxy.viewbook.com/24529/36f9e011803df132784a772d7ab970ff_hd.jpg Questioning herself as if she were an island, Pedroletti looks across the river in front of her studio, thinking of that horizon as another land, impossible to reach. https://imageproxy.viewbook.com/24529/5933c80ca1ee795de881836373a54039_hd.jpg Her intervention for OPENHOUSE consists of three rectangular, white textile modules installed on the northern side of the building, as sails waiting to be inflated. Islands never cry responds to the invitation of ZK/U to address the contemporary contradiction of creating collectivity in the distance while dealing with imminent questions surrounding the reconstruction and future of cultural spaces. https://imageproxy.viewbook.com/24529/bce07bc84fca336bdfffb43de132bc41_hd.jpg https://imageproxy.viewbook.com/24529/f0d184b418b4a44ddbee8e7d74c43230_hd.jpg https://imageproxy.viewbook.com/24529/52e0c3ed51a333cf4741253d8401a54f_hd.jpg https://imageproxy.viewbook.com/24529/ff7f7761b9df8f57b7bdc3a279643843_hd.jpg ATRII / Berlin. The city, the island approaches the relationship between the urban island and the natural island by analysing the neighbourhood of ZK/U in Berlin, located in the Moabit district and historically considered an island since it is surrounded by waterways. https://imageproxy.viewbook.com/24529/5359d43cf21959510366d2055f144bbb_hd.jpg The residency is a unique place for the artist, a possible free zone where art can experiment and create hypothetical solutions for the future. Ideally protected but also critically excluded from the water itself, it is a place of exchange and relations, a passageway for artists and researchers. This imaginative, territorial and political condition pushes her to imagine not only artworks for specific sites but also projects for specific territorial or emotional needs that go beyond architecture. The artist sees ZK/U as a utopian atrium of Berlin. https://imageproxy.viewbook.com/24529/8827ce19b4351e6e47eccace2184a260_hd.jpg https://imageproxy.viewbook.com/24529/f1734abf4f7c80df05b0085480eb7e4d_hd.jpg Islands never cry is dedicated to Alberto Filosi, a dear family friend, expert sailor, and sea lover who recently passed away in a sea accident. https://imageproxy.viewbook.com/24529/5a069e4dec8bc06f6b73112d11608dcc_hd.jpg Islands never cry, 2021 Site-specific installation (3 sails, ropes, wind, iron pole. 4.50x1 each). ZK/U, Berlin. https://imageproxy.viewbook.com/24529/ae973a7419777a0f5de15bf7361ee0d7_hd.jpg Death of a folding boat on dry land, 2021 (The city, the island. ATRII/Berlin) In the frame of the ORTSTERMIN Festival, a new OPENHAUS edition is taking place at ZK/U. On the occasion of the event, for the first time in over one year, the studios of ZK/U’s artists in residence will once again be open to the public. As cultural partner of the project, untitled association is pleased to present the second part of ATRII / Berlin. The city, the island developed by artist Alice Pedroletti during her ongoing nine-month-long residency in Berlin. Alice Pedroletti is supported by the Italian Council (9th Edition, 2020), a program to promote Italian contemporary art in the world by the Directorate-General for Contemporary-Creativity of the Italian Ministry of Culture. https://imageproxy.viewbook.com/24529/c58f6f93b9bebd9a31e8aa2dd540b0c7_hd.jpg Pedroletti presented Death of a folding boat on dry land within Studio 10. The work ironically describes the destiny of a folding boat that is constantly gaining and losing its functionality in an effort to find a stable and defined shape. Pedroletti, in collaboration with Isaac Schaal, is producing the prototype of a folding boat through Artificial Intelligence: a utopian project of a boat archive that is navigating between real and imagined islands. The research is shown through Her ship was so small (the Boatbuilder), video GAN that describes - in an almost primitive shape of a sign - the learning process of the ‘machine’ while trying to draw the building plans of the boat required from the artist. >>> To access the research videos please get in contact with the artists by email: archives.berlin@gmail.com <<< https://imageproxy.viewbook.com/24529/9b17544b0b77bae9337c674bd466e1f3_hd.jpg https://imageproxy.viewbook.com/24529/8f06542b37febf456b54031af02c25b0_hd.jpg www.archives.berlin | CURA Magazine Research images (1) Study for a boat, 2021 https://imageproxy.viewbook.com/24529/144ecf2fcf9fc738eac35c9bfeef5571_hd.jpg (2) Study for an island, 2021 https://imageproxy.viewbook.com/24529/cac6eaf04cbb265850266f35a6642cbb_hd.jpg www.archives.berlin | CURA Magazine (3) How to build an island, 2021 https://imageproxy.viewbook.com/24529/0a4102136b853db037d0be9ab8df898e_hd.jpg The folding Archive, 2021 In addition to the video and the remote connection with Schaal, which will allow the public to understand the artists' work at a distance during the lockdown, Pedroletti will introduce The folding Archive. A folding wooden sculpture that lets the public interact with the images used by Pedroletti during these months and already collected in www.archives.berlin The entire research, developed between art and editorial practice, will be released at the end of the Residency period in Autumn 2021 with ZK/U Press as a limited edition art zine in collaboration with graphic designer Ilaria Pittassi. https://imageproxy.viewbook.com/24529/e8666ea0fb5147bad54bafef110bc6cf_hd.jpg Ilaria Pittassi Graphic designer specialised in publishing and visual communication. Her research is related to the relationship between art and publishing, bringing the graphic layout to a fundamental function and expressing cultural and sensitive value. She graduated from NABA New Academy of Fine Arts in Milan. Since 2018 she collaborates with two independent publishing houses: Archive Books (Milan, Berlin, Dakar) and Press Press (Milan), with whom she produced the catalogue for the African Photography Biennial in Bamako (Les Rencontres de Bamako) and a series of artist publications. She is also currently collaborating with the artist Lara Favaretto and carrying out personal projects, always through a cultural, etymological and curatorial approach in researching and realising the book object. https://imageproxy.viewbook.com/24529/e1c8c1640f6ae763775f3724df0e5317_hd.jpg Research images (4) The city, the island, 2021. Courtesy of the Artist. https://imageproxy.viewbook.com/24529/9563fffa06f5ea8fbefecfc5dcd14ce1_hd.jpg Research images (5) https://imageproxy.viewbook.com/24529/a935fa361d6b098c3ce8a53c4a2f0e3f_hd.jpg Research images (6) Berlin (Grunewald), 2021. https://imageproxy.viewbook.com/24529/c0c892c7d973e0dc050a3cc5a293229d_hd.jpg Isaac Schaal Isaac Schaal creates conceptual and visual art using code and artificial intelligence. His art blurs the line between artificial and human intelligence, challenging viewers to reflect upon what ways they are, or are not, like a machine. His art explores value, empathy, humility, and our own algorithmic nature. He recently collaborated with artist Adam Broomberg for an exhibition at Galerie Barbara Thumm and an NFT project shown on SupeRare. He is a graduate of Minerva Schools at KGI, and lives and works in Fairbanks, Alaska. https://imageproxy.viewbook.com/24529/903f39d55c055456921bfdf7421baf4c_hd.jpg https://imageproxy.viewbook.com/24529/80e6940280f1eb12a84ffc7214e48f3b_hd.jpg www.archives.berlin | MOUSSE Magazine Research images (7) Study for a floating sculpture, 2021 https://imageproxy.viewbook.com/24529/f3ba3d4817fd032e926145db83d2306a_hd.jpg https://imageproxy.viewbook.com/24529/8f26bfa462d4ee84536102161eb6d2d5_hd.jpg http://www.notalike.com/alike/adidas 2018-11-23 weekly 0.5 https://imageproxy.viewbook.com/5f94fb3fdb7257b486d353a1b7a63111_hd.jpg Agency: TBWA / Client: ADIDAS https://imageproxy.viewbook.com/144a50c0c8151a634b263241fe5e1851_hd.jpg Agency: TBWA / Client: ADIDAS https://imageproxy.viewbook.com/6d79ef08cd64942584daa3b7aa4657c5_hd.jpg Agency: TBWA / Client: ADIDAS https://imageproxy.viewbook.com/5b14af95d25dd69215a134094a1c5226_hd.jpg Agency: TBWA / Client: ADIDAS https://imageproxy.viewbook.com/aa5713f2b685fa5b22b4644b0142d77e_hd.jpg https://imageproxy.viewbook.com/ac96359d01f58707521b3bd318627158_hd.jpg Agency: TBWA / Client: ADIDAS https://imageproxy.viewbook.com/aafd1b6ae560b9f435820d6070dddc9f_hd.jpg Agency: TBWA / Client: ADIDAS https://imageproxy.viewbook.com/fd2702754dfd5e7a8cb053d70af10f3e_hd.jpg http://www.notalike.com/859145 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/b34d06835e7fe6f378150d0bc7ba81d6_hd.jpg The city, the island. ATRII/Berlin. Publication. ZK/U Press, 2022 The city, the island Zine project is designed in collaboration with Graphic Designer and Art Director Ilaria Pittassi. The texts are in collaboration with curator and researcher Alessandra Saviotti. https://imageproxy.viewbook.com/24529/1ce948a39809a827d80ec42b316d9fed_hd.jpg https://imageproxy.viewbook.com/24529/bb7d5c09c8d510dcc0a8bcb03a9b65dd_hd.jpg https://imageproxy.viewbook.com/24529/41a88c8c906b468a7ef4a6f7479af95d_hd.jpg NEWS! The city, the island is now available at ap in Berlin, a beautiful bookstore focusing on art located in Wedding, my neighbourhood ❤️. https://imageproxy.viewbook.com/24529/18d130c1daecd4e933d628691b7e5fda_hd.jpg BOOK LAUNCH THE CITY, THE ISLAND, ALICE PEDROLETTI, ZK/U PRESS 13.07.23 H18.30 - COMMERCE, MILAN. In complicity with Graphic Designer Ilaria Pittassi. https://imageproxy.viewbook.com/24529/5379c890cb5e2584d0c549111802d078_hd.jpg The city, the island. The city, the island. ATRII/Berlin. Book launch and Archive site specific exhibition at Commerce, Milan. https://imageproxy.viewbook.com/24529/ac6cea80067bb9735e6d209f0df274e1_hd.jpg The city, the island. The city, the island. ATRII/Berlin. Book launch and Archive site specific exhibition at Commerce, Milan. https://imageproxy.viewbook.com/24529/d9108339243f377ea1a6e1d6efd0ad76_hd.jpg Fragments: The Archive (Chapter N.4) Fragments: The Archive (Chapter N.4), 2023. Book launch. Site-specific installation at Commerce, Milan. https://imageproxy.viewbook.com/24529/b7cf860dab9be7ece416d77e7f8f3ae7_hd.jpg https://imageproxy.viewbook.com/24529/069361d8a9210f76c7423ff392bc1267_hd.jpg https://imageproxy.viewbook.com/24529/25d61b3d2e112aeac66f7fdf785d6951_hd.jpg https://imageproxy.viewbook.com/24529/f516f62e9596b53991462cc52ef71471_hd.jpg https://imageproxy.viewbook.com/24529/8808f0976dfc4e71499b7e64204811d7_hd.jpg NEWS! The city, the island is now available at Commerce in Milan (Via Tadino 30). https://imageproxy.viewbook.com/24529/028663474efa50907de88fbf631c793d_hd.jpg NEWS! We are excited to have the publication at the Canadian Centre for Architecture (CCA) in Montrèal! To purchase it from USA or Canada please follow the link: https://cca-bookstore.com/products/the-city-the-island?variant=40221496672337 https://imageproxy.viewbook.com/24529/2144729d4c3e8cf50ea09b1d7168f92b_hd.jpg NEWS! I'm excited to have the publication at Libreria Oolp in Turin (IT). To Purchase the book online, please visit: https://www.libreriaoolp.it/ https://imageproxy.viewbook.com/24529/1e57971ae0fec685ac5e93d8ef5bf91e_hd.jpg NEWS! I'm excited to have the publication at Luxemburg Libreria Internazionale in Turin (IT). https://imageproxy.viewbook.com/24529/f2b8d3e904715d49360699795417b17e_hd.jpg Death of a folding boat on dry land (at) bruno | Venice 'Death of a folding boat on dry land' is the final phase of the project The city, the island and tells the artist's idea of archives, island and boat. https://imageproxy.viewbook.com/24529/8025c4cf17d25180f81ef3b28b490bf4_hd.jpg NEWS! My publication went SOLD OUT at Bruno Bookshop in Venice! Thank you all. Some other copies have been delivered to Bruno, so now it's aveileble. https://imageproxy.viewbook.com/24529/4e3cd740389fdd669543224b1f3969ae_hd.jpg https://imageproxy.viewbook.com/24529/6cd2fbd357643828d50680f9aa8a5f47_hd.jpg Study for an archipelago Death of a folding boat (at) bruno | Venice. Presented by Untitled Association. In collaboration with Isaac Schaal and Ilaria Pittassi. Talk curated by Cristina Baldacci, https://imageproxy.viewbook.com/24529/3dc4964597fbd98ef3b68fd4bd052fe5_hd.jpg https://imageproxy.viewbook.com/24529/ff3530ba5cbb32c4ac9d7b3a3fb984ec_hd.jpg Study for an archipelago Study for an archipelago, 2022. 7 analogue photographs 50W cm x 75H cm (mounted on aluminium, with aluminium frame). Ed.3 https://imageproxy.viewbook.com/24529/3a7bdff0c6666b93d264536a04f59cb8_hd.jpg "Did I ever tell you that I suffer from labyrinthitis when in Venice for long periods? During a Biennale years ago, I had to walk with my hands constantly on the walls around me; I thought the city was sinking, and me with it." [Extract from Epistolary. Alice Pedroletti and Alessandra Saviotti. The city, the island. ZK/U Press, 2022]. https://imageproxy.viewbook.com/24529/a8009b722284e95243e51e5e76c5e155_hd.jpg https://imageproxy.viewbook.com/24529/856731273deb9fe97096800c2459f779_hd.jpg https://imageproxy.viewbook.com/24529/dd0ef144408c80fc43b3e363fcf3a6d2_hd.jpg The historic Italian company Jannelli&Volpi produced the wallpaper. The pattern shows some drawings created in collaboration with artist Isaac Schaal and an Artificial Intelligence (AI): they are sketches of the plans to build a foldable, archivable and transportable boat Alice is building. https://imageproxy.viewbook.com/24529/342aae64c5f4fbeb1a5027a34e3af170_hd.jpg Graphic signs that you can also find in Her ship was so small (the Boatbuilder), the video in styleGAN that recounts precisely the exercises performed by the AI in drawing the plans. https://imageproxy.viewbook.com/24529/806bd496291be5ee69db8ceb1816f017_hd.jpg Her ship was so small (the boatbuilder) Her ship was so small (the boatbuilder) - SLOW (2022). Link at the bottom page. https://imageproxy.viewbook.com/24529/3b9580e683f0dbb6a66ec21447dcd967_hd.jpg The site-specific intervention for Studiolo, in the courtyard of bruno in Venice, is the evolution of the installation presented in Milan during miart by Untitled Association, project cultural partner; Studiolo at bruno in Venice is a project by Matteo Ghidoni - Salottobuono. https://imageproxy.viewbook.com/24529/ba006ef60e42521964e1d2a9398caabf_hd.jpg 'Death of a folding boat on dry land' (at) miart 2022 | Milan Presented by Untitled Association at miart 2022. In collaboration with Isaac Schaal and Ilaria Pittassi. On the occasion of the 2022 edition of miart – international contemporary art fair in Milan, Untitled Association is pleased to present Death of a folding boat on dry land, a project by Alice Pedroletti developed in line with the research undertaken at ZK/U – Zentrum Fur Kunst und Urbanistik in Berlin in 2021 with ATRII / Berlin. The city, the island, staged during the artist’s residence supported by the Directorate-General for Contemporary Creativity of the Ministry of Culture as part of the Italian Council programme. https://imageproxy.viewbook.com/24529/cc666855c6d0ece5b57c86e8418a486a_hd.jpg Death of a folding boat on dry land was conceived by Pedroletti as a transversal space in which to come to terms with two key themes from her research: archives and islands, through a display that foresees wallpaper produced especially by Jannelli&Volpi using CO.DE. Contemporary Design technology, with the aim of recreating a domestic environment as the backdrop of a monitor for a video titled Her ship was so small (the Boatbuilder) and a series of six frames photographs [Study for an archipelago]. Photos: Paolo Consaga. https://imageproxy.viewbook.com/24529/2d327bd96a127a070fc7c942feb32d31_hd.jpg Through the pattern of the wallpaper covering the stand, we may discover part of Pedroletti’s research which, in collaboration with the artist Isaac Schaal, undertakes the creation of a prototype for a folding boat entrusted to a form of Artificial Intelligence (AI), devised as an assistant or even a duplicate of the artist herself. In antithesis to what machine learning foresees, providing thousands or millions of similar data to allow the machine learning system to achieve the greatest possible simulation of human response, Pedroletti instead uses far smaller datasets, which she collects, cleans and reorganises, following an order based on the perception of colour, the visual association of form, human instinct and emotions. https://imageproxy.viewbook.com/24529/17d409fb956b5916db32f91c97f0099e_hd.jpg Her ship was so small (the boatbuilder) These are all actions difficult to reproduce mechanically, yet which may be imitated through the programming of a specific algorithm. Pedroletti and Schaal thus set out to answer the question: “How can we create autonomy of thought in machine-learning systems?”. They do so by limiting the data input, which would appear to be an error due to its incompleteness – even in the subsequent output. Both artists see it as a work in progress, as scope for a new space of thought and mutual dialogue. An approach in which Alice addresses the machine as if it were a human being, entrusting it with a different creative responsibility and freeing it from a role: that of generating data as verisimilar as possible. https://imageproxy.viewbook.com/24529/0fb7db2344d5fc6463ab2f656d52c75b_hd.jpg Her ship was so small (the boatbuilder) - SLOW, 2022 Installation view at miart - milano art fair, 2022. https://imageproxy.viewbook.com/24529/1dab39fc2e2a05925a77f9c0c136a04f_hd.jpg Her ship was so small (the boatbuilder) Her ship was so small (the boatbuilder) - FAST (2022). Link at the bottom page. https://imageproxy.viewbook.com/24529/00e894202ec93acfab396b88a486a6fb_hd.jpg Her ship was so small (the Boatbuilder), the video in styleGAN, presented to the public for the first time, narrates these exercises carried out by AI in drawing up the plans for the construction of a boat: sequences of images shown in an almost primitive form, despite their elaborate figurative complexity. They are contemporary hieroglyphics describing a utopian object: a boat that is body-sized and easy to transport, with which Pedroletti ironically proposes that we might sail to an island or our idea of an island. https://imageproxy.viewbook.com/24529/1a42c8b53d35c246080b599344517981_hd.jpg Study for an archipelago The work is accompanied by six photographs from the series Study for an archipelago, depicting various scenarios in dialogue with one another through materials, traces and presences aimed at recreating an emotional cartography in which the artist relates the social island typical of the urban context to the natural island. The images have been published over the past few months in the pages of CURA. and Mousse magazines in view of the launch of the platform www.archives.berlin https://imageproxy.viewbook.com/24529/3dd3192dace2a8c0b8204c470dc5ecb4_hd.jpg Study for an archipelago Study for an archipelago, 2022. 6 analogue photographs 50W cm x 75H cm (mounted on aluminium, with aluminium frame). Ed.3 https://imageproxy.viewbook.com/24529/97bea06fa1f6413a02c9c5ec11d76e30_hd.jpg https://imageproxy.viewbook.com/24529/7a158450ef153f2ccb842a1b8e4c2077_hd.jpg https://imageproxy.viewbook.com/24529/75155d82b3f1a9db09c63cb703a0619c_hd.jpg https://imageproxy.viewbook.com/24529/06fafce05db5894f5eaa93505dffd5f3_hd.jpg https://imageproxy.viewbook.com/24529/1b32f502411077c3918e2ff0c7212031_hd.jpg https://imageproxy.viewbook.com/24529/171c388b971cde02e738af0257fa50b2_hd.jpg https://imageproxy.viewbook.com/24529/9c1fca9c7c5a8a1f1236f0af1384aa51_hd.jpg http://www.notalike.com/alike/dainese 2018-12-06 weekly 0.5 https://imageproxy.viewbook.com/24529/44118f2cfed5e700db9ec111e8b3e966_hd.jpg https://imageproxy.viewbook.com/24529/71752ba8428e61c3ed3131ee527a366d_hd.jpg https://imageproxy.viewbook.com/24529/382685b0bac74129ca40f68dd9a00852_hd.jpg https://imageproxy.viewbook.com/24529/76616a645e4fc4da3f7660b153261020_hd.jpg https://imageproxy.viewbook.com/24529/ff4edb3c4eb5f6fcc20b6c55dde053d4_hd.jpg https://imageproxy.viewbook.com/24529/c1384cef478913f31d67ae00fad1d889_hd.jpg https://imageproxy.viewbook.com/24529/8681c1197b4908fb9ae11b6da4bd3da3_hd.jpg https://imageproxy.viewbook.com/24529/f0867423cd52ea7ec3b67796c18892a2_hd.jpg https://imageproxy.viewbook.com/24529/1d29375527202ba04b5ed8aee2858776_hd.jpg https://imageproxy.viewbook.com/24529/7b074390da032327850d67d1831a5ab2_hd.jpg https://imageproxy.viewbook.com/24529/0b7e2ef823a45897e917b7e11b43906c_hd.jpg https://imageproxy.viewbook.com/24529/4388766f308b2740d1f5ab4d001c114c_hd.jpg https://imageproxy.viewbook.com/24529/0d69515003abecf859d4328d4223b4da_hd.jpg https://imageproxy.viewbook.com/24529/4ae5164a2bfa66cfc413ff32261a8c25_hd.jpg https://imageproxy.viewbook.com/24529/c05f63f57fa203b0dfa19515de697c85_hd.jpg https://imageproxy.viewbook.com/24529/bbc135e86d4b36f0efdb4fc4f59a3e2f_hd.jpg https://imageproxy.viewbook.com/24529/bc59a7c31e2d41c9e301e61d6304ac4c_hd.jpg https://imageproxy.viewbook.com/24529/70a33fe1bc1f5987de8e3b63effb781a_hd.jpg https://imageproxy.viewbook.com/24529/ae504c42bc583d61488d21ec7434c8b5_hd.jpg https://imageproxy.viewbook.com/24529/a334cd92f05da043b7a2361c7598e3aa_hd.jpg https://imageproxy.viewbook.com/24529/3ee1deb9dcdae3abd91e36fa0e2ccc04_hd.jpg https://imageproxy.viewbook.com/24529/2c673fbf59eb5869c77c568bd3c81dea_hd.jpg http://www.notalike.com/archive/actions-for-a-landscape 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/9f5d455a1e1ddef1c59978a6674515c0_hd.jpg Pinksummer gallery (Genoa - IT): in the context of the shows Filling the absence by Yona Friedman and Peter Fend. In 1973 Gordon Matta-Clark, invited to Genoa by the Forma gallery, created one of his first legal cutting interventions: A W-Hole House. The artist transformed the architecture of an abandoned house in Sestri Ponente, not far from Val Polcevera and the districts of Sampierdarena and Cornigliano, into "an architecture". First of all, we would like to understand here as an act of interruption of thought conventional. "Anarchitecture is making space without building it", - writes Matta-Clark - "Anarchitecture adds a notion of non-material events. Architecture is closer to the perfect game of voids". Artists are asked to work with the absence and possibly fill it. It deals with an elusive, not cynical, provocation; we would like the collapsed bridge, like the house in Matta's project. Clark A W-Hole House became an anarchist structure, devoid of univocal meaning, beyond every dogmatic border with its grande cut. https://imageproxy.viewbook.com/24529/f430738f3147fb7a8d4a82b583e69f70_hd.jpg Its bewildering beauty is capable of receiving an intrusion beyond any paternalizing consent. Working in absence and absence is talking with someone or something that should have been in that place or that has been in that specific space for some time. One would ask to work oxymoronically with a presence/absence, perhaps to enable one different mobility (dialectic?). It means imagining that we can redistribute a mass, charged with tension and perhaps also ambiguity, to transform it into one of the possible futures. On a neurological level, the absence is a fleeting suspension of consciousness: a crisis, which then remains the impression that something happened profoundly anomalous (absurd?). We want the cutting of the viaduct over the Polcevera stream to work together with you: inviting you to intrude, hosting your transformations, as if the physical and the conceptual were reclining at the same instant within a "presentology" freed, perhaps by a sudden breath of democracy, from sequential time. https://imageproxy.viewbook.com/24529/a4cc131d70b3430610409bece5bd16d7_hd.jpg The Polcevera viaduct (also known as the Morandi bridge or the Condotte bridge) Photo: Emanuele Piccardo https://imageproxy.viewbook.com/24529/1370be0bfd5d764d2a3afe51a8df3b15_hd.jpg https://imageproxy.viewbook.com/24529/efae2d60337b361df0591bf545a9aeea_hd.jpg Actions for a landscape (A), 2019 I worked with Photoshop, manipulating the starting image with different actions. There is no past and future in what I see, only what I observe. The landscape is wounded by various architectures inserted with violence, both in their presence and absence: architectures alien to the place imposed but fragile. I wondered how to resolve that broken and disharmonious vision. I isolated the elements "sky", "hill", and "broken bridge". I moved them to fill that visual void with natural architecture, leaving the image apparently unchanged. I then cleaned it from any sign of dust from the scan, down to the last grain, as in a sacred ritual. https://imageproxy.viewbook.com/24529/ee28365ed8192c3250123c290c02c875_hd.jpg https://imageproxy.viewbook.com/24529/10874f03012ee6c2920b25221fac68a1_hd.jpg https://imageproxy.viewbook.com/24529/1b38f5df1aae228f52727390dbd0991a_hd.jpg https://imageproxy.viewbook.com/24529/69cf2c238023b89197c956538b7318e9_hd.jpg Actions for a landscape (B), 2019 Opposite to this first exercise on the "solid", there is one about the void. It's an attempt to reconstruct the idea of a bridge: through two elements previously isolated from the landscape and reunited in the space of the white sheet. What is missing is "everything": to underline how architecture's origin must be rethought, especially when it becomes an object of function and not an element of a union. Actions for a landscape (A-B), 2019 2 colour photocopies on 160gr paper, A4 format http://www.notalike.com/alike/eni-adv-campaign 2018-12-06 weekly 0.5 https://imageproxy.viewbook.com/50eda841b1d7ed4b6fdf9feb0aafb245_hd.jpg ENI Dott.Bang! / ADV Campaign 2011 ENI Dott.Bang! / ADV Campaign 2011 Agency: TBWA Client: ENI Production: The Kitchen Photographer: Alice Pedroletti Post production: Alice Pedroletti - Alikè Studio https://imageproxy.viewbook.com/1b2454e03f34e1b56f4dabb5abd6e59c_hd.jpg ENI / ADV Campaign 2011 https://imageproxy.viewbook.com/dc79119ee7aaf3ae579979287c260b39_hd.jpg ENI / ADV Campaign 2011 https://imageproxy.viewbook.com/bd351256e4951ae1c6dff8e9519e5180_hd.jpg ENI / ADV Campaign 2011 https://imageproxy.viewbook.com/0a2b3ab5c2b97f48d7da170585dce40c_hd.jpg ENI / ADV Campaign 2011 http://www.notalike.com/archive/senza-titolo 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/729266967780b916d53c0599ae1a499b_hd.jpg https://imageproxy.viewbook.com/24529/17d71b42ceeb639a9b03a7f33b365f8f_hd.jpg PH Courtesy Municipality of Gozzano https://imageproxy.viewbook.com/24529/5947b2a35da7cbb45b16cf3e2d3cd6ee_hd.jpg PH Courtesy Municipality of Gozzano https://imageproxy.viewbook.com/24529/2ba889a17de0516766f797440ac04720_hd.jpg PH Courtesy Municipality of Gozzano https://imageproxy.viewbook.com/24529/db397064c835bde929e89ffd9a1614b5_hd.jpg PH Courtesy Municipality of Gozzano https://imageproxy.viewbook.com/24529/b1c6e8944793dcdb4a4415c95fb359ba_hd.jpg PH Courtesy Municipality of Gozzano https://imageproxy.viewbook.com/24529/53deb9b41e94a774c8891442e3f27ad6_hd.jpg https://imageproxy.viewbook.com/fb04ee743d89bbbbf26bee01893e76f6_hd.jpg Gozzano and the Bemberg, in the background the Orta Lake (PH Courtesy Municipality of Gozzano, from the Public Library archive – 1950 ca) https://imageproxy.viewbook.com/84292e73ae30552c902b656b12a9dbb8_hd.jpg Women workers during a summer trip organized by the factory. (PH Courtesy Municipality of Gozzano, from the Public Library archive – 1950 ca) https://imageproxy.viewbook.com/c5d2ef569f67154d92296f5957019f0d_hd.jpg My Grandmother with her colleagues in front of the main entrance of the Bemberg in Gozzano. From my family archive. https://imageproxy.viewbook.com/7f73c53562d96590ddf4d88b19f1e5c1_hd.jpg My Grandmother work book. (Family archive) https://imageproxy.viewbook.com/089778c362269f39caac01f7477d048f_hd.jpg Study for the wall album and the wallpaper work made by photocopies. https://imageproxy.viewbook.com/24529/29c0373b8a42eedec59bf3b382144531_hd.jpg https://imageproxy.viewbook.com/24529/0a8b09fab5846fc196f7c622302f6fbf_hd.jpg https://imageproxy.viewbook.com/a481feca60f1bfcc59d4a919fa71fb14_hd.jpg My art work-book. https://imageproxy.viewbook.com/7189916a5f4830d738492b5cf64d2def_hd.jpg Inside the Bemberg. https://imageproxy.viewbook.com/24529/c5f7f2bab92883b517894a3dfd4c5fb0_hd.jpg https://imageproxy.viewbook.com/24529/6f1484834c4ac8108133a533330970e0_hd.jpg https://imageproxy.viewbook.com/86b64526461bf36348cd25f826b42675_hd.jpg An old ADV for the Bemberg factory. https://imageproxy.viewbook.com/455fd6fcaf19f31b4b65853833734f8a_hd.jpg Inside the Bemberg. https://imageproxy.viewbook.com/fb03406d34219c12802dead57ad9cb80_hd.jpg Inside the Bemberg. https://imageproxy.viewbook.com/24529/dd1d436952673d374741fcb40c5982e3_hd.jpg https://imageproxy.viewbook.com/ae051bda1cdb0377424791244fd21f72_hd.jpg https://imageproxy.viewbook.com/24529/b982f37cb2c0885fbbcc9f2680e08b2e_hd.jpg https://imageproxy.viewbook.com/24529/42617ad560ca21cb90bf8d8985667b6c_hd.jpg https://imageproxy.viewbook.com/0fc9a2276a10109ffc7da52633d241d5_hd.jpg Pictures from the wallpaper album at the Eventinove Gallery representing details of the working life of the factory, traces of a human presence. My works starts always from a photographic survey in the territory, but I don’t show always what’s behind the final results of the piece. For this installation for example pictures were printed small and mounted in layers for the wall album, as small pieces of memory. Shot at the Bemberg in Gozzano (Italy) 2012. https://imageproxy.viewbook.com/94d65d68b0750f381cc00484ab9ff039_hd.jpg https://imageproxy.viewbook.com/498521cb23d8f4858152fc8f68ce3af0_hd.jpg https://imageproxy.viewbook.com/24529/870147c4b52b4cfb492b47f5f070add0_hd.jpg https://imageproxy.viewbook.com/11716c3497ddd59882007cfcdf6197cf_hd.jpg Pictures from the wallpaper album at the Eventinove Gallery representing details of the working life of the factory, traces of a human presence. My works starts always from a photographic survey in the territory, but I don’t show always what’s behind the final results of the piece. For this installation for example pictures were printed small and mounted in layers for the wall album, as small pieces of memory. Shot at the Bemberg in Gozzano (Italy) 2012. https://imageproxy.viewbook.com/2a03bc1f02613014528c0277e1c17718_hd.jpg https://imageproxy.viewbook.com/ff2ae3778c39f5d0dd20a4bf85e967d3_hd.jpg Senza Titolo. 2012 Group show - AKM0 art residency, Eventinove gallery. Mixed media installation (objects archive, books, audio, photocopies, photographs, pvc, boxes, table) https://imageproxy.viewbook.com/dd262b62769470b262bec4e656bbb2c4_hd.jpg https://imageproxy.viewbook.com/0c51e84fe80c888dea22adb279b81fd6_hd.jpg Diptych for Mediterranea 16 - Biennial of young artists https://imageproxy.viewbook.com/1e30d4c2429b82ab21ffc9c9e0efd61e_hd.jpg Senza Titolo. 2013 Installation for MEDITERRANEA 16 - Biennial of Young Artists from Europe and the Mediterranean. Section: End of Modernism. http://www.mediterraneabiennial.org/16-errors-allowed/ Mixed media installation (objects archive, book, wall photocopies picture, photographs, table, light bulb). https://imageproxy.viewbook.com/08cae7aea3df3850c6f1702cd6aacddb_hd.jpg Sacra Regina, 2013 from the project Senza Titolo. Installation view for the show Roaming. Curated by Alessandro Castiglioni and Ermanno Cristini at PLATFORMA, MNAC, Bucharest. www.roaming-art.it Audio MP3, loop, photocopies, old picture from my family archive. Senza te Sacra Regina performed by La Corale, Bemberg. Extract from the LP Bemberg. Video: http://vimeo.com/notalike/sacra-regina https://imageproxy.viewbook.com/3f5c7f1b92e0337fc8ec5c40c0feba15_hd.jpg https://imageproxy.viewbook.com/320795ecc442b86b141bbc916701bf89_hd.jpg http://www.notalike.com/863998 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/2b4b22f06169c329d153b8ccb98e4cde_hd.jpg Her ship was so small + The city, the island. ATRII/Berlin The show Her ship was so small, presented by Cordts Art Foundation and Untitled Association, follows Islands never cry (2021) and Death of a folding boat on dry land (2022), previous chapters of Pedroletti's research. The artist has been supported by the Italian Council (9th Edition, 2020), a program to promote Italian contemporary art in the world by the Directorate-General for Contemporary-Creativity of the Italian Ministry of Culture. Pedroletti's project is realised in collaboration with artist Isaac Schaal, graphic designer Ilaria Pittassi, and curator Alessandra Saviotti and supported by the Italian design wallpaper company Jannelli&Volpi. The show is in complicity with writer, editor and agitator Dalia Maini. https://imageproxy.viewbook.com/24529/244b10c8762523e0a2004b0f1f4ee76b_hd.jpg Her ship was so small Exhibition view at nogallery in Berlin, 2023. Project in complicity with Dalia Maini. Presented by Untitled Association and Cordts Art Foundation. https://imageproxy.viewbook.com/24529/08113e1482b220fca1d10a8e7cb95f74_hd.jpg Pedroletti employs canonical and experimental media, like Artificial Intelligence. The AI is an assistant to the artist and trained with an archive of boat design plans collected during her research. The dataset is emotionally and perceptively rearranged to create an intimate visual language to communicate with the machine. The artist’s obsession with archives and vessels, both ideological and embodied, leads to the repetition of a gesture comparable to the one of the machine, aimed to resignify the historically connotated destiny of boats: from a tool of displacement and extraction into that of a boat (body) archive. https://imageproxy.viewbook.com/24529/6cb192383776e210b53668fc56d8fef7_hd.jpg Death of a folding boat on dry land, 2022 https://imageproxy.viewbook.com/24529/ef7a3ba5296e91d90c3f8ecef56a69c1_hd.jpg Death of a folding boat on dry land, 2022 - Sculpture (tube), 2023 https://imageproxy.viewbook.com/24529/e8630ca12d1f23d5db81eb69c42bff37_hd.jpg Study for an archipelago, 2023 - Death of a folding boat on dry land, 2022 https://imageproxy.viewbook.com/24529/fe2b189ba50552bafc2b3b6f5da52747_hd.jpg https://imageproxy.viewbook.com/24529/939f123bd2734a4e77c9eda41c6f237c_hd.jpg Her ship was so small (the designer), 2023 https://imageproxy.viewbook.com/24529/69a01704ca02f9c2a7fc408fd988c5ef_hd.jpg In the video, Her ship was so small (the boatbuilder), 2022, the boat becomes a fluid and organic exercise, an exoskeleton that protects and stores traces of resistance and affection. The same affection nourishes the dialogue between Pedroletti’s boat-related datasets and her artificial intelligence resulting in a wallpaper [Death of a folding boat on dry land, 2022] where thousands of abstract and primitive signs create an orderly archipelago of vessels. https://imageproxy.viewbook.com/24529/0fb7db2344d5fc6463ab2f656d52c75b_hd.jpg Her ship was so small (the boatbuilder) - SLOW, 2022 Installation view at miart - milano art fair, 2022. https://imageproxy.viewbook.com/24529/a10dfa5f09fe2798a4b9d5bd2a7dffea_hd.jpg Her ship was so small (the designer), 2023 Acrylic on wrapping paper https://imageproxy.viewbook.com/24529/ec8bc708e535d96a092cb87aab80fc08_hd.jpg Study for an archipelago, 2023 Calabria coast, Italy. https://imageproxy.viewbook.com/24529/4b0f777e10a882171990545942521f63_hd.jpg Study for an archipelago, 2023 Calabria coast, Italy. https://imageproxy.viewbook.com/24529/9b6d253fcb925cfd97091024ae11c4e7_hd.jpg The work layers the walls of the gallery along with a new series of drawings [Her ship was so small (the designer), 2023] and environmental photographs [Study for an Archipelago, 2022 - ongoing]. Playing with scales of information and archives, the artist guides the visitor through an emotional cartography in which urban and natural islands are related. What’s the fabric that brings together all these elements? Pedroletti invites the audience to find their navigational tools. https://imageproxy.viewbook.com/24529/d0c665c2f5cc6d62cc95c7eea161611f_hd.jpg Study for an archipelago, 2023 https://imageproxy.viewbook.com/24529/266fe8a7eda4548b12f5e7ea6ab947b1_hd.jpg Study for an archipelago, 2023 Berlin, Schwanenwerder. https://imageproxy.viewbook.com/24529/a4846df6c7f93c3b2edcca4afc23a5a9_hd.jpg Berlin, Grunewald. https://imageproxy.viewbook.com/24529/6f13261a0682ac9f58b7aa70eb6788fd_hd.jpg Calabria coast, Italy. https://imageproxy.viewbook.com/24529/c01bd1c420540737779dee805ddd6d09_hd.jpg Her ship was so small (the designer), 2023 https://imageproxy.viewbook.com/24529/4bdf2345ba0ed41f96487c030a689b07_hd.jpg https://imageproxy.viewbook.com/24529/006bd965e8e3035a8c6c3f1398f2f248_hd.jpg https://imageproxy.viewbook.com/24529/00dd28c3979ffaf42fcca17fb374c77e_hd.jpg https://imageproxy.viewbook.com/24529/31f8f6267db816ed75b56ba8a55006bb_hd.jpg Her ship was so small (the designer), 2023 https://imageproxy.viewbook.com/24529/a325643079261b8cf2e4266ed698c370_hd.jpg https://imageproxy.viewbook.com/24529/e90f15c16fbd30a241b027c2799a2fc6_hd.jpg The city, the island. ATRII/Berlin (book launch) In conjunction with the show's opening, the publication The city, the island. ATRII/Berlin, published by ZK/U Press, will be presented with a round table discussion with artist Alice Pedroletti, Alessandra Saviotti, cultural activist and researcher, and artist Derek MF Di Fabio. Dalia Maini moderates the conversation leading some of the book topics Toward the Archipelago: reflections on how the proximity of cultural and environmental resources influences urban infrastructures and collective art practices. (Ph.Yanina Isla) https://imageproxy.viewbook.com/24529/9deab6106fe29af041f4bf100793255a_hd.jpg (Ph.Yanina Isla) https://imageproxy.viewbook.com/24529/b068490914827b48680aaf4e5944e0a0_hd.jpg (Ph.Yanina Isla) https://imageproxy.viewbook.com/24529/b9d72c251dba0ecc68247bc390d820e6_hd.jpg (Ph.Yanina Isla) https://imageproxy.viewbook.com/24529/d1a86ea3cb48352ab2040d9380ab38d1_hd.jpg Study for an archipelago, 2023 Teufelsberg, Berlin. https://imageproxy.viewbook.com/24529/9fb50de01f2fdc08f21efe39f77e35af_hd.jpg https://imageproxy.viewbook.com/24529/78371f593539fe83524e126ecfb7994c_hd.jpg http://www.notalike.com/bemberg 2017-07-22 weekly 0.5 https://imageproxy.viewbook.com/24529/0c1b6e1859bd561f9c99cadc3444b112_hd.jpg https://imageproxy.viewbook.com/24529/bce2af298936f8e2ed18bcb7556b5ea0_hd.jpg https://imageproxy.viewbook.com/24529/cb8b3cf3f0feebc0b9d7065de55056c9_hd.jpg https://imageproxy.viewbook.com/24529/db49cc11386270ead7a8f861673fa607_hd.jpg 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https://imageproxy.viewbook.com/24529/ae0c7514fae252bedab33f63c37edba6_hd.jpg ARCHITETTO, 2018 Installation view | Prière de toucher 6 | Fondazione Bandera. A project curated by Ermanno Cristini, Luca Scarabelli, Giulia Brivio. https://imageproxy.viewbook.com/24529/f62f138aa324938cf240b8223323b79d_hd.jpg In ARCHITETTO contrasts are mixed up. Wordplays and meanings are hidden, while they are hiding they are potentially revealing pieces of a house, a room, a where. The elements on display, one photograph, and two sculptures, they are residual of something that existed, or ideas for anything in progress. They are the first element to be placed or the last one left to protect. In the seeming stability of the two media, a third element ambiguous and unstable comes in: to exist as an opera it can't accomplish its function as an object, vice versa to exist as an object, it needs the same space that is missing within the opera. What to do then? What decision to make? https://imageproxy.viewbook.com/24529/9b681ca25e93fca03bdd97d0148d829d_hd.jpg In the Italian language, the word Architetto (architect) refers to a profession, but it is also the first singular person of the verb architettare, to plan in English. The general meaning of the verb, therefore, is directed to the plot, the deception, the trick. The contradiction is with the architect, the noble profession whose greatest purpose is to modify, influence, rationalize or simplify the existence of the others: from the daily life of everyone, and their private space, up to the public and collective one. The artist is also a third element: the one without constraints that saves the objects. The one who assembles them free of functions because they are unique and unrepeatable copies. The artist grants the audience the role of the architect and the opportunity to push the imagination beyond a certain volume, that of a real house, to create an imaginary space starting from these three apparently simple elements of a place where nothing appears as it is. We finally find ourselves in the scenery between two worlds existing in reality only because they are hiding one into each other. https://imageproxy.viewbook.com/24529/eb768d740805e76c8955a41791f62522_hd.jpg Studio work https://imageproxy.viewbook.com/24529/22ce9aa4b67f53b2f0a7e346acf2ced3_hd.jpg Studio work https://imageproxy.viewbook.com/24529/28a9e3765094e70e04768de5ef74270e_hd.jpg Work consists in a black and white photograph of a threshold staircase without the house, a sculpture of debris from a wall in my studio now demolished and a handmade single-piece brass sculpture that allows you to roll and unroll the wallpaper. The wallpaper shows a photograph repeated hundred of time in which a concrete structure seems to support the sky. The final wallpaper volume is equivalent to the wall I had in my studio with which the public is therefore indirectly related. https://imageproxy.viewbook.com/24529/b6e5110696d172cd497808a9d6157907_hd.jpg Wallcovering design https://imageproxy.viewbook.com/24529/eed55e41e5d7e1ff52dcbb392573a35a_hd.jpg ARCHITETTO boasts the support of Jannelli & Volpi, a company founded in 1961 by Oreste Jannelli and leader in Italy in wall coverings and furnishing fabrics. Jannelli & Volpi is 100% Made in Italy product, with the highest standards of style and quality. In 2014 it opened the new production site in Tribiano: a futuristic factory where innovation and creativity are expressed at their best and where all the energy of management and production is concentrated. Jannelli & Volpi is technical sponsor of ARCHITETTO producing a limited edition wallpaper from the artist photograph with the JWall tailor-made printing technique. https://imageproxy.viewbook.com/24529/f757244c3240bd0bc0bffc09e953b916_hd.jpg https://imageproxy.viewbook.com/24529/c1435077c293c39761ee8f3caaac78ff_hd.jpg https://imageproxy.viewbook.com/24529/f5d80aaf3d368107f6b51ba2f2266de5_hd.jpg https://imageproxy.viewbook.com/24529/ffde9cdbaef90a803fb5db1a0b6bedbd_hd.jpg https://imageproxy.viewbook.com/24529/e05eb01229a24679ba8e910ade695308_hd.jpg http://www.notalike.com/archive/consistency-1 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/d6336316629a16141b305f64ae97ecb4_hd.jpg https://imageproxy.viewbook.com/24529/96ecc94ab67571fc20df25afd20d7a86_hd.jpg Paesaggio A e B (Landscape A and B). (ceramica, legno, miele, sapone per piatti, telo tecnico da campeggio / ceramic, wood, honey, dish soap, technical camping cloth) https://imageproxy.viewbook.com/24529/dae6b78da805780804ba169cfe5ca9fc_hd.jpg Paesaggio A (Landscape A) (ceramica, legno, telo tecnico da campeggio / ceramic, wood, technical camping cloth) https://imageproxy.viewbook.com/24529/ac2d16ba5f5947061ecceb1d89baf073_hd.jpg Paesaggio B (Landscape B) https://imageproxy.viewbook.com/24529/747206d7e53d4b49457973f21638c4b2_hd.jpg https://imageproxy.viewbook.com/24529/2f82574e362d45f2d8e1f46d8b9d09dd_hd.jpg https://imageproxy.viewbook.com/24529/4cd932533143fe5b7e7c32584e881c06_hd.jpg Alfabeto instabile (sculture per fotografia) Collant, vetro, plastica, ceramica, acqua, spugne, palline da ping pong, specchi, ferro, ombre. Dimensioni variabili. © 2017 Alice Pedroletti https://imageproxy.viewbook.com/24529/6510974e04708a9ba239aad6a1fbc075_hd.jpg https://imageproxy.viewbook.com/24529/9acbb8002239fa9233a0afa41590cac1_hd.jpg https://imageproxy.viewbook.com/24529/3a4b63503c6a4928db48d14451dc7d1f_hd.jpg https://imageproxy.viewbook.com/24529/bdaa7100b1e836371522501203f51cae_hd.jpg https://imageproxy.viewbook.com/24529/a4f3f8c2ab0814afa51b8412701246fc_hd.jpg https://imageproxy.viewbook.com/24529/c2c3cb1cfb85e42c6232200c34d34e0f_hd.jpg https://imageproxy.viewbook.com/24529/ce25064f3297144c3264e159f4d1f833_hd.jpg Alfabeto instabile (sculture per fotografia) https://imageproxy.viewbook.com/24529/2c8315e6df95a53297a2608077c57540_hd.jpg Esercizio 1 di 28. Come misurare un oggetto nello spazio. https://imageproxy.viewbook.com/24529/9be8e06df89ad79aa061506a990b12de_hd.jpg Esercizio 2 di 28. https://imageproxy.viewbook.com/24529/89a6c33913b3fcc1061c7ddac817f9fc_hd.jpg Esercizio 3 di 28. https://imageproxy.viewbook.com/24529/146d0ae5483a8c977461eeb6095bfbc9_hd.jpg Esercizio 4 di 28. https://imageproxy.viewbook.com/24529/ca65fb4fef75fe5f29bcb875216faacf_hd.jpg Esercizio 5 di 28. https://imageproxy.viewbook.com/24529/6fc837d70dc84ef3fd555a0d492485dc_hd.jpg https://imageproxy.viewbook.com/24529/b50598caeeac400dbce1f586366edc6c_hd.jpg https://imageproxy.viewbook.com/24529/05e7d25c71ce92f752e33286807dc56b_hd.jpg https://imageproxy.viewbook.com/24529/6b48b7cc3fbfece36584348c7f0b34a9_hd.jpg https://imageproxy.viewbook.com/24529/e7a1a0939c454ec8bdfdda212517cc0d_hd.jpg https://imageproxy.viewbook.com/24529/3127c826712a0a4b02f5e045f1722069_hd.jpg https://imageproxy.viewbook.com/24529/c45c555c85a2ccf08866d45753ad2fdf_hd.jpg https://imageproxy.viewbook.com/24529/60f35732dc461ca9a899720a116aad7a_hd.jpg https://imageproxy.viewbook.com/24529/54112defc59109d9de322b44813f32f3_hd.jpg https://imageproxy.viewbook.com/24529/afc20c520e4a1307953ff7d92db8b574_hd.jpg https://imageproxy.viewbook.com/24529/ef549e1220a73d4ab2adb48321b566d4_hd.jpg https://imageproxy.viewbook.com/24529/e26d7566a56740a7465e540f9272fcde_hd.jpg https://imageproxy.viewbook.com/24529/d962bb722ed2bf50aedc48dac1c8e517_hd.jpg https://imageproxy.viewbook.com/24529/0830e146d7eb4b921c4d711ee8da8f92_hd.jpg https://imageproxy.viewbook.com/24529/65bd11ff28bf5a3f1f0176b8ec4dd417_hd.jpg https://imageproxy.viewbook.com/24529/4da3ffaadc8b381dab791d0c0c3e02fa_hd.jpg https://imageproxy.viewbook.com/24529/751668eb4b7bf6f5d31b70cfb7ae06e6_hd.jpg https://imageproxy.viewbook.com/24529/f91a39bbf33b4a5eff6e5b0c7dd8c95a_hd.jpg https://imageproxy.viewbook.com/24529/e4635f4eda4713f561f6437b67687db0_hd.jpg https://imageproxy.viewbook.com/24529/41a5a11636edc937913fe1cd8fa39456_hd.jpg https://imageproxy.viewbook.com/24529/033e37561e78d5fda318e2d76478ac88_hd.jpg https://imageproxy.viewbook.com/24529/00d9df679bc80e01e48399847078f02e_hd.jpg https://imageproxy.viewbook.com/24529/488c36d08eb30f5d3eba951010356dbb_hd.jpg http://www.notalike.com/archive/p-a-r-i-g-i-paris 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/e8272c9df5dfcb7f5ca8b0eeadcde790_hd.jpg P A R I G I (Paris), 2015 My work focuses on imagination and relationship, immaterial sculpture and photography. The story is interrupted, nobody knows what's happening, the only clue is a short sentence, extract from a short tale that no one can read. I realized a water sculpture and a printed glass. I divided my work like the plinth and its sculpture. https://imageproxy.viewbook.com/b8225531b88ba43f742c087a2c7e3a46_hd.jpg Temporary water sculpture: action in a public space (water, plastic veil, marble base). https://imageproxy.viewbook.com/e001935dc5f3df36bc530943a61a10b4_hd.jpg https://imageproxy.viewbook.com/24529/c6b99e76f3d99dceb485b2142cbbf326_hd.jpg https://imageproxy.viewbook.com/24529/7de8c353b4c7a859ab29080b9dac4eb1_hd.jpg P A R I G I (Paris), 2015 To think of something to put on a base that no one can see, takes imagination. What if the thing I imagine doesn’t exist? What if the base had perished because it’s statue was lost forever? There will be a statue orphan then - somewhere - , torn or stolen from its plinth. Is this a sad story? It can be the opposite. The base and the sculpture are united again. Or is it for the fIrst time? It’s a story waiting to be written, a chemical formula. Molecules dance, chasing each other, loving one another, like two bodies in midair. What is Sculpture? My suspended imagination. That ephemeral, ethereal, immortal relationship. The photograph remains, as a monument, a memento, a kiss. Like hope. “I WISH I COULD BE IN PARIS”, she said. https://imageproxy.viewbook.com/6a22625ca9b59dc678211ac5f98dfdf1_hd.jpg BASE / Installation view BASE project (group show) was made on the proposal to rethink a forget marble base in Milan. Probably build to support a statue, the base was left alone without anything on it. Nine artists were called to investigate a reuse for the City. https://imageproxy.viewbook.com/24529/12ada2417d0e807ba5db4aa8dd89f964_hd.jpg TO S H A K E - TO U C H É, 2015 Sculpture (glass, copper, iron, distilled water, plastic glitters). https://imageproxy.viewbook.com/24529/f4342b87135cf0923f7ea87504820101_hd.jpg https://imageproxy.viewbook.com/24529/5c391e5f0122a639b8bfb6fd6589317e_hd.jpg BASE // Installation view From the first work P A R I G I (Paris), made for and into a Public space, I realized TO S H A K E - TO U C H É an object for a Private space where the base turned into a shelf. The work consists in a Snowball, a typical travel souvenir. Hand made and in one piece, the object allows people to create their own immaterial sculpture - with water and fragments - interacting with a gesture and playing with imagination, being artist for a little while. https://imageproxy.viewbook.com/24529/635d57d0c15a72fb856a4b9a42c2a0f4_hd.jpg http://www.notalike.com/847100 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/5c5c2b4d78b1640834a8c0500f466c3a_hd.jpg DIN DIN DIN-DIN*, 2019. 15 archive photos on A4 opal paper, restoration of a wooden structure, book with pliers, brick in kinetic sand. *DIN 4172 is the basis for brick and masonry dimensions. The standard is based on the international unit of length 1 m. https://imageproxy.viewbook.com/24529/e11e9d95273975f007a39aa8985299c4_hd.jpg ATRII / Mubilia DIN DIN. Installation view. ATRII curated by Gianni Moretti, Alice Pedroletti in collaboration with Alberto Zanchetta. MAC / Lissone – IT https://imageproxy.viewbook.com/24529/5261fb20a14779ed5f93ce0d76f7b10c_hd.jpg https://imageproxy.viewbook.com/24529/34fd3c77a0788ae72db8fec131cbfbe6_hd.jpg "I believe it is worth insisting that the usual and daily actions we all do - from working to talking, sleeping, eating, combing, etc. - were once ritual, sacred and intimate actions. They have been gradually reduced, in the modern era, to being banalities, poorly, and quickly done. Many operators introduce this problem into their work: in cinema, in art, in religion. However, it rarely happens that it is precisely the "objects" that denounce their errors of use, to challenge themselves, through imbalances of their form and function." (From a letter - Alessandro Mendini – Ottagono 39, CO.P.IN.A Edition – 1975) https://imageproxy.viewbook.com/24529/e12e6ab3cb8b671ff155f6486b4059bd_hd.jpg Actions, images, situations. What you see and the eye recognizes are familiar frames. Land art and Arte Povera iconographies: interventions in space where it doesn't ever take shape in effective geography. Daily habits or artistic performances? Without actual time, but attributable to a specific time, the photographs suggest and recall something that happened. The perception we have is the key to the reading: narration by form, by color, by similitude or by theme. Without any of us ever acting as the images suggest we do, we recognize gestures and intent, seeking their meaning or better the sense. We act by stereotypes: what we observe is standardized to an imaginary built over time, that one preceding the current vision. https://imageproxy.viewbook.com/24529/e078aa48c760008c95ea230701ff028c_hd.jpg https://imageproxy.viewbook.com/24529/59fa0b432a2553f0cfb82b1f1427c266_hd.jpg https://imageproxy.viewbook.com/24529/3d3505676c2ccc781e102de7214fba7a_hd.jpg https://imageproxy.viewbook.com/24529/8530f6682eb3c2767e7625f3e08a952f_hd.jpg https://imageproxy.viewbook.com/24529/510f77ab6b8756470c9dc241a4d5c1bd_hd.jpg Narrative ambiguity and deception are at the center of the story: that of an unknown artist who lived and perhaps exhibited somewhere, like many others. Images, on the other hand, are extracted and isolated from a context - a manual - that is now ironic, however severe: How to build an ideally perfect garden. Leaving aside the texts and the sequence of the instructions, the images tell the idea of ​​'standard' through different gestures and two object-forms: the brick and the A4 sheet. https://imageproxy.viewbook.com/24529/83f20658335195c3e66454121fadad85_hd.jpg A4 format, the equivalent size of these photographs - that we all know -, as well as the octometric brick, were introduced as standard size units in Germany in the 1920s by Ernst Neufert, an architect of the Bauhaus school and author of the book Architects' Data, a manual by consultation for spatial requirements in the design of buildings and houses. On the one hand, there are instructions for the use of space and its objects; on the other one are the guidelines for the construction of objects intended for space. https://imageproxy.viewbook.com/24529/58a2da9ad7b352ec4a5b88ea7e3c6727_hd.jpg https://imageproxy.viewbook.com/24529/6d5adb5a6f424b02661366fdcbafa21c_hd.jpg https://imageproxy.viewbook.com/24529/7f9462f72382ef984dd7bae3a672002d_hd.jpg https://imageproxy.viewbook.com/24529/2dc0f48d3dd6ba3dc80317e8ed3780c7_hd.jpg https://imageproxy.viewbook.com/24529/65924940546eb1206778bb4e292bd6e8_hd.jpg https://imageproxy.viewbook.com/24529/1515967d89d5d2f1e1d5eed187ffe116_hd.jpg https://imageproxy.viewbook.com/24529/52d9002507de305bc6c057d27872fbca_hd.jpg Everything we do today is bound by the standard, here, and above all, intended as a visual reference that guides us in deciphering what we perceive. https://imageproxy.viewbook.com/24529/f3f8873a0cb2d1a56a1a4199bf360507_hd.jpg The octometric brick that we observe as a relic is nothing but a fragile object, a remnant of a never-built garden or imaginary architecture. Made of kinetic sand instead of masonry, it abandons its structural function to assume the conceptual one: something that represents itself, without being able to fulfill the purpose that our gaze perceives. Just trying to move, it causes its shape to crumble, revealing the absence of function. Yet what we observe is really a brick of standard size, which Neufert proposed as a reference for building Hitler's Berlin, and after the war, it was adopted as a reference system for the reconstruction of Germany. An object here fails its intent, isolated from the context, and re-proposed as a sandcastle, communicating that he is something other than himself. As if to ask us a question, the same as the initial reflection: has the standard really facilitated and simplified our life or has it standardized those differences and difficulties that made a gesture, an action, an object, an individual, and his choices unique? http://www.notalike.com/alike/gazzetta-dello-sport 2018-12-06 weekly 0.5 https://imageproxy.viewbook.com/caf4588397c5f33b84b7522fcd859e6e_hd.jpg Gazzetta / ADV Campaign 2011 Agency: TBWA Client: Gazzetta (Dream Cup) Production: The Kitchen / FIRST FLOOR UNDER Photographer: Alice Pedroletti Post production: Alice Pedroletti - Alikè Studio http://www.notalike.com/alike/gnv-adv-campaign 2019-12-10 weekly 0.5 https://imageproxy.viewbook.com/4d6636f6953199fb5141ccc667575f28_hd.jpg GNV / ADV Campaign 2012 Agency: TBWA Client: Grandi Navi Veloci Production: The Kitchen / FIRST FLOOR UNDER Photographer: Alice Pedroletti Post production: Alice Pedroletti - Luca Fontana https://imageproxy.viewbook.com/6e6e08278e4c86a0d1ca3aa01235c1c8_hd.jpg GNV / ADV Campaign 2012 https://imageproxy.viewbook.com/05f313564197964331709731739044e5_hd.jpg GNV / ADV Campaign 2012 https://imageproxy.viewbook.com/aa1a3f2ac8f39fa7deee2a39c15c2bc6_hd.jpg GNV / ADV Campaign 2012 https://imageproxy.viewbook.com/24529/0dbe2ccadf7def0e5886f09702d1ff41_hd.jpg http://www.notalike.com/811291 2019-06-14 weekly 0.5 https://imageproxy.viewbook.com/729266967780b916d53c0599ae1a499b_hd.jpg https://imageproxy.viewbook.com/24529/17d71b42ceeb639a9b03a7f33b365f8f_hd.jpg PH Courtesy Municipality of Gozzano https://imageproxy.viewbook.com/24529/5947b2a35da7cbb45b16cf3e2d3cd6ee_hd.jpg PH Courtesy Municipality of Gozzano https://imageproxy.viewbook.com/24529/2ba889a17de0516766f797440ac04720_hd.jpg PH Courtesy Municipality of Gozzano https://imageproxy.viewbook.com/24529/db397064c835bde929e89ffd9a1614b5_hd.jpg PH Courtesy Municipality of Gozzano https://imageproxy.viewbook.com/24529/b1c6e8944793dcdb4a4415c95fb359ba_hd.jpg PH Courtesy Municipality of Gozzano https://imageproxy.viewbook.com/24529/53deb9b41e94a774c8891442e3f27ad6_hd.jpg https://imageproxy.viewbook.com/fb04ee743d89bbbbf26bee01893e76f6_hd.jpg Gozzano and the Bemberg, in the background the Orta Lake (PH Courtesy Municipality of Gozzano, from the Public Library archive – 1950 ca) https://imageproxy.viewbook.com/84292e73ae30552c902b656b12a9dbb8_hd.jpg Women workers during a summer trip organized by the factory. (PH Courtesy Municipality of Gozzano, from the Public Library archive – 1950 ca) https://imageproxy.viewbook.com/c5d2ef569f67154d92296f5957019f0d_hd.jpg My Grandmother with her colleagues in front of the main entrance of the Bemberg in Gozzano. From my family archive. https://imageproxy.viewbook.com/7f73c53562d96590ddf4d88b19f1e5c1_hd.jpg My Grandmother work book. (Family archive) https://imageproxy.viewbook.com/089778c362269f39caac01f7477d048f_hd.jpg Study for the wall album and the wallpaper work made by photocopies. https://imageproxy.viewbook.com/24529/29c0373b8a42eedec59bf3b382144531_hd.jpg https://imageproxy.viewbook.com/24529/0a8b09fab5846fc196f7c622302f6fbf_hd.jpg https://imageproxy.viewbook.com/a481feca60f1bfcc59d4a919fa71fb14_hd.jpg My art work-book. https://imageproxy.viewbook.com/7189916a5f4830d738492b5cf64d2def_hd.jpg Inside the Bemberg. https://imageproxy.viewbook.com/24529/c5f7f2bab92883b517894a3dfd4c5fb0_hd.jpg https://imageproxy.viewbook.com/24529/6f1484834c4ac8108133a533330970e0_hd.jpg https://imageproxy.viewbook.com/86b64526461bf36348cd25f826b42675_hd.jpg An old ADV for the Bemberg factory. https://imageproxy.viewbook.com/455fd6fcaf19f31b4b65853833734f8a_hd.jpg Inside the Bemberg. https://imageproxy.viewbook.com/fb03406d34219c12802dead57ad9cb80_hd.jpg Inside the Bemberg. https://imageproxy.viewbook.com/24529/dd1d436952673d374741fcb40c5982e3_hd.jpg https://imageproxy.viewbook.com/ae051bda1cdb0377424791244fd21f72_hd.jpg https://imageproxy.viewbook.com/24529/b982f37cb2c0885fbbcc9f2680e08b2e_hd.jpg https://imageproxy.viewbook.com/24529/42617ad560ca21cb90bf8d8985667b6c_hd.jpg https://imageproxy.viewbook.com/0fc9a2276a10109ffc7da52633d241d5_hd.jpg Pictures from the wallpaper album at the Eventinove Gallery representing details of the working life of the factory, traces of a human presence. My works starts always from a photographic survey in the territory, but I don’t show always what’s behind the final results of the piece. For this installation for example pictures were printed small and mounted in layers for the wall album, as small pieces of memory. Shot at the Bemberg in Gozzano (Italy) 2012. https://imageproxy.viewbook.com/94d65d68b0750f381cc00484ab9ff039_hd.jpg https://imageproxy.viewbook.com/498521cb23d8f4858152fc8f68ce3af0_hd.jpg https://imageproxy.viewbook.com/24529/870147c4b52b4cfb492b47f5f070add0_hd.jpg https://imageproxy.viewbook.com/11716c3497ddd59882007cfcdf6197cf_hd.jpg Pictures from the wallpaper album at the Eventinove Gallery representing details of the working life of the factory, traces of a human presence. My works starts always from a photographic survey in the territory, but I don’t show always what’s behind the final results of the piece. For this installation for example pictures were printed small and mounted in layers for the wall album, as small pieces of memory. Shot at the Bemberg in Gozzano (Italy) 2012. https://imageproxy.viewbook.com/2a03bc1f02613014528c0277e1c17718_hd.jpg https://imageproxy.viewbook.com/ff2ae3778c39f5d0dd20a4bf85e967d3_hd.jpg Senza Titolo. 2012 Group show - AKM0 art residency, Eventinove gallery. Mixed media installation (objects archive, books, audio, photocopies, photographs, pvc, boxes, table) https://imageproxy.viewbook.com/dd262b62769470b262bec4e656bbb2c4_hd.jpg https://imageproxy.viewbook.com/0c51e84fe80c888dea22adb279b81fd6_hd.jpg Diptych for Mediterranea 16 - Biennial of young artists https://imageproxy.viewbook.com/1e30d4c2429b82ab21ffc9c9e0efd61e_hd.jpg Senza Titolo. 2013 Installation for MEDITERRANEA 16 - Biennial of Young Artists from Europe and the Mediterranean. Section: End of Modernism. http://www.mediterraneabiennial.org/16-errors-allowed/ Mixed media installation (objects archive, book, wall photocopies picture, photographs, table, light bulb). https://imageproxy.viewbook.com/08cae7aea3df3850c6f1702cd6aacddb_hd.jpg Sacra Regina, 2013 from the project Senza Titolo. Installation view for the show Roaming. Curated by Alessandro Castiglioni and Ermanno Cristini at PLATFORMA, MNAC, Bucharest. www.roaming-art.it Audio MP3, loop, photocopies, old picture from my family archive. Senza te Sacra Regina performed by La Corale, Bemberg. Extract from the LP Bemberg. Video: http://vimeo.com/notalike/sacra-regina https://imageproxy.viewbook.com/3f5c7f1b92e0337fc8ec5c40c0feba15_hd.jpg https://imageproxy.viewbook.com/320795ecc442b86b141bbc916701bf89_hd.jpg http://www.notalike.com/archive/canone 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/84105e0b763c63c412d4aecd689156c0_hd.jpg https://imageproxy.viewbook.com/b5852606a44f177c553ed678a6ee97fb_hd.jpg https://imageproxy.viewbook.com/ceac42d35c06534a73e18f51be52822d_hd.jpg https://imageproxy.viewbook.com/6e424110f126f2cc9a0a782d6ac5ba2a_hd.jpg https://imageproxy.viewbook.com/828f30aa67c551d706ce656072fc1672_hd.jpg https://imageproxy.viewbook.com/ac30c06a0f4ec1800b5773f42a6bc3af_hd.jpg https://imageproxy.viewbook.com/ad165294345d0253a0eca3ec65e3d898_hd.jpg Canone (Kitsch), 2015. Installation view at WE Building in Shanghai. https://imageproxy.viewbook.com/24529/7051fd2acc7c7192c676bae52786a1a4_hd.jpg https://imageproxy.viewbook.com/24529/7c4e22bf8d594e774b82e39fba1c5756_hd.jpg https://imageproxy.viewbook.com/24529/aa336132867da98c04dd68c4c25bc45b_hd.jpg https://imageproxy.viewbook.com/24529/dda9f7ec8b7ecf27a02a330ef05fd9da_hd.jpg http://www.notalike.com/792036 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/8026ff546f35265b70a4dc5e75f43e02_hd.jpg Study for a border. CITY work. https://imageproxy.viewbook.com/24529/8e2994a0cada2e16f5983e3858ca1b4c_hd.jpg https://imageproxy.viewbook.com/24529/c844786ae62104c234ea0edb5fd357a4_hd.jpg https://imageproxy.viewbook.com/24529/9a770b67bf3aa256f41467dbc45f67b0_hd.jpg https://imageproxy.viewbook.com/24529/3fa7c2a782152116d02a46a99a68acbd_hd.jpg https://imageproxy.viewbook.com/24529/c44b1161004cd2eaa5203af3a5b2fe8b_hd.jpg https://imageproxy.viewbook.com/24529/bad1d344a5213c39ddeae68b651bf101_hd.jpg https://imageproxy.viewbook.com/24529/43d125b53fa6a8fca3335fe9e563fc74_hd.jpg https://imageproxy.viewbook.com/24529/c3ee51255a313094ca02fdbde7934d2e_hd.jpg https://imageproxy.viewbook.com/24529/7d819dacdec732bdfa930f9f60d02ed6_hd.jpg https://imageproxy.viewbook.com/14e8d3de5d0673c8b5990016f097e47c_hd.jpg CEMETERY work https://imageproxy.viewbook.com/419ad6684c01885d22c5434844e5e506_hd.jpg https://imageproxy.viewbook.com/74c27ef0bcc5853d70381ce22fe86f1c_hd.jpg https://imageproxy.viewbook.com/c71ee8f65b90979da08b4f810d777d0a_hd.jpg https://imageproxy.viewbook.com/643be8d346f560916b7c4af12e61474c_hd.jpg https://imageproxy.viewbook.com/16a492e4e0d3582eda14f44e8d71d109_hd.jpg https://imageproxy.viewbook.com/f72df492a4d15910ec8b23b3c8ddaa35_hd.jpg FOREST work https://imageproxy.viewbook.com/359de16b3186e02e60cd0d4fea7530f5_hd.jpg https://imageproxy.viewbook.com/9295b0aa53dcc6f7f11c5d275a4db526_hd.jpg https://imageproxy.viewbook.com/2414edc77537f009abbb694b6988e0c6_hd.jpg https://imageproxy.viewbook.com/966f5289a75506cfe4dabceae90213d2_hd.jpg https://imageproxy.viewbook.com/d3c64112c2b6d3978f9fd230e69a062b_hd.jpg https://imageproxy.viewbook.com/801f86f904ff33ddf90866809904884d_hd.jpg https://imageproxy.viewbook.com/91cd6243ca202b7ac31179a5b9639568_hd.jpg https://imageproxy.viewbook.com/90c4ff253d1e73f61bf364010c2bf787_hd.jpg SAND work https://imageproxy.viewbook.com/9e6b676f26dd377267815e899f7f93b1_hd.jpg https://imageproxy.viewbook.com/53fcf7057b469c25301dab9c8ba107de_hd.jpg https://imageproxy.viewbook.com/4d8e27975c28614cc4c5ba69a028e2cc_hd.jpg https://imageproxy.viewbook.com/5701700b56a65dade6f558b94589d5e7_hd.jpg https://imageproxy.viewbook.com/8d1ebe1cd1fd30f1a74eae2af82c42d7_hd.jpg https://imageproxy.viewbook.com/af95b89aeed35af8a7dd5906436e8201_hd.jpg https://imageproxy.viewbook.com/6bdaaad309db6a4216547f9fec0ac7bd_hd.jpg https://imageproxy.viewbook.com/306e478299f18c1770352c78e4a0da11_hd.jpg https://imageproxy.viewbook.com/05409f705e3977d1eb27707151b10744_hd.jpg https://imageproxy.viewbook.com/7d0ce8e1749edcd874f998bbad8d245b_hd.jpg https://imageproxy.viewbook.com/700b6cbcb8c9716d3c30c52cc8c7adaa_hd.jpg https://imageproxy.viewbook.com/1f5d1b8e26b295891ba49e2d8e8cd76f_hd.jpg https://imageproxy.viewbook.com/7c28ca959e482cdb10029e83cacf89b5_hd.jpg https://imageproxy.viewbook.com/03261bca6cb19d3e5827102a2ff5cb61_hd.jpg https://imageproxy.viewbook.com/2cc0a879c605c5fef663789f6905b682_hd.jpg https://imageproxy.viewbook.com/de15e1b2cad5bd610ca0f2b0a3b0a884_hd.jpg https://imageproxy.viewbook.com/feaa442f667aa440ae93d29cbe1fa53f_hd.jpg https://imageproxy.viewbook.com/9291d2b1b79ba528f03559f74721a186_hd.jpg https://imageproxy.viewbook.com/3ce5fa9a740276577d5322705cf70f58_hd.jpg GROUND work https://imageproxy.viewbook.com/6d183ce541e2801519b318c14462a20e_hd.jpg https://imageproxy.viewbook.com/8341a839636384a211a11594eee67957_hd.jpg https://imageproxy.viewbook.com/44c10cd2f6b4846b739ee632d766c4b0_hd.jpg https://imageproxy.viewbook.com/c41a2d65f4ed8e8aa8d9b4b925af387e_hd.jpg https://imageproxy.viewbook.com/a70129dde1959cfd449182359095704f_hd.jpg https://imageproxy.viewbook.com/fbdc216cbf14e2c5d83e1f1596295f62_hd.jpg https://imageproxy.viewbook.com/424d1e2a9cbe94ec01124d4e8aa43e32_hd.jpg https://imageproxy.viewbook.com/57fcd9878ba81f8bce7d04c90c8606ce_hd.jpg https://imageproxy.viewbook.com/d9b507cc8a0ee33437543e3a12f15c2f_hd.jpg https://imageproxy.viewbook.com/755511a9a8a4093b92f3dc1dbb545a16_hd.jpg https://imageproxy.viewbook.com/24529/3299e9bbeb83144c86ded55bdc7e2dca_hd.jpg WOOD work https://imageproxy.viewbook.com/24529/c24bc35b2240b43e6a848761702101f1_hd.jpg https://imageproxy.viewbook.com/24529/eedee0090eb272b048faa5bd6886c1b9_hd.jpg https://imageproxy.viewbook.com/24529/705cd1d1d8d7be7bfc19f25c275716d9_hd.jpg https://imageproxy.viewbook.com/24529/880b506e8d42f50161a0b3f4d2b523eb_hd.jpg https://imageproxy.viewbook.com/24529/eaa55cb757760099e0344f2d95ff853a_hd.jpg https://imageproxy.viewbook.com/24529/1b8827fcf943b4f04c9dbba9dc441a66_hd.jpg https://imageproxy.viewbook.com/24529/c948617a82d1ee517989f484272f245b_hd.jpg https://imageproxy.viewbook.com/24529/f91204acb3da6d39378c74551ced3dc7_hd.jpg https://imageproxy.viewbook.com/24529/701d853121839b49b8e5bd058c0b3679_hd.jpg https://imageproxy.viewbook.com/24529/7a986b0530992bcbbc38bb05709c8bbb_hd.jpg https://imageproxy.viewbook.com/24529/f1977e9d3552e40d369fbbb35d9bd092_hd.jpg https://imageproxy.viewbook.com/24529/01dea23a5c8c58f81f66ac5c0b927405_hd.jpg https://imageproxy.viewbook.com/24529/73b42a935958ce46b673e9c763f4526e_hd.jpg https://imageproxy.viewbook.com/24529/f8d395ce9b70de2570990f4d92d173ab_hd.jpg https://imageproxy.viewbook.com/24529/c6f16fe8d17709c330dc18597e2739ac_hd.jpg https://imageproxy.viewbook.com/24529/2489f71ebab0c1e2377d37a56e94997c_hd.jpg Studio view at Vermont Studio Center (USA), 2009. https://imageproxy.viewbook.com/24529/4d21df115698f83b5fb309802dd5efe7_hd.jpg Installation view at Biennale di Soncino (IT), 2010. https://imageproxy.viewbook.com/24529/02b0ba420f0396eb0e22da9be8d7d868_hd.jpg Installation view at Macello in Padova (IT), 2010. https://imageproxy.viewbook.com/24529/6e35cb213485b67549b394dced421b38_hd.jpg Studio view. https://imageproxy.viewbook.com/24529/ebdd4483a060ba08ac2a6fbc0b5e0306_hd.jpg https://imageproxy.viewbook.com/24529/53e619c05a767e0ad245d4c6bbad5742_hd.jpg https://imageproxy.viewbook.com/24529/f703e002e922ddd3849413ddf3ec5626_hd.jpg Installation view at KilometroZero Gallery (Innsbruck), 2017. https://imageproxy.viewbook.com/24529/9e0b9a776ad07395cb846a5e2d98b016_hd.jpg Installation view at Kosovo National Gallery, 2017. https://imageproxy.viewbook.com/24529/19bc735f6f24eddc990308cc44e0a2f5_hd.jpg Audience. Installation view at Kosovo National Gallery, 2017. http://www.notalike.com/alike/google-adv-campaign 2019-12-10 weekly 0.5 https://imageproxy.viewbook.com/6870d57491750246c40b94de5e50ceab_hd.jpg Google / ADV Campaign 2011 Google / ADV Campaign 2011 Agency: TBWA Italy Client: GOOGLE Photographer: Alice Pedroletti Production: The Kitchen / FIRST FLOOR UNDER Mockup: Dadomani Studio https://imageproxy.viewbook.com/47af456c9ad416d2527b8ecf6f793462_hd.jpg Google / ADV Campaign 2011 https://imageproxy.viewbook.com/10a92fe0b82fa98aa713607f7bbdff28_hd.jpg Google / ADV Campaign 2011 https://imageproxy.viewbook.com/24529/f75c163ec92913093c867f0e0768a900_hd.jpg https://imageproxy.viewbook.com/24529/ae9f745ded9e6e513865cdb0c834f070_hd.jpg https://imageproxy.viewbook.com/24529/2cf2a9c20af8d42e313197f1c44c9457_hd.jpg https://imageproxy.viewbook.com/24529/cd4de88b32087343507767e17a5276e4_hd.jpg http://www.notalike.com/archive/297onde 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/0db06a8be91595f14010da5e3eee02d6_hd.jpg https://imageproxy.viewbook.com/24529/d8d4ff352c88bd4fddb72f8581c9fa8d_hd.jpg https://imageproxy.viewbook.com/24529/a73ce359f996c235e6a4c5da6727b407_hd.jpg https://imageproxy.viewbook.com/24529/42515df4da18057d995fa09388607606_hd.jpg https://imageproxy.viewbook.com/24529/aa0f4627e877f28a6662f640250dddc0_hd.jpg https://imageproxy.viewbook.com/24529/1656e4a4adbb01f34267eeb676f46bef_hd.jpg https://imageproxy.viewbook.com/24529/7a212ec32d4e5182644d80414fb89aed_hd.jpg https://imageproxy.viewbook.com/24529/746314efcf9872c4a8e217bdb93e1305_hd.jpg https://imageproxy.viewbook.com/24529/ddde13f5f1cf248b59ba83676cd2fe9b_hd.jpg https://imageproxy.viewbook.com/24529/4d606bd219eee84824f26c716cb7b451_hd.jpg https://imageproxy.viewbook.com/24529/c51dfb05dc15e41b314376cb8a22746e_hd.jpg https://imageproxy.viewbook.com/24529/a9fdbe5fdbaaf65e7a1db1eceb7fbf9c_hd.jpg https://imageproxy.viewbook.com/24529/b7292d5a2d00176866abc9563785cd11_hd.jpg https://imageproxy.viewbook.com/24529/1fcf1659d46de3a666c44eb951bfba4f_hd.jpg https://imageproxy.viewbook.com/24529/a53e13cf1de83ca0317d7df58a12b4c7_hd.jpg https://imageproxy.viewbook.com/24529/f4cc8756ca2f8e9744126074c8a6aa2f_hd.jpg https://imageproxy.viewbook.com/24529/e6678d7c96e270e38debce7eddffe03d_hd.jpg https://imageproxy.viewbook.com/24529/1a6b1ae104f387d975bd52054aa6a1a4_hd.jpg https://imageproxy.viewbook.com/24529/8be249b92277f499865e0dba9ba9cc14_hd.jpg https://imageproxy.viewbook.com/24529/521962aef5c1d90f0eddd168249b3595_hd.jpg http://www.notalike.com/867875 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/82f9d1e68a8a04e211215bccbc20ffab_hd.jpg PROJECT ROOM #8 Archivio Atelier Pharaildis Van den Broeck presents PROJECT ROOM #8. Alice Pedroletti and Lucia Veronesi have focused their research on the physical spaces of the Atelier Archive and the folders and materials that Pharaildis Van den Broeck created during her activity as a painter. After several inspections, the two artists identified some elements that characterise the artistic language of the Belgian fashion designer and artist, providing with their site-specific intervention a reflection on the blurred border between word, image and material. The Archivio Atelier Pharaildis Van den Broeck, conceived and coordinated by the curator of the archive, Barbara Garatti, aims to enhance and raise awareness of the artist’s work and to promote new methods of research and production of contemporary visual arts, in coherence with the mission of the Committee for the Archivio Atelier Pharaildis Van den Broeck. https://imageproxy.viewbook.com/24529/f66cb3095106333fe2ae332846fe89ef_hd.jpg Lucia Veronesi, starting from some writings by Pharaildis Van den Broeck in which Italian, Flemish and English are mixed in bizarre and mysterious semantic results, recomposes, through embroidery, intricate textile patterns, in which visual abstraction prevails over the meaning of the word, creating a new vocabulary of concepts and symbols. Alice Pedroletti, on the other hand, focuses on paper, a material that Van den Broeck has often used, and creates a collection of two-dimensional sculptures, experimenting with paper-making techniques. Word, printed images, and large-scale production materials are combined into fragile and unique materials. Ph: Marco Davolio. https://imageproxy.viewbook.com/24529/6b63a575fe2b2aae7f7d8fffa183ba9f_hd.jpg Exhibition view. Atelier Pharaidis Van den Broeck Archive. Alice Pedroletti, Campionario, 2023 - Lucia Veronesi, (B)ildo, 2023. Ph: Marco Davolio https://imageproxy.viewbook.com/24529/ea5027f60e655c5ce74bd7eff4c0a176_hd.jpg Alice Pedroletti. CAMPIONARIO, 2023 Installation view. 56 paper sculptures. Ph: Marco Davolio. https://imageproxy.viewbook.com/24529/ed6dd0e2d0c13377e1a9850d65e7b06e_hd.jpg https://imageproxy.viewbook.com/24529/2b28f0bbf7f4a5492c0b52e3850b3972_hd.jpg https://imageproxy.viewbook.com/24529/ba8cf89146ac783109ddfe0076fac329_hd.jpg https://imageproxy.viewbook.com/24529/756c2bade6889c0a0fe910d3cc909e6b_hd.jpg Installation view. 56 paper sculptures. Ph: Marco Davolio. https://imageproxy.viewbook.com/24529/973037befd88e4eb585c1205da96b391_hd.jpg https://imageproxy.viewbook.com/24529/55ebeeb7b0e13dd6bb2fc76f8ec38f41_hd.jpg https://imageproxy.viewbook.com/24529/1d6625fd952e2ec1d80e34ce272dbf31_hd.jpg https://imageproxy.viewbook.com/24529/78af035e6fcd7e4291df1ad096c3e210_hd.jpg Installation view. Paper sculptures. Ph: Marco Davolio. https://imageproxy.viewbook.com/24529/30ba3dfe566ad34bbb5931fb08b73acb_hd.jpg https://imageproxy.viewbook.com/24529/4668ada43383317bf86d4b6446b5e845_hd.jpg PROJECT ROOM #8 Exhibition view. Atelier Pharaidis Van den Broeck Archive. Alice Pedroletti, Campionario, 2023 - Lucia Veronesi, (B)ildo, 2023. Ph: Marco Davolio. https://imageproxy.viewbook.com/24529/0cda6cc21ee357c41e121b4c9c0ff0ad_hd.jpg Alice Pedroletti. WIP (Archivio), 2023 Installation view. Video of the 57 paper sculptures. 9’33’’. Loop, 7in HDMI LCD, media player, SD card. Ph: Marco Davolio. https://imageproxy.viewbook.com/24529/8f87322e243236372064962f40b20e1d_hd.jpg https://imageproxy.viewbook.com/24529/62433eb5f89c748d022cb75c1dbbccf7_hd.jpg https://imageproxy.viewbook.com/24529/0bd69cea67fcc393c6f923502bb89147_hd.jpg https://imageproxy.viewbook.com/24529/9c2ed4919ae3a6b1508bc79196112d6a_hd.jpg https://imageproxy.viewbook.com/24529/c2c640a868979f9904567b30042bfdcb_hd.jpg https://imageproxy.viewbook.com/24529/ab79492781fc4040dd114c4193fe5ec6_hd.jpg Alice Pedroletti and Lucia Veronesi - Projection, archive fragments, 2023. Exhibition view. Atelier Pharaidis Van den Broeck Archive. Projection, archive fragments, 2023. Photos: Courtesy of the Artists. https://imageproxy.viewbook.com/24529/9dd2886c78f4240af5441066d4c47ec6_hd.jpg https://imageproxy.viewbook.com/24529/6a43640af553c62d2bcacfdacbf2f165_hd.jpg Projection, archive fragments, 2023. Research and artworks materials framed into two 6x6cm slide. Detail. https://imageproxy.viewbook.com/24529/fc8f09d37d5c93716d01b2fae0807899_hd.jpg Text for the catalog by Alice Pedroletti and Lucia Veronesi. Upon entering the Archives, elements are immediately noticeable, and others reveal themselves over time. One of the most visible and bizarre objects is a large plastic palm tree, dusty, old and far too big in proportion to the space. It can also be found in the images collected in the folders: sometimes adorned, sometimes in the background, sometimes taken by mistake—a bulky, disturbing visual element, seemingly without logic. A large fragment that overhangs the space and our thoughts and that we have thought of hiding, concealing from view, re-archiving. Yet it is there and a more than defining element of that place. The palm tree is a forgotten set, archived in storage; a memory of a distant landscape, of an 80s set design; a backdrop of a suspended play that arrived who knows how in the studio, perhaps in the compulsion to accumulate, to archive, and which is now simply there. It represents a frozen, motionless, unreal nature, without fruit, no need for water or light, and no growth because it is already an adult plant. The palm tree is a symbol and oxymoron of infinite time, dilated so much that it potentially lasts forever. (Ph.Marco Davolio) https://imageproxy.viewbook.com/24529/3e0b83340b7736fc664176b121dd9caf_hd.jpg An element that emerges in a gradual and layered manner, on the other hand, is paper. It is present everywhere and in every shape and size, from the support for archives to packaging and displays for objects, to the messy sketches of sculptures and drawings, to being the subject of the work itself, the final artwork. Paper reigns silently in every corner of the space while not showing itself as shamelessly as the palm tree. Paper is used to wrap presents, transforming an object into a desire, making something silent, noisy, and present, and adding a spatial-temporal value to the act of unwrapping. Paper becomes a multifunctional and multi-sensorial element. It retains that characteristic of infinite nature that the palm tree represents, but which plastic makes unreal, especially to the touch. Paper is a support for notes, which fill the folders of the archive. Sometimes funny and mysterious words are written in several languages that intermingle. It is a language to be deciphered, made up of symbols to be translated, which, reworked, takes a new shape with embroidery and thread, forming irregular patterns made up of interlacements and new possibilities. (Ph.Marco Davolio) https://imageproxy.viewbook.com/24529/903d3ad76ef3bc6ff81f9a27d8019b68_hd.jpg Paper as a poor material for photographs and visual notes where sets for small sculptures are constructed and elaborated with mockups for installations. Paper that protects. Paper that, reworked today, becomes a sculptural work, starting from packaging, confetti, streamers, and large-scale production materials; the sculpture sheets become unique and unrepeatable in a sampling of material evidence that lasts over time. https://imageproxy.viewbook.com/24529/668636d8630b06e169b0bbf1f19d1018_hd.jpg Paper becomes a subject, transforming itself into other paper or fabric through hidden, silent, distant performative gestures: it is a language that renews itself, while the archive’s space is transformed into a new scenography. The paper, an element common to both, is where we started from; the palm tree, metaphor and scenography of a distracted little theatre is where we arrived. (Last two photos: Courtesy of Pharaildis Van den Broeck Archive). https://imageproxy.viewbook.com/24529/40a9f905ad8f0002adc500b784a5a6e5_hd.jpg Pharaildis Van den Broeck: Archive folders. PVB Archive installation view in Milan with the new Artists Research folder donated as a trace of our collective work with PVB suggestions and elements. Photo courtesy of the Artists. https://imageproxy.viewbook.com/24529/7ba4c4cc39533a7e3988b011016903f5_hd.jpg Alice Pedroletti and Lucia Veronesi - APLV. Research folder, 2023. https://imageproxy.viewbook.com/24529/a091132e488b8f555046171b44c0473f_hd.jpg https://imageproxy.viewbook.com/24529/01e11550c295ecc2d91fd64ac3e5f539_hd.jpg https://imageproxy.viewbook.com/24529/7241e24a644d4a0756c9b7361c98ee2a_hd.jpg https://imageproxy.viewbook.com/24529/21f7da9e6d4f6c56cd0b4a901eeab66d_hd.jpg Alice Pedroletti and Lucia Veronesi - Collage, 2023 https://imageproxy.viewbook.com/24529/e3f0f85b2e43b544af56cd2431019c78_hd.jpg Alice Pedroletti - Research images, 2023. The film images were made during my research in the PVB Archive and Studio, the subsequent creation of a poster for the publication and the folder that collects my and Lucia Veronesi’s work, as well as fragments of the materials of our artworks as shown in the projection. (Images courtesy of the Artist). https://imageproxy.viewbook.com/24529/982ef5effd2516c5fc9df53d29e00a4c_hd.jpg Alice Pedroletti - Research images, 2023. All images 40x50cm. Ed.Unique. https://imageproxy.viewbook.com/24529/cc1045db59aa6957fcc5b2e24ddb20ed_hd.jpg https://imageproxy.viewbook.com/24529/9cbc85ec3d01460e320828f6aef7b6a3_hd.jpg https://imageproxy.viewbook.com/24529/7866d301cb6d6d614e5c5fc75aa411f7_hd.jpg https://imageproxy.viewbook.com/24529/73fc0a8034477acba5e95e03758dca31_hd.jpg https://imageproxy.viewbook.com/24529/41da4be3c486f87c2e32c293f63dcd62_hd.jpg https://imageproxy.viewbook.com/24529/0452e064768d35bd5d8a09c1c227ea37_hd.jpg http://www.notalike.com/821938 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/5d5f99f2d1c026bddadf798c7209d1b8_hd.jpg Studio installation. Shanghai, 2016. https://imageproxy.viewbook.com/24529/e5d6f4a84122f8bc8d0ef841b7eb7332_hd.jpg I built sixty paper sculptures, and I photographed them. They are prototypes: colored, temporary and fragile. Many resemble small organisms living underwater or in peculiar environments, others are similar to furniture or everyday object details. The whole series forms the landscape of an imaginary city, where architecture is organic and mixed with animals and plants. My objects don’t have a specific purpose but incorporate all possible functions. They evolve over time, due to their material: paper and elastic bands. The printed photograph remains the only possible memory we have about it: photography suspends the objects in their perfect status, while they are falling, rolling or perfectly standing as if they were actors staging a monologue. https://imageproxy.viewbook.com/24529/d1a2b856a658bbacb182ad2758605295_hd.jpg Study for a sculpture (prototypes for an organic city) Installation view at IDEAL-TYPES Chapter 2. Curated by Alfredo Cramerotti and Elsa Barbieri. Marignana Arte, Venice. Ph. Enrico Fiorese https://imageproxy.viewbook.com/24529/baa2f785d93a753b4292d4e7ae6d6283_hd.jpg https://imageproxy.viewbook.com/24529/60cacb8f77633698b90b93963e7822cd_hd.jpg Installation view at IDEAL-TYPES Chapter 2. Curated by Alfredo Cramerotti and Elsa Barbieri. Marignana Arte, Venice. Ph. Enrico Fiorese https://imageproxy.viewbook.com/24529/125239fe51bc19df5b01920ea273e236_hd.jpg https://imageproxy.viewbook.com/24529/e24cf3c8213b3a82237a7eb144daa51a_hd.jpg https://imageproxy.viewbook.com/24529/47eb9434127275b4418f8ef7dc8b742a_hd.jpg https://imageproxy.viewbook.com/24529/0980d12ea77e356474f5ae0469b7afc8_hd.jpg Sculpture 02/16 Sculpture 02/16 (photograph. 80x112. 2016. Ed. 1/1) https://imageproxy.viewbook.com/24529/f103bc30543b1904e02cc1638f0ef547_hd.jpg Sculpture 02/16 Sculpture 02/16 (hand curved paper, plexibox. 2016. Ed. 1/1) Installation view at IDEAL-TYPES Chapter 2. Curated by Alfredo Cramerotti and Elsa Barbieri. Marignana Arte, Venice. Ph. Enrico Fiorese https://imageproxy.viewbook.com/24529/e5e52528633fa8285e0a881fd470714e_hd.jpg M3/00/16 M3/00/16 (digital photography, 133x100. 2019. Ed.1/1) Installation view at IDEAL-TYPES Chapter 2. Curated by Alfredo Cramerotti and Elsa Barbieri. Marignana Arte, Venice. Ph. Enrico Fiorese https://imageproxy.viewbook.com/24529/d622f77ed99a8cb588a9633460a91ed6_hd.jpg M3/00/16 M3/00/16 (digital photography, 133x100. 2019. Ed.1/1) https://imageproxy.viewbook.com/24529/edc6050c4cca2384c74f7d0b84f56dd4_hd.jpg M2/00/16 M2/00/16 (digital photography, 133x100. 2019. Ed.1/1) https://imageproxy.viewbook.com/24529/b3a01bc89c4aceb362312af3d6ff7100_hd.jpg M1/00/16 M1/00/16 (digital photography, 133x100. 2019. Ed.1/1) https://imageproxy.viewbook.com/24529/776f61a3f3e5d9516d050a790d921693_hd.jpg M7/00/16 M7/00/16 (digital photography, 40x30. 2019. Ed.1/1) https://imageproxy.viewbook.com/24529/7f32e0dae0b8e5328c2bdd49a6288fc2_hd.jpg Sculpture 00/16 Sculpture 00/16 'Matrice' (photograph. 80x112. 2016. Ed. 1/1 - Artist collection) https://imageproxy.viewbook.com/24529/68c858f9620afd68fec87938d9b5eb41_hd.jpg Sculpture 04/16 Sculpture 04/16 (photograph. 80x112. 2016. Ed. 1/1) https://imageproxy.viewbook.com/24529/4adeec7ed9590130c72c2d954360dc62_hd.jpg Sculpture 03/16 Sculpture 03/16 (photograph. 80x112. 2016. Ed. 1/1) https://imageproxy.viewbook.com/24529/ebe3980288afb3baba58867324f65dee_hd.jpg Sculpture 05/16 Sculpture 05/16 (photograph. 80x112. 2016. Ed. 1/1) https://imageproxy.viewbook.com/24529/b60cadd7ade7929e102d0873ce4efd8d_hd.jpg Sculpture 05/16 in plexibox - detail (Ed. 1/1) https://imageproxy.viewbook.com/24529/3d06ec478e9755a387e8f6a864836196_hd.jpg Sculpture 05/16 in plexibox (Ed. 1/1) https://imageproxy.viewbook.com/24529/dfda6680cbbf891496dfbc78d9f644c5_hd.jpg Sculpture 01/16 Sculpture 01/16 (photograph. 80x112. 2016. Ed. 1/1) https://imageproxy.viewbook.com/24529/17c7f22273a6cd0eff4bf589766ed038_hd.jpg https://imageproxy.viewbook.com/24529/815fd5f300e3a9536638771a1704b280_hd.jpg https://imageproxy.viewbook.com/24529/7a7b2750a344ec5d840e0505ba3a6570_hd.jpg https://imageproxy.viewbook.com/24529/ba1c745ebbb57b67aaf133c6132a60d0_hd.jpg https://imageproxy.viewbook.com/24529/7abe0ffe5a98215558a9c4622700a992_hd.jpg Sculpture 06/16 Sculpture 06/16 in plexibox (Ed. 1/1) https://imageproxy.viewbook.com/24529/92b92196a0072e684de9cba8d3e3b305_hd.jpg Sculpture 06/16 Sculpture 06/16 (photograph. 80x112. 2016. 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In collaboration with designer Michele Gentini. https://imageproxy.viewbook.com/24529/47b85d419a9cb8bd97aa82b554fe21d2_hd.jpg https://imageproxy.viewbook.com/24529/913546689e8ced4492bd16153f989fda_hd.jpg https://imageproxy.viewbook.com/24529/afc71a85a3d3c8dda6e3dec541617016_hd.jpg https://imageproxy.viewbook.com/24529/7c1230d39e09b3f6007948cff1427a6d_hd.jpg https://imageproxy.viewbook.com/24529/c32b0e9c01bbcb94d71d5fd40a81e590_hd.jpg https://imageproxy.viewbook.com/24529/79d4dfdbb3ea270425253434ae27a180_hd.jpg https://imageproxy.viewbook.com/24529/5488431ca1a2a47c1834d12ca3070cc2_hd.jpg https://imageproxy.viewbook.com/24529/485bc19f876d6b2ad03ad2cdaf84fe1f_hd.jpg https://imageproxy.viewbook.com/24529/f16e44de9b387e0c2a6f3f04669e5202_hd.jpg https://imageproxy.viewbook.com/24529/2bbd8f35bd6c727b029f4ade8ee301e6_hd.jpg https://imageproxy.viewbook.com/24529/8848555364e53ef3be6537e5244e7563_hd.jpg https://imageproxy.viewbook.com/24529/6a6fdd179ef94b7fcc15fe7cc778f8f6_hd.jpg https://imageproxy.viewbook.com/24529/d57fcd86cc8216c2827b234469ca6803_hd.jpg https://imageproxy.viewbook.com/24529/f75414bcdd0b8e49ba78fc7fb8995455_hd.jpg https://imageproxy.viewbook.com/24529/fb08e6bc2db30207d5435124c56bb495_hd.jpg https://imageproxy.viewbook.com/24529/34810d6118f5be9887db2aab9fe2819f_hd.jpg https://imageproxy.viewbook.com/24529/b8ea7871cf4b87e1c4fac35a6d50fe15_hd.jpg https://imageproxy.viewbook.com/24529/c30989e54fd47207e3cc44475d7b409e_hd.jpg https://imageproxy.viewbook.com/24529/afc80cd7da66674731cca7d9b3a3f02e_hd.jpg https://imageproxy.viewbook.com/24529/23dad1fb35c80438f0eaca14f0831b47_hd.jpg https://imageproxy.viewbook.com/24529/79f4fde887c4175e3c2cc478d5fd61d0_hd.jpg https://imageproxy.viewbook.com/24529/86a6eef0a617d03722d3c22e92be6438_hd.jpg https://imageproxy.viewbook.com/24529/756c1e1c18d59fe7024cb39185a78d9f_hd.jpg https://imageproxy.viewbook.com/24529/b44731e6070cfbf9399842a81d77cfb5_hd.jpg https://imageproxy.viewbook.com/24529/3e65116cb1f183442109ce52aacb0091_hd.jpg https://imageproxy.viewbook.com/24529/6798f445d31c5d3ba16cb128afc1a4e8_hd.jpg https://imageproxy.viewbook.com/24529/81a19288dc50bf83c9127504beffd8ea_hd.jpg https://imageproxy.viewbook.com/24529/3923cbecd59da8bb9bd88c0f330e9718_hd.jpg http://www.notalike.com/861487 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/10e09341dccb3929a3bf009103f9e67e_hd.jpg Study for a book (Playbook) - ongoing Handmade prototype. Coloured paper (1x24cm each), cardboard, glue, gauze). Unpublished. https://imageproxy.viewbook.com/24529/c2c789678fe39ff5d60e7b15adab63e8_hd.jpg https://imageproxy.viewbook.com/24529/212026a62cef2c9ff1f7959040512d86_hd.jpg https://imageproxy.viewbook.com/24529/b0251a890704f3339658224209dd407e_hd.jpg https://imageproxy.viewbook.com/24529/1a158c2fde40c3b38e75dc80fe52fd7d_hd.jpg Study for a book. Shanghai, CN, 2016 Artist Book. Unique. Handmade. https://imageproxy.viewbook.com/24529/083bb61a4ffc8b3eb3349ee10d033e8e_hd.jpg https://imageproxy.viewbook.com/24529/32db259e04b1bed6c54247ce8087df3a_hd.jpg https://imageproxy.viewbook.com/24529/c0e3385e95a54d09729c0381928b47d9_hd.jpg http://www.notalike.com/archive/aoristo 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/ec9c0c40a167c3186d6966057dd3979a_hd.jpg https://imageproxy.viewbook.com/24529/bfe338e9bc60cebcf8d5b679ea8b689f_hd.jpg https://imageproxy.viewbook.com/24529/7019420ad7bdafd9cf59402a475d39b2_hd.jpg https://imageproxy.viewbook.com/24529/737d2a7182b0c5a104d46d811d6e9971_hd.jpg https://imageproxy.viewbook.com/24529/9c706cf762b2501c86445ec4f6e7ec44_hd.jpg https://imageproxy.viewbook.com/24529/ad594f9363571f1416794d887ee7befa_hd.jpg https://imageproxy.viewbook.com/24529/9a46615cf16cf71dff1daffe211a2e88_hd.jpg https://imageproxy.viewbook.com/24529/50275c8f6e530a0439bbdc4db14d6dd1_hd.jpg https://imageproxy.viewbook.com/24529/adb9d7f47ed20e6bc193d3c2a73df558_hd.jpg https://imageproxy.viewbook.com/24529/a34748f17bd90cdf98ec443817838d25_hd.jpg https://imageproxy.viewbook.com/24529/d5c87dca87a30036f432d161c4304a7b_hd.jpg https://imageproxy.viewbook.com/24529/6c1d28b6a17e2e968f4ff736fb71e417_hd.jpg https://imageproxy.viewbook.com/24529/cd365561411120e25056f2ff0ee83f45_hd.jpg https://imageproxy.viewbook.com/24529/37245227790d4a3e313a80c4941af157_hd.jpg https://imageproxy.viewbook.com/24529/2d401f73300063cebde22c025cd3e952_hd.jpg https://imageproxy.viewbook.com/24529/fa6e235645ec8ed12b727b2e964724cf_hd.jpg https://imageproxy.viewbook.com/24529/6bfd49716be582341673283197172eda_hd.jpg https://imageproxy.viewbook.com/24529/32a9ddb80e7416acd797f0fb172a2b89_hd.jpg https://imageproxy.viewbook.com/24529/51df37a3c693b5fcf075aaabddbdece3_hd.jpg https://imageproxy.viewbook.com/24529/82fc526c3e7919115a9695df5ecbc240_hd.jpg https://imageproxy.viewbook.com/24529/11737ffd0f92a6561730d11fa721f998_hd.jpg https://imageproxy.viewbook.com/24529/1e0aac22ba80e9d50064faea0c95f2d2_hd.jpg https://imageproxy.viewbook.com/24529/8d6ef75e8d91bd4918125b8e7ba99d20_hd.jpg http://www.notalike.com/792105 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/264912e4f0579f2ab6f28a6e74a42064_hd.jpg https://imageproxy.viewbook.com/24529/f540a21892eec82b1a416d3f5f149022_hd.jpg https://imageproxy.viewbook.com/24529/c5fff924cfb2fe82cb3507be8adf50f7_hd.jpg https://imageproxy.viewbook.com/24529/53122afdd2cdc56a2e310becc432c3cd_hd.jpg https://imageproxy.viewbook.com/24529/e28576b0029fe7b553e2512531a6b1fb_hd.jpg https://imageproxy.viewbook.com/24529/1fc2b3af14592e4f0197d6ce29172634_hd.jpg https://imageproxy.viewbook.com/24529/a1a8e0b6e93ae6950678b87fe98fbcd9_hd.jpg https://imageproxy.viewbook.com/24529/199bb631bceb987be938b0e88a5ad868_hd.jpg https://imageproxy.viewbook.com/24529/ecefa156ea0da3da73497b84a6ba54cd_hd.jpg https://imageproxy.viewbook.com/24529/9ad67ffd820c0bd2fe62052da2b09b7a_hd.jpg https://imageproxy.viewbook.com/24529/b4fbc9d89aa04fad9d8603874182bfba_hd.jpg https://imageproxy.viewbook.com/24529/2a06fe57bacce05420b19fd84f607982_hd.jpg https://imageproxy.viewbook.com/71f9f1bc9672eadd6c0914815a437ecb_hd.jpg 110 telai, 2013 Archive of 110 pieces. Frames with fragment from a negative bw film. Aluminum frame 7x7 cm, glass, led stripes. Wall installation of 8 meters for the show at Frigoriferi Milanesi, Milan. https://imageproxy.viewbook.com/48011cc48afbcdae189beba4322157f2_hd.jpg 110 telai, 2013 Archive of 110 pieces. Frames with fragment from a negative bw film. Aluminum frame 7x7 cm, glass, led stripes. Wall installation of 8 meters for the show at Frigoriferi Milanesi, Milan. Detail. https://imageproxy.viewbook.com/24529/f0388912ef479d1c079bfe7784a82dad_hd.jpg https://imageproxy.viewbook.com/24529/414df41bd31ee7cbe18c0aed1c06c4dd_hd.jpg https://imageproxy.viewbook.com/24529/86b16960183c9d197b5d957bdc573662_hd.jpg https://imageproxy.viewbook.com/24529/450f468caa4882556aaf53e5af667a34_hd.jpg https://imageproxy.viewbook.com/24529/afe82f9f1e554fbcd75f258282b645cf_hd.jpg https://imageproxy.viewbook.com/24529/fad3e01b135031cf6e293ad9a265eb45_hd.jpg https://imageproxy.viewbook.com/24529/3279c1b769e1667d138caf7beabce2cb_hd.jpg https://imageproxy.viewbook.com/24529/19ac48817b9e0867f7b320edd399dae5_hd.jpg https://imageproxy.viewbook.com/24529/b0a9d1a3ff0d64be3045ece975f5177a_hd.jpg http://www.notalike.com/archive/foot-loose 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/5e330bc0d8b18e529e4ced773c4abb6c_hd.jpg https://imageproxy.viewbook.com/24529/b18c70aa1b8444acbbe052181b8f0ad4_hd.jpg https://imageproxy.viewbook.com/24529/07108783da1dbb96986823333f6d03ca_hd.jpg https://imageproxy.viewbook.com/24529/bf8d5f6a22de35aaf5fe1f5a75fdc48f_hd.jpg https://imageproxy.viewbook.com/24529/00bffb1cafe4cec9a42db381f69bfe64_hd.jpg https://imageproxy.viewbook.com/24529/c773cc65959acbd65ac39333de349590_hd.jpg https://imageproxy.viewbook.com/24529/5b1d2f1772523dadf29cb5805293ba5b_hd.jpg https://imageproxy.viewbook.com/24529/52abf69bd25daa27cede1ec9c8fdf7a4_hd.jpg https://imageproxy.viewbook.com/24529/0b6b8e933b478b2f1ff00dbbe38108d8_hd.jpg https://imageproxy.viewbook.com/24529/2ae3283eff3647cb11f2048026bf98f5_hd.jpg https://imageproxy.viewbook.com/24529/51b38242f75fb3a688863ebeeb030c56_hd.jpg https://imageproxy.viewbook.com/24529/a30534eecc5469f62495cfc11013742c_hd.jpg https://imageproxy.viewbook.com/24529/ac3054500e6b76d9ae5d937b9b4d2bdf_hd.jpg http://www.notalike.com/alike/mc-donald-coke-glasses 2019-12-10 weekly 0.5 https://imageproxy.viewbook.com/7a2938e0ff24c07e1978428e6874ea2e_hd.jpg Mc Donald Coke Glasses Promotion / ADV Campaign 2011 Agency: TBWA Italy Client: Mc Donald Production: The Kitchen for FirstfloorUnder Photographer: Alice Pedroletti Post production: Industrial Strange https://imageproxy.viewbook.com/ad7f6a1923b44d90967d7f87e3c87aa6_hd.jpg Mc Donald Coke Glasses Promotion / ADV Campaign 2011 https://imageproxy.viewbook.com/24529/7819ec6682771fbe75a126a250634b5f_hd.jpg https://imageproxy.viewbook.com/15b35d6b91f93a928dbd9a1400899c23_hd.jpg Mc Donald Coke Glasses Promotion / ADV Campaign 2011 https://imageproxy.viewbook.com/d176315611ed6ff6e001fd267b863cc6_hd.jpg Mc Donald Coke Glasses Promotion / ADV Campaign 2011 http://www.notalike.com/archive/ops 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/84137e29d9edaefabe74779df614b115_hd.jpg Ops. Ops is an audio/video installation, including one projection, four wallpaper letters, and an engraved glass board sculpture to communicate. Projections concern one eye, which slowly opens and closes. The eye appears erroneously stopped, like a photograph, but remains a video, slowed down, exasperated. The project focuses on the meaning of interpersonal communication, and it was realized working with TonyNuccia, a man sick of ALS (Lou Gehrig's Disease). https://imageproxy.viewbook.com/24529/1634036e0e42cd1493a8cec0bb6649f2_hd.jpg Ops takes inspiration from free software called b-Link, which allows a disabled person to communicate independently. Through the blinking of the eye and the subsequent reading of a specific machine connected to a computer, the person can control a computer and get to move to break the walls of a forced condition. What you see in reality is someone watching, monitoring, living. The viewer's point of view is that of the computer point of view. The work also refers to The Diving Bell and the Butterfly, the French memoir by Jean-Dominique Bauby, and Julian Schnabel's adaptation movie (2007). https://imageproxy.viewbook.com/24529/a64972e0465179d960cf528fba3a93d8_hd.jpg Ops is a root of Greek origin, embodying seeing, eye, and face. The eye is an instrument for collecting data, while other organs are made to give information. How we transform communication if we are caught in an instant snapshot of our life? Can we always be part of a group? Sometimes communication becomes a different language, and our body condition becomes a separate "country" where we have to stay and live until death. In Ops, the eye becomes a door to eventuality, the power of the desire to share thoughts and ideas, the strength of the indomitable soul locked inside a body, which limits us. When we look into that eye, apparently still, we became its instrument, we become responsible for its message, and we disclose it as if we were the eyes of his inner world. https://imageproxy.viewbook.com/28d883fab55bc1eefd0976e02303e93e_hd.jpg The conversations took place only through emails and Facebook, never in person, exchanging the participant's position and creating an ambiguous role between the sick and the healthy one. https://imageproxy.viewbook.com/7dd4b14096526b590c9b0d92615f684c_hd.jpg The artist would like to thank: La Famiglia Mercuri, Severino Mingroni, Aleksandra Krolak_Lodz University, Mina Welby, FaMa projects, Byblos Collection, Villa Amistà, Masha Facchini, Lorenzo Lomonaco, Nico Chirico, Antonella Olivieri, Luca Fontana. This work is dedicated to the memory of Toni-Nuccia Mercuri. https://imageproxy.viewbook.com/24529/9596b141a1b459c9b1ed859bbed2a512_hd.jpg https://imageproxy.viewbook.com/24529/bf45799625879e07a71cf23ecffbb5b5_hd.jpg Words are not simple words used by a standard board where the variety of grammatical concepts significantly limits the communication between the parties. https://imageproxy.viewbook.com/24529/e34ca425522b0d34ab4cdb358e41f20c_hd.jpg The artist's words are edited from dialogues and letters with another patient sick from locked-in syndrome, the Italian activist Severino Mingroni; they embrace different feelings and emotional status generally denied to the patients. https://imageproxy.viewbook.com/24529/bfd50d389bcd87a7a6d24ce8d2d37b1e_hd.jpg https://imageproxy.viewbook.com/24529/55f2cf88ba92ce97b6979c19a0e481c6_hd.jpg http://www.notalike.com/784372 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/c114dcf947c750030f909d7b7dd525dd_hd.jpg #1 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https://imageproxy.viewbook.com/24529/3806785adf24da637c0afe86f179def5_hd.jpg https://imageproxy.viewbook.com/24529/dd5f46c695dca08dfa2adadbcf39586b_hd.jpg https://imageproxy.viewbook.com/24529/906f101e0d3e397ce2e5e30c119cc5ba_hd.jpg https://imageproxy.viewbook.com/24529/f2419bace18ee401d7ab1b9d3350171e_hd.jpg http://www.notalike.com/archive/santa-giulia 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/87cb58ab36e7bed1f1dd3640e5384d52_hd.jpg Santa Giulia (Città domotica), 2011. Per parlare di Santa Giulia, promettente città del futuro alle porte di Milano, ho scelto la nebbia, una costante per chi vive li. Un centro abbandonato prima ancora di essere riconosciuto come tale. Desolazione e solitudine. Perso in aria bianca il centro appare e scompare in lontananza, svelandosi in tutta la sua grandezza che difficilmente raggiungerà, sommerso e abbandonato dalle mille polemiche politiche. https://imageproxy.viewbook.com/9104a2a194915e3d86a00520e574e5d1_hd.jpg Santa Giulia (City home automation), 2011. To speak of Santa Giulia, a promising future cities close to Milan, I chose the fog, a constant for those who live there. A center left before being recognised as such. Desolation and loneliness. Lost in the air the white center appears and disappears in the distance, revealing itself in all its grandeur that it will never reach, overwhelmed by thousands of controversy and abandoned by those dreamers who were thinking, for once, that a change could be true and possible. https://imageproxy.viewbook.com/815b2a04fdd69631034dfec5e05e7e48_hd.jpg Parks and fields surrounding the city, both abandoned. https://imageproxy.viewbook.com/da7d60510cf3b1484a655b14c1259a92_hd.jpg Santa Giulia (City home automation). 7 analogic photographs on matte paper, nails, wall photocopies map, tape. Installation for the exhibition at Studio Maffei Milano, 2011 https://imageproxy.viewbook.com/474b698f52fef9334e39a71a98e4d3cc_hd.jpg https://imageproxy.viewbook.com/956d0bee51ee07bd81b4d0bf6e098ed5_hd.jpg https://imageproxy.viewbook.com/8c620890d2906f250c739568a52aad1e_hd.jpg https://imageproxy.viewbook.com/68f635cab8a8c8b8f6f68b44d0a678af_hd.jpg http://www.notalike.com/825474 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/cf880bc14be455cc80c765e8417ee90e_hd.jpg (cose)rose, 2018 Alice Pedroletti, Lucia Veronesi. https://imageproxy.viewbook.com/24529/29181f81697761f9a9a9e1f1ca8fd8aa_hd.jpg (cose)rose, 2018 Installation view for the project SSSSSSS by ATRII in collaboration with Yellow. https://www.atrii.it/yellow https://imageproxy.viewbook.com/24529/55ec9d5cdbef94e83c5124a94ef8412b_hd.jpg https://imageproxy.viewbook.com/24529/0df640231c36b2e8e67abd29350afaf5_hd.jpg On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first, I thought it was revolving; then I realized that this movement was an illusion created by the dizzying world it bounded. The Aleph’s diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror’s face, let us say) was infinite things since I distinctly saw it from every angle of the universe. "When I opened my eyes, I saw the Aleph” “The Aleph?” I repeated. “Yes, the only place on earth where all places are seen from every angle, each standing clear, without any confusion or blending". - From El Aleph by Jorge Luis Borges https://imageproxy.viewbook.com/24529/52af711ad533e787706915f977710301_hd.jpg (cose)rose is a kaleidoscope built with a mirrorball and a projector with eighty slides from an old school archive. Images of statues and classical works both recognizable and familiar, preserve and protect its forms while allowing its reproduction and enjoyment. The support on which they are imprinted has instead taken on, over time, a unique magenta color. We are used to thinking of an archive like something firm and constant to take refuge in or to refer to, but in fact, we discover that it is a living place subjected to continuous changes. The images reflected by the mirrors of the sphere, surreal and in motion, recreate an evocative atmosphere of universal and fascinating beauty. It represents the archive of a knowledge that belongs to all times and disorients us by turning the courtyard in Via San Pedrino into another world, made up of multiple visions, fragments of stories and tales. https://imageproxy.viewbook.com/24529/ee6977850968a51d49a4bd931ac83c53_hd.jpg A time capsule, a kaleidoscope of possibilities and narrations. One has the illusion of being in an ever-changing place, in the Aleph by Jorge Luis Borges, where the traces of stories, written on the walls and ceilings of the covered car park, overlap: they twist with those handed down from the archive, from the artworks. The result is a modern trompe l'oeil between the analogical and digital era which evokes a past time while ironically putting forward a new, absolutely ephemeral, aesthetic code. Only the sound of the projector, slide after slide, owns a sound contact with reality: like a clock that marks an indefinite time of a place that is everywhere, right now. https://imageproxy.viewbook.com/24529/169141d57ace818cc6c7578566b4fde9_hd.jpg https://imageproxy.viewbook.com/24529/e975f500cec6f0605d92df246b8a346c_hd.jpg https://imageproxy.viewbook.com/24529/1493ebb897f93a1fa870d69a2d1ac0ea_hd.jpg https://imageproxy.viewbook.com/24529/bd34d68aee65aad8b70fe349de3e91d8_hd.jpg https://imageproxy.viewbook.com/24529/d948281a64216c3f89facf8c3c5b1006_hd.jpg https://imageproxy.viewbook.com/24529/2e3ad3a4eff2cfbafaaed1f9e969a945_hd.jpg https://imageproxy.viewbook.com/24529/84d7b78f26d7053776421dbd94bd77a8_hd.jpg https://imageproxy.viewbook.com/24529/ac0cbd27c7e5ee6e84cee775126ff86c_hd.jpg https://imageproxy.viewbook.com/24529/0e35495069faf75f36393881c4c1c95d_hd.jpg https://imageproxy.viewbook.com/24529/84b1bda7b1a027445fe3b656844a71ac_hd.jpg http://www.notalike.com/alike/optimum-editorial 2019-12-10 weekly 0.5 https://imageproxy.viewbook.com/24529/ce04a5362769ced6ba6b287de19a3fc2_hd.jpg https://imageproxy.viewbook.com/24529/a4f205961e58376b0ed2b1ec85c9450a_hd.jpg https://imageproxy.viewbook.com/24529/7f8a099e3265dc42683b8bf0105317ef_hd.jpg https://imageproxy.viewbook.com/24529/d383d0f88cbba27252ad27fcf1a2595f_hd.jpg https://imageproxy.viewbook.com/24529/7b3f9dbb12932a1d274d30112dd8c3d0_hd.jpg https://imageproxy.viewbook.com/24529/bd371a32d9ff8802521d79b391c489a6_hd.jpg https://imageproxy.viewbook.com/24529/6bb0a68ea403c3c594466e2ce2af7da8_hd.jpg https://imageproxy.viewbook.com/24529/00406ed94ec0f131b2782d217adfc20e_hd.jpg https://imageproxy.viewbook.com/24529/824f94d45709ad8b23edbbb4f3db4ddb_hd.jpg https://imageproxy.viewbook.com/24529/9e15e4d2ae59bd6a2806ca7cea943e43_hd.jpg https://imageproxy.viewbook.com/24529/7776f685ad1e442ec0d497411c661c70_hd.jpg https://imageproxy.viewbook.com/24529/c55e19b279b936d1237157d068905a4d_hd.jpg https://imageproxy.viewbook.com/24529/f22532900d418d2b3a49f4b7a7eb2cb7_hd.jpg http://www.notalike.com/archive/scala-di-soglia-portatile 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/811a6c7c8dd768df2016b8ba934d21bb_hd.jpg I built a portable stair for an imaginary threshold. An object of our certainty. A symbol of research. A safe place, made by our experiences. A place where becoming aware of. Three steps to go everywhere. To get up and see, to change the point of view, to get away from reality, without getting lost. Searching for questions. Hope. Climbing to leave the past. There is no place or a specific time, it happens always. The stair is the medium that brings me to a threshold. It’s a hint, a gesture, a short path, a simple movement: physical, mental. It's how you get out looking for answers: "Where am I?". 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https://imageproxy.viewbook.com/24529/7daa0b40e4833e5634427e5bea2766a9_hd.jpg https://imageproxy.viewbook.com/24529/aea96832aabbc1cfea082fa790e51379_hd.jpg https://imageproxy.viewbook.com/24529/d3c80b4cf069f3ce8cc013027686720d_hd.jpg https://imageproxy.viewbook.com/24529/aa56c8cb630167d57f8f4b36c924be3e_hd.jpg http://www.notalike.com/861488 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/7bb2050bdcd09a27150c6416106b747e_hd.jpg Kids (Reenacting the Archives), 2022 In Soriano Calabro, I worked in the Museo dei Marmi and at the Biblioteca Calabrese, the most important library in the region, also hosting small family archives. During In-ruins Research Art Residency 2022 | Calabria (Italy). https://imageproxy.viewbook.com/24529/ffc5b0c2ae413ee35fc04a7358ced7bd_hd.jpg I focused on one photo in particular: what I found interesting is the presence of only male kids. What about female kids in family archives? Why they’re not in group photos, and still, today, rarely in groups in the street? I called out some local girls to work with me on a new archive, starting by reenacting the old pictures with male kids holding ‘mostaccioli’. These traditional ornamental biscuits are also made for religious purposes or as a wedding gift from brides' families to the husbands: in Italian “, la dote”. The girls have ages between 5 and 29: different generations and among them an Argentinian kid, to underline the presence of a new community in Soriano, where Argentinians come and stay to ask for Italian citizenship due to their family roots. https://imageproxy.viewbook.com/24529/39a5cd6ae6dae50fae18fba7f82f09b4_hd.jpg Mostaccioli Mostaccioli is typical Calabrian biscuits prepared with a few ingredients: flour, yeast and lots of fig honey. The main characteristic is their strict consistency, which allows them to be stored for a long time. ---- I made my own ‘mostaccioli’ working with a master mostaccioli, Mr Martino. Some of them were inspired by the archive and the statues, and Martino invented others. I staged the new photo between the ruins of Polo Museale, a site often used by the collectivity for important events. https://imageproxy.viewbook.com/24529/999974c48a964e31a5b193c8769c1d48_hd.jpg I underlined the relationship between the two places through the gestures of kids in some old photos and putti statues: hands symbolising work, play, traditions, and religion. https://imageproxy.viewbook.com/24529/519a9aa6e93f569d6c21264f108a5229_hd.jpg https://imageproxy.viewbook.com/24529/6b65490451f6f22afff6a5196c782134_hd.jpg http://www.notalike.com/851283 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/0833acad9ddaffdf9f43fe29a930a713_hd.jpg UNIDEE Residency Programs 2020 The UNIDEE 2020 programme ‘embedded arts practice in a post-pandemic future’ brought together over 40 residents from across the world to engage in a 10-week hybrid programme (of virtual and physical presence) to explore the questions of ‘where next’ for socially engaged and embedded practice and ‘what future can we build together’ under unfolding conditions created by the Covid-19 pandemic. The global Coronavirus pandemic created new conditions for arts and culture. Those who wish to effect social change through their practice are left with questions: "What can we do from here?" and "What future can we help to build?”. https://imageproxy.viewbook.com/24529/f6bef3e37b8d8f15ef33138f183bc9de_hd.jpg A Padlet 'virtual studio' was used by residents to share the process of their independent action research projects with one another. At the end of the residency this was archived as a PDF available to view at the bottom page link. https://imageproxy.viewbook.com/24529/25e0012263cb44256b0fb89758218f67_hd.jpg ATRII The Collective project ATRII is the starting point for my action research project for the Unidee Residency Program. Through contemporary art, I investigate the concept of 'atrium' (lobby) from a processual and theoretical point of view: a crossing space between landscapes, urbanscape, inhabitants, visitors, and artists. The atrium space can be a physical architecture, a specific 'atrio' within a particular city, or a fictional one. Following the idea of an imaginary architecture, I focused my studies on the multiple possibilities of the atrio-concept. It's a metaphor or a digital space that I can adapt to anything considered so, forcing the common physical idea about 'halls.' https://imageproxy.viewbook.com/24529/2da676b5301d9008cce7611d2a57fd0a_hd.jpg The community I refer to could be any individual living in the building or visiting it, but 'atrio' is also a geographical position in the landscape or a forgotten architecture: the community could be everyone trespassing them. How can artists help unlock diverse issues related to the preservation, adaptation, and (re)activation of the architectural heritage, through their art practice (i.e., in suburban and industrial areas, villages)? (Links at the bottom page) - Image: window at Cittadellarte-Fondazione Pistoletto, Terzoparadiso. https://imageproxy.viewbook.com/24529/48875fef9d5168d539954f6b8d930062_hd.jpg https://imageproxy.viewbook.com/24529/f162b2e0bb5b0f594814d4f2906a134e_hd.jpg https://imageproxy.viewbook.com/24529/af078aaf1fd97402342d971b6fe9490e_hd.jpg https://imageproxy.viewbook.com/24529/f39036215c7cbdc23c08be8d2fd91f84_hd.jpg https://imageproxy.viewbook.com/24529/00d1d37c7f63a8bb27f2c82f375aedd9_hd.jpg https://imageproxy.viewbook.com/24529/98c6a3e144e5706d2e54e102f8e46958_hd.jpg https://imageproxy.viewbook.com/24529/1ac1214af658937944c14f291f6713f1_hd.jpg https://imageproxy.viewbook.com/24529/3abd6dc5e9812bcf961772db9d1c2700_hd.jpg https://imageproxy.viewbook.com/24529/dc4736b18ef660379acc977042632292_hd.jpg https://imageproxy.viewbook.com/24529/76829313214623a898e8fac0c6fa580e_hd.jpg https://imageproxy.viewbook.com/24529/28f8e92bf14233d797a6abff7adaefd2_hd.jpg https://imageproxy.viewbook.com/24529/badc9c44f5f8295a0beeb7416e26277f_hd.jpg https://imageproxy.viewbook.com/24529/8e4062a7190ab7997c0cb236fac7b314_hd.jpg https://imageproxy.viewbook.com/24529/6dba8b3d376e0509c9ad6c8d51d3853b_hd.jpg https://imageproxy.viewbook.com/24529/0be09c24fe0425e4a053a5bae192a1af_hd.jpg https://imageproxy.viewbook.com/24529/a572272e9297a99966d247360a4d41c0_hd.jpg Mentors and guests Guests and mentors: architect and researcher Sandi Hilal (Decolonizing Architecture Art Residency, Stockholm, Sweden), Arte Útil curators and researchers Gemma Medina Estupiñán and Alessandra Saviotti (Spain/Italy), curator and organizer-as-artist Eva Rowson (Bergen Kjøtt, University of Bergen, Norway), professor of art Mick Wilson (Hdk-Valand Academy/University of Gothenburg, Sweden), Nadia Moreno Moya and Fernando Escobar Neira (School of Arts, National University of Colombia) researchers working on the interstices between the art and politics in Latin America, independent researcher and curator Aria Spinelli (Rome, Italy), as well as embedded arts organisations In-Situ (East Lancashire, UK) and South Square Centre (West Yorkshire, UK). With the contribution of Visible project, Jasmeen Patheja (Blank Noise) and STEALTH.unlimited. http://www.notalike.com/alike/prada-accessories 2023-02-21 weekly 0.5 https://imageproxy.viewbook.com/24529/b17a46bc9aaa9a87152ede151bcced2f_hd.jpg https://imageproxy.viewbook.com/24529/430c029cf010dfee804eef85879cbb9b_hd.jpg https://imageproxy.viewbook.com/24529/c61ec48202d0ed58dda21a16ef88ee6e_hd.jpg https://imageproxy.viewbook.com/24529/464368a6fc5ead7700c3ba9f316f99b3_hd.jpg https://imageproxy.viewbook.com/24529/905bb0c2b3a1b0b301dfecfba9e5ab44_hd.jpg https://imageproxy.viewbook.com/24529/90752a0140e95a5fc59d376bae1fe0e8_hd.jpg https://imageproxy.viewbook.com/24529/9d12942c95dce33dbc76a360c8796ace_hd.jpg https://imageproxy.viewbook.com/24529/5d296c67dffb8a5e23d73943c50d72e7_hd.jpg https://imageproxy.viewbook.com/24529/5d5c40c8da92399a2b81ce66480469a3_hd.jpg https://imageproxy.viewbook.com/24529/6b5561def6cced8a39dafd672e498e59_hd.jpg 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https://imageproxy.viewbook.com/10dedcbde683a9dce0296cf7e455b971_hd.jpg https://imageproxy.viewbook.com/23e38c0cfc5e4ead5ef29994c044e957_hd.jpg https://imageproxy.viewbook.com/062e381bc23709deecdfdf99110ec438_hd.jpg https://imageproxy.viewbook.com/4e0f70e797c635e049935c5bc4efad43_hd.jpg https://imageproxy.viewbook.com/753661043ef9b4b2ba92579728e983ff_hd.jpg https://imageproxy.viewbook.com/24529/9fdb7feee84502f5186ec4194d411160_hd.jpg http://www.notalike.com/852908 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/50f226a136ffd0945ed4308d7523d760_hd.jpg I don't draw, 2018-2021 https://imageproxy.viewbook.com/24529/eecfac437dd654b0370678fa7c0f6fe5_hd.jpg https://imageproxy.viewbook.com/24529/1da63f6d14cf6e921d27927744cb743f_hd.jpg https://imageproxy.viewbook.com/24529/107ab34eab634e032aa1281a14dd75e0_hd.jpg https://imageproxy.viewbook.com/24529/42cc06f2637ab3444872fa938ba6a704_hd.jpg https://imageproxy.viewbook.com/24529/fbd4f4991381a1b42d010ea0510b3429_hd.jpg 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https://imageproxy.viewbook.com/24529/9696a3e57b250a4f5992ebba95aa3d3a_hd.jpg https://imageproxy.viewbook.com/24529/14fe7919d378401637cfa1f87f8712a7_hd.jpg I don't draw, 2018-2021 Rabbit Island, the USA. Fellowship holder 2018. Research Grant. https://imageproxy.viewbook.com/24529/1be3407dceda22c0be0a3f5b43091740_hd.jpg http://www.notalike.com/alike/prada-cinema 2023-02-21 weekly 0.5 https://imageproxy.viewbook.com/24529/39af857ae203b6d89a079832279dd16f_hd.jpg https://imageproxy.viewbook.com/24529/9b7fe488b7311abb04e6b097fb5e7d36_hd.jpg https://imageproxy.viewbook.com/24529/b9604516814f43846da16f9e1b8862d9_hd.jpg https://imageproxy.viewbook.com/24529/7035b7e303f8c2740ed4734d4dda6d6c_hd.jpg https://imageproxy.viewbook.com/24529/29691a86c0333c1c827ec9b980994fde_hd.jpg https://imageproxy.viewbook.com/24529/d3f2b35d02f3cc082192d72d79867bc8_hd.jpg https://imageproxy.viewbook.com/24529/2f7b592458f9ba80133f1aca861fee3c_hd.jpg https://imageproxy.viewbook.com/24529/e0d810098bbed9169da25f8d6db13f82_hd.jpg https://imageproxy.viewbook.com/24529/fb21703caea3c890ac77403c777776ac_hd.jpg https://imageproxy.viewbook.com/24529/a1826db445f82c72eba0c1f57ac69a25_hd.jpg 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https://imageproxy.viewbook.com/24529/0efa9584146ed4fc42545b14d4dcfcde_hd.jpg https://imageproxy.viewbook.com/24529/ceb22dd86934123c0785f3901824227b_hd.jpg https://imageproxy.viewbook.com/24529/7c437bfdb862b0d728ae9d9b329ab408_hd.jpg https://imageproxy.viewbook.com/24529/ed4525cdd7179801437443eee183c6a2_hd.jpg https://imageproxy.viewbook.com/24529/cdef5db1b447ba1dfd66f75f2bad5cce_hd.jpg https://imageproxy.viewbook.com/24529/2b062f06a1a0061beabc24c00c75ef3a_hd.jpg https://imageproxy.viewbook.com/24529/e78ebed9138e7623117fc63bef2c4e26_hd.jpg http://www.notalike.com/788532 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/9b4c9abda53559a1ccc218bfa9d431e4_hd.jpg Isola Comacina Isola Comacina, on Como Lake (Italy), was a fortress with houses and churches surrounded by high walls. Known for its glorious past, the Island played an important role in the history of Como, from the Roman period to the early Middle Ages. For 20 years, it was the seat of power of a Byzantine garrison and even one of the last Western Roman Empire strongholds. It sided with Milan against Como in the 10-year war, until when, in ‘annus Horribilis’, 1169, Como was razed to the ground by the Comaschi, allied by Barbarossa, and the Island was destroyed. People living on the Island were killed or forced to leave. Records say the Bishop ordered to: “Throw all the stones into the lake, so nothing can ever be built again, bells will never ring anymore and nobody will work as a publican, or a horrible death with be the punishment”. Nothing more was rebuilt for centuries, until 1900. https://imageproxy.viewbook.com/24529/430078d7c46051b8ae9eae79b3b3b8d3_hd.jpg Art Residency Inherited by testament by the king of Belgium in 1919 and donated by him to the Italian government, the Island became the responsibility of the Brera Academy, appointed to protect the archaeological and scenic beauty and with the idea of making the Comacina a colony for artists. In 1939, Pietro Lingeri an Italian architect, built three houses for artists, in rationalistic style. Nowadays the Island is an Art Residency for Italian and Belgian artists. https://imageproxy.viewbook.com/24529/126a00bf9457530ff3c6c1183891d3ad_hd.jpg https://imageproxy.viewbook.com/24529/2c68d699943928a5d45626c67fd82683_hd.jpg https://imageproxy.viewbook.com/24529/c4c4ecd9ab18b482530556c2dada2568_hd.jpg Study on a floating Island. From the project: Go with the flow. Study on a floating island. Wall Archive about Isola Comacina. © 2015-2019 Alice Pedroletti https://imageproxy.viewbook.com/24529/a74e39a88693c28314c7c767d8113207_hd.jpg https://imageproxy.viewbook.com/24529/3cabeab06dd6ab9920dae132c67e3d82_hd.jpg Study on a floating Island (Notes) https://imageproxy.viewbook.com/24529/92201643a32c56bd8144643d2f2dfaf5_hd.jpg https://imageproxy.viewbook.com/24529/5ad2a2dc251cff53421653b9d7efb383_hd.jpg https://imageproxy.viewbook.com/24529/b8d611c4d0e3f79348c9f4f6c7514495_hd.jpg https://imageproxy.viewbook.com/24529/3414a8b021a37a34a5d4e607961b6553_hd.jpg https://imageproxy.viewbook.com/24529/8fb0871723acc8073af9c65f2b750a51_hd.jpg Study on a floating Island (The other Island) https://imageproxy.viewbook.com/24529/632cc707204fa88a2c74a34022e2f8fc_hd.jpg https://imageproxy.viewbook.com/24529/326459e67e45468dad9ba608c3a06eb4_hd.jpg https://imageproxy.viewbook.com/24529/3d4986296f5e2957222a258967b35c4b_hd.jpg https://imageproxy.viewbook.com/24529/f5a216ee244ff2d84ce4cc4d53e24efa_hd.jpg https://imageproxy.viewbook.com/24529/bdb60dedabee872d0804f5adbc6cafb4_hd.jpg The other Island (sculpture) https://imageproxy.viewbook.com/24529/7c8669b6056443c2b1c1240ed730279a_hd.jpg https://imageproxy.viewbook.com/24529/123ea8647013187b67968a85019ad21d_hd.jpg https://imageproxy.viewbook.com/24529/4498102ba36000014b089836f01073d2_hd.jpg https://imageproxy.viewbook.com/24529/f8fabda81b594ac1d6d3a80c820c0db1_hd.jpg https://imageproxy.viewbook.com/24529/0c9281b62a0bba225fba63a7f433a743_hd.jpg https://imageproxy.viewbook.com/24529/d12a852e493e136ef5c82ef5faadd76f_hd.jpg https://imageproxy.viewbook.com/24529/909d269d61472467d8476b1dd89722f9_hd.jpg https://imageproxy.viewbook.com/24529/1be70701a9a962fb09dbb78cbd5ebc7f_hd.jpg https://imageproxy.viewbook.com/24529/e79aee9043a145c613d0be3e820580ce_hd.jpg https://imageproxy.viewbook.com/24529/3abda6289cbf67fce9ae07c2cfaaaae0_hd.jpg https://imageproxy.viewbook.com/24529/25400103fa2fc098ccf9697141d28d63_hd.jpg https://imageproxy.viewbook.com/24529/c89f81b5f4811e683baa1fd4f9d8f224_hd.jpg https://imageproxy.viewbook.com/24529/dcc0954778ecdea5ff9228c51594d76d_hd.jpg https://imageproxy.viewbook.com/24529/2799b11eed150cc66f865f0ad08c1fc8_hd.jpg Study on a floating island. The other island. From the project: Go with the flow. Study on a floating island. Sculpture about Isola Comacina. © 2015-2018 Alice Pedroletti https://imageproxy.viewbook.com/24529/0752c10f5a588b1c3a9a26175586f0a6_hd.jpg https://imageproxy.viewbook.com/24529/d639c8717556ae24695cd2e58a094868_hd.jpg https://imageproxy.viewbook.com/24529/a131b79471650520f757964cf239d14c_hd.jpg https://imageproxy.viewbook.com/24529/d46b61bdc487bf6221b19a8f4ac9c267_hd.jpg https://imageproxy.viewbook.com/24529/97fd5dfb7dcb21d34d70bd106eb5b967_hd.jpg https://imageproxy.viewbook.com/24529/97c7e30efe4336e8952419c7e150a4c3_hd.jpg https://imageproxy.viewbook.com/24529/6cfaf0d3a9f471d32106bdb64aa0fb66_hd.jpg https://imageproxy.viewbook.com/24529/56f5a633b66ff26c7e71131c4695cebc_hd.jpg https://imageproxy.viewbook.com/24529/46564e1355382133abc1a9aba895fabc_hd.jpg https://imageproxy.viewbook.com/24529/f89a15c01f16b14b6daa2933f1fc9ac3_hd.jpg https://imageproxy.viewbook.com/24529/37d7827f250e44f731a41cc1f4fb63f2_hd.jpg https://imageproxy.viewbook.com/24529/e71dbbe8384090899487e28bc8018df9_hd.jpg https://imageproxy.viewbook.com/24529/f785fcba254e0f6f5f1314b19c7a4e2b_hd.jpg http://www.notalike.com/alike/rolling-stone 2023-02-21 weekly 0.5 https://imageproxy.viewbook.com/24529/4419db566dd994f71e5c213b3957f0dd_hd.jpg Hills Race https://imageproxy.viewbook.com/24529/71d8c1cc92ad938511023779aa366e27_hd.jpg https://imageproxy.viewbook.com/24529/273cb0d73b0de30f4a8659fee1aaad3e_hd.jpg https://imageproxy.viewbook.com/f7f1675a113c193a5bfb6d21445f98a2_hd.jpg Hills Race - Vintage cars race Rolling Stone documentary https://imageproxy.viewbook.com/24529/f82cedb2ffec3a190eea54d9a2a58b62_hd.jpg https://imageproxy.viewbook.com/9b981b7ab8a956ce7c2e65f5edc36f55_hd.jpg Monza Rally Show Rolling Stone documentary https://imageproxy.viewbook.com/24529/a1989159196825f756b26c08ca1aee3d_hd.jpg https://imageproxy.viewbook.com/24529/02f57ddbe8aac2f2fc2289083e2b6682_hd.jpg https://imageproxy.viewbook.com/24529/ed27a19a9c7adeed5f7bd8e958f618f3_hd.jpg http://www.notalike.com/archive/muybridge-mybridge 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/ad66ff78ce376a94ca12546c0b0495d4_hd.jpg Eadweard Muybridge (1830-1904) https://imageproxy.viewbook.com/245014d7a3d7f51d007f5c181fec7aa9_hd.jpg https://imageproxy.viewbook.com/df0207c710c825c479d4cdffadb7d01d_hd.jpg Vertical jump. https://imageproxy.viewbook.com/490cbe9dcbfeb3ac2e31139258208671_hd.jpg Muybridge https://imageproxy.viewbook.com/db0d5240ce0402b5ff1586eadaedc2a7_hd.jpg Walk behind. https://imageproxy.viewbook.com/927464ee26e31bb9d9545b9ab3e393ac_hd.jpg Muybridge https://imageproxy.viewbook.com/17d629f38625fe4e1d2f9d8cd6f9c9e9_hd.jpg Muybridge https://imageproxy.viewbook.com/91ac56df7c6bb4ee32247412026796f4_hd.jpg I undress my head. https://imageproxy.viewbook.com/80d057bdd5199f3a6797f06a5d714019_hd.jpg Undresses her head. https://imageproxy.viewbook.com/7a952f34dff30a1670f296c310520958_hd.jpg Muybridge https://imageproxy.viewbook.com/58a2a10ce572c19de430c14e7d023782_hd.jpg Basic walk. https://imageproxy.viewbook.com/66620a2d4d7f1272b0064eaad4cdf5f2_hd.jpg Muybridge https://imageproxy.viewbook.com/6875155539a3d4754bd1d44c93f0c089_hd.jpg Muybridge https://imageproxy.viewbook.com/b68b3e3ddd532f0511ac412cfdae1f3f_hd.jpg Jump on site https://imageproxy.viewbook.com/9ccd7ab66b9fa07a83c46ff7de491bf9_hd.jpg Muybridge https://imageproxy.viewbook.com/e28c6214ca62aad2a2cc8b4ce1b7ddbd_hd.jpg Muybridge https://imageproxy.viewbook.com/002c1b377605a9c5759588b4e5e2ae1c_hd.jpg The keystone is the head. https://imageproxy.viewbook.com/debb49edc20c011be0359eba8ecbb4d8_hd.jpg About head and hands. https://imageproxy.viewbook.com/bfb70435d53cc1c019e038f43b70ce45_hd.jpg Muybridge https://imageproxy.viewbook.com/287436daf24f7d0c4ef0e71859a630ef_hd.jpg I get undressed from the light. https://imageproxy.viewbook.com/a9f5b65c0aed4e42c1c82c8279bdf511_hd.jpg Muybridge https://imageproxy.viewbook.com/b590f595d927e0d7279cc4928de14945_hd.jpg Muybridge http://www.notalike.com/787242 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/886863c342fa2ad13c02dead361e6d71_hd.jpg 4EVER https://imageproxy.viewbook.com/24529/4e0bbec8663c7fdd71856abf5727d749_hd.jpg In my art practice, I collect objects. I consider myself a compulsive collector, no matter what kind of objects they are: I just want to possess them forever. I create then little monuments or altars, to celebrate death, but also life. In my photographs all these forgotten fragments and objects, are more alive then before: they become precious and unique. From a private life of somebody unknown, they turn to be visible and public Artworks. Somebody else will desire them because I make them desirable, I make them immortals. But they are only trash, most of the time. What kind of trash though? https://imageproxy.viewbook.com/24529/799e773aca6f748be12b873de795b7e2_hd.jpg Gentrification in Shanghai is aggressive and violent. It’s affecting the city, the history, and the people. These trash pieces, from old lilong compounds, are what have left behind: life fragments, pictures from a daily routine, little stories that are going to disappear. The title 4ever focuses on a different level of cultural communication, connected with the loss of future memory. In China, the number four (4) is almost avoided everywhere. In fact, the Chinese word for four (四, pinyin: sì), sounds quite similar to the word for death (死, pinyin: sǐ). In English the number 4 is often used as a suffix to make communication faster: 4ever means eternal. Opposite of death. https://imageproxy.viewbook.com/24529/e5ae81dc88902e2b937a3e21549914cb_hd.jpg https://imageproxy.viewbook.com/24529/e641f014f3163ccd248e8282b3e8af31_hd.jpg https://imageproxy.viewbook.com/24529/012c0b83b91731be3f85fdf3c14144eb_hd.jpg https://imageproxy.viewbook.com/24529/ef00bd118d7c73ea6fb7e8fb2a138bc4_hd.jpg https://imageproxy.viewbook.com/24529/5593a91dd06e90ae65f12c39d6cd5806_hd.jpg https://imageproxy.viewbook.com/24529/0c3041bfb5c9a0bf5505e1b34275f38b_hd.jpg 4EVER Installation view | Private Collection | 2017 https://imageproxy.viewbook.com/24529/df431755604b4a8e2c5a4693ed18fbb0_hd.jpg https://imageproxy.viewbook.com/24529/30aa6af098ac10c79f3509b6924518bc_hd.jpg 4EVER Installation view | Public Privacy| Studio6 | Shanghai https://imageproxy.viewbook.com/24529/9e4dc5fabce3a4ad1a483d131440c745_hd.jpg Studio Work | Installation https://imageproxy.viewbook.com/24529/598b0e291a4324e2f12d6cac0dd8d349_hd.jpg https://imageproxy.viewbook.com/24529/0ac51e1d8d895b6598ae4a7e816bd3ed_hd.jpg http://www.notalike.com/alike/segue 2023-02-21 weekly 0.5 https://imageproxy.viewbook.com/e76b0753920d7637341de626c27b1800_hd.jpg SEGUE Summer Catalog 2008 CLIENT: Segue AGENCY: Arnold Worldwide Italy PHOTOGRAPHERS: Alice Pedroletti & Jule Hering - Alike Studio https://imageproxy.viewbook.com/7fca89877dedbd5cd4636892c8d2040a_hd.jpg SEGUE Winter Catalog 2008 CLIENT: Segue AGENCY: Arnold Worldwide Italy PHOTOGRAPHERS: Alice Pedroletti & Jule Hering - Alike Studio https://imageproxy.viewbook.com/8307217e77cf495a6ff3d0221be82842_hd.jpg SEGUE Fall Catalog 2008 CLIENT: Segue AGENCY: Arnold Worldwide Italy PHOTOGRAPHERS: Alice Pedroletti & Jule Hering - Alike Studio https://imageproxy.viewbook.com/8ed8a6f7adf406bb382d67d26552bcdd_hd.jpg SEGUE Fall Catalog 2008 CLIENT: Segue AGENCY: Arnold Worldwide Italy PHOTOGRAPHERS: Alice Pedroletti & Jule Hering - Alike Studio https://imageproxy.viewbook.com/1ffcb147ba6472d74ea5a88a9cd9391f_hd.jpg SEGUE Fall Catalog 2008 CLIENT: Segue AGENCY: Arnold Worldwide Italy PHOTOGRAPHERS: Alice Pedroletti & Jule Hering - Alike Studio https://imageproxy.viewbook.com/9b62318360d230c922235133213b1b84_hd.jpg SEGUE Fall Catalog 2008 CLIENT: Segue AGENCY: Arnold Worldwide Italy PHOTOGRAPHERS: Alice Pedroletti & Jule Hering - Alike Studio https://imageproxy.viewbook.com/8b1859df713ba50efe8dc30ff9561320_hd.jpg SEGUE Winter Catalog 2008 CLIENT: Segue AGENCY: Arnold Worldwide Italy PHOTOGRAPHERS: Alice Pedroletti & Jule Hering - Alike Studio https://imageproxy.viewbook.com/2a1ee7461cb429d8aa20313d80e54c48_hd.jpg SEGUE Winter Catalog 2008 CLIENT: Segue AGENCY: Arnold Worldwide Italy PHOTOGRAPHERS: Alice Pedroletti & Jule Hering - Alike Studio https://imageproxy.viewbook.com/7b476d435d1f06c3b69868cb7c489ce1_hd.jpg SEGUE Winter Catalog 2008 CLIENT: Segue AGENCY: Arnold Worldwide Italy PHOTOGRAPHERS: Alice Pedroletti & Jule Hering - Alike Studio https://imageproxy.viewbook.com/c89aad912bfdf5598f1f515c1ac05fa0_hd.jpg SEGUE Summer Catalog 2008 CLIENT: Segue AGENCY: Arnold Worldwide Italy PHOTOGRAPHERS: Alice Pedroletti & Jule Hering - Alike Studio https://imageproxy.viewbook.com/6803ffdf615fbea69ac9ec03b0549833_hd.jpg SEGUE Summer Catalog 2008 CLIENT: Segue AGENCY: Arnold Worldwide Italy PHOTOGRAPHERS: Alice Pedroletti & Jule Hering - Alike Studio http://www.notalike.com/archive/news 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/7945a6f40bc906749b4221e24d69e242_hd.jpg https://imageproxy.viewbook.com/24529/abb126ddf88e7859f90dd3752867183b_hd.jpg https://imageproxy.viewbook.com/24529/af28bdc33df7b51ab4896d96d37fac3b_hd.jpg https://imageproxy.viewbook.com/24529/ab15ebae3e5490800cf83a1c3ac5d586_hd.jpg https://imageproxy.viewbook.com/24529/9fedfb72f04f3886ba5ee26c771f2cfd_hd.jpg https://imageproxy.viewbook.com/24529/f7fcf05d2c3b290945cff02e06b0ba09_hd.jpg ATRII / Mubilia Still one month to visit the show at MAC Lissone: until 24.11.2019 https://imageproxy.viewbook.com/24529/f79aff7faaf95628fbb1ffd41f772d03_hd.jpg LAST DAYS! Show closes on 19.10.2019 https://imageproxy.viewbook.com/24529/6ccdb13146c64ee3344a0cb30717905e_hd.jpg https://imageproxy.viewbook.com/24529/ad08c1c03deff6c83c0bf248d591c119_hd.jpg https://imageproxy.viewbook.com/24529/d891c0cf006b42fbcaf314af49737144_hd.jpg https://imageproxy.viewbook.com/24529/59ab9505690aed3c662f93ba425758d1_hd.jpg https://imageproxy.viewbook.com/24529/4be38de8e639252b5e3336fcbceff2e8_hd.jpg https://imageproxy.viewbook.com/24529/0f05226fdd231c74411e7616c5b11077_hd.jpg https://imageproxy.viewbook.com/24529/d25fcc134fe5c22fe95ee7e0edc129d5_hd.jpg https://imageproxy.viewbook.com/24529/a5c451b19507aa202c5a8eb268a16502_hd.jpg ARCHITETTO Opening 13.05.2018 - Fondazione Bandera | Supported by Jannelli&Volpi https://imageproxy.viewbook.com/24529/90baa17255da743f6694b13e423a691b_hd.jpg Prière de toucher I will present my new work ARCHITETTO sponsored by Jannelli&Volpi - www.jv-wallcoverings.com/ https://imageproxy.viewbook.com/24529/c23ce9c1ff7c055b95587fe82decbbe6_hd.jpg https://imageproxy.viewbook.com/24529/e2c1176bf94baeca6d527e6da9ef26dc_hd.jpg https://imageproxy.viewbook.com/24529/bace2c727faa2e1a7bb709bf04b5a92d_hd.jpg https://imageproxy.viewbook.com/24529/a6f393adf338688701bec337ccc7fd4a_hd.jpg Talk! 14.12.2017 - h 6 pm @ Museo del Novecento in Milan - I will introduce ATRII Open Archive https://imageproxy.viewbook.com/24529/f9b6ba8731693224724fd2724f900db3_hd.jpg https://imageproxy.viewbook.com/24529/8eaeb477b3091ac5f5e19c2df26e371b_hd.jpg Premio Francesco Fabbri / Finalist Finissage and catalog presentation. Premio Francesco Fabbri in on show until the 17.12.2017 https://imageproxy.viewbook.com/24529/9816067bf5ab653ad71b54b05991e563_hd.jpg https://imageproxy.viewbook.com/24529/29e5fc09735035bd997e10d4bf4828eb_hd.jpg https://imageproxy.viewbook.com/24529/6ea8e1201f21e2d79b2c2a0925fec7e4_hd.jpg HYPERIMAGING! IMAGES IN AND OUT OUR SCREENS International Photography Biennial “Gjon Mili” 2017. Curated by Alfredo Cramerotti Participating artists: Erica Scourti, Clare Strand, HAVE IT, Brilant Pireva, Eva and Franco Mattes, Claudia Sola, Dardan Zhegrova, Jeff Guess, Thomson & Craighead, Jordan Tate, Margo Wolowiec, Christopher Meerdo, Oskar Schmidt, Kurshtrim Asllani, Thomas Galler, Anne de Vries, TADI / Sadie Suhodolli, Eliza Hoxha and Alice Pedroletti. 10 October – 10 November 2017 NATIONAL GALLERY OF KOSOVA https://imageproxy.viewbook.com/24529/0d99c6f11298e42f0784ba0ed0cd9238_hd.jpg https://imageproxy.viewbook.com/24529/cb31ff5d3924533d2c05000ced7483b9_hd.jpg https://imageproxy.viewbook.com/24529/4f07a626e4bd66fe3edec4b558f0624e_hd.jpg https://imageproxy.viewbook.com/24529/5ebcf9ff7dfdaf2c29ad8f063438a870_hd.jpg https://imageproxy.viewbook.com/24529/c6f5e4ebf7abdab9397b887d49595e54_hd.jpg https://imageproxy.viewbook.com/24529/5862f1ffceb9cbcd1892045f9ccdb79d_hd.jpg https://imageproxy.viewbook.com/24529/6efbc23a43e3a5de1df21eaccdb318ca_hd.jpg https://imageproxy.viewbook.com/24529/6f8ae0817694159fdb0e5361ee187e1a_hd.jpg https://imageproxy.viewbook.com/24529/928237e7d848de5007a1cd3f2bed1a60_hd.jpg https://imageproxy.viewbook.com/24529/b31fe45389b7da61f5efd179293f032b_hd.jpg https://imageproxy.viewbook.com/24529/4b70ffffc782a8ff8149d1e02edbbdb7_hd.jpg https://imageproxy.viewbook.com/24529/e760d07080cea2412a8449c3317d2dff_hd.jpg https://imageproxy.viewbook.com/24529/9b1bd51041d0003a4481d9087ff17e45_hd.jpg https://imageproxy.viewbook.com/24529/49a0f01edb7e479d1ad81962c1b97f4e_hd.jpg https://imageproxy.viewbook.com/24529/ff3bf0b39718a003be562fbbe6903135_hd.jpg https://imageproxy.viewbook.com/24529/ca0d2cc5805dc82abf5358208726b5b1_hd.jpg https://imageproxy.viewbook.com/24529/0275f028de546d69367762eb58a75094_hd.jpg https://imageproxy.viewbook.com/24529/8cb6c0b379491302131dbfe212d37e0b_hd.jpg https://imageproxy.viewbook.com/24529/4a80deb7bc0a3ee32235845cb1633469_hd.jpg https://imageproxy.viewbook.com/24529/15259f7cc86b092b11375865ebe1ed23_hd.jpg https://imageproxy.viewbook.com/24529/896aa7c7080f5ddfcc587fcd92fad817_hd.jpg https://imageproxy.viewbook.com/24529/61ae853a542258c560a6c8c12172dea8_hd.jpg https://imageproxy.viewbook.com/24529/eaecf10e0fa629b3f0429f388f97b53f_hd.jpg https://imageproxy.viewbook.com/24529/d362b7f70a124b7921fd6f0af806bfea_hd.jpg https://soon.hermapartprojects.org/ Register at the link above. Visit: https://hermapartprojects.org/home https://imageproxy.viewbook.com/24529/9ba61be3006b86989b69fff93795152c_hd.jpg https://soon.hermapartprojects.org/ Register at the link above. Visit: https://hermapartprojects.org/home https://imageproxy.viewbook.com/24529/333f6af408c20ad1dee469b629dddffb_hd.jpg Transmediale | The Art of Decolonising Digital Resistance Friday 3 February 2023, Betahaus | Kreuzberg | Innospace Room | Rudi-Dutschke-Straße 23, 10969 Berlin, Germany | Artistes Provocateurs: Jamie Allen, Marta Espiridião, Vukasin Nedeljkovic, Vijay Patel, Alice Pedroletti, Samar Zughool | Follow the link and register for the Assembly: https://2023.transmediale.de/en/event/the-art-of-decolonising-digital-resistance https://imageproxy.viewbook.com/24529/178b8e3ede8b4b6d595b1b65207ab954_hd.jpg NEWS! Her ship was so small | Opening 27.04.2023 Opening 27.04.2023 | h 16-20 h 17 conversation Toward the Archipelago Cordts Art Foundation and Untitled Association are pleased to present Her ship was so small, first solo show in berlin by artist Alice Pedroletti, on view from April 27th to May 30th, at nogallery. What do the topos of the island represent in contemporary society? And which tools have been employed to bring closer to our imagination the remoteness of these fragmented lands? These are among the many questions Alice Pedroletti has invested in preparing her solo show Her ship was so small. In this frame, layering different times and localities of the artist's research, the boat - precisely the folding boat - becomes a formal exercise and an architectural device for crossing geographies and imagining urban and speculative constellations of interconnectedness. https://imageproxy.viewbook.com/24529/0a9187e6aa0363fe25323570bfbc0382_hd.jpg BOOK LAUNCH: THE CITY, THE ISLAND, ALICE PEDROLETTI, ZK/U PRESS 13.07.23 H18.30 - COMMERCE, MILAN http://www.notalike.com/archive/back-to-now 2025-01-21 weekly 0.5 http://www.notalike.com/784381 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/fa3ce28a7061f0aa490cd73fc72b1ba9_hd.jpg Family Album (GP) Gino and Pinuccia were my grandparents. They lived through World War 2 and, like many other people, they collected a lot of objects: boxes with generic names or simply information about their content. They used to say to me: "Waste nothing!". So I didn’t and became a compulsive collector. https://imageproxy.viewbook.com/24529/2b65b993633a787deef312824fdca224_hd.jpg Family Album (GP) Family Album (GP) consists of four photographs and one shelf. Every single edition has a different shelf, made with different materials: the generic object subsequently becomes a precious and unique sculpture. My family archive - personal and intimate - becomes an advertising image for something which is not for sale, although it can be bought, and objects which are used, but no longer really in use.The ambiguity is between photography and illustration, reality and fiction, past and present. https://imageproxy.viewbook.com/24529/c9f39036cf26f86d2d5cb3877a2095cd_hd.jpg Installation view / detail. Ed.2/5 (2016) Rovere di Slavonia - Byblos Collection. https://imageproxy.viewbook.com/b433f19c1bd55b0fa2ba3dc25622b250_hd.jpg https://imageproxy.viewbook.com/d594ebd9e56467c9386e20896be0f5c8_hd.jpg https://imageproxy.viewbook.com/d26f00d43a56734804519f510776e3af_hd.jpg https://imageproxy.viewbook.com/75748e318240c3963a1a732791976499_hd.jpg https://imageproxy.viewbook.com/24529/15f0a3a6f36b049cdb2cf0e685025a30_hd.jpg Family Album (GP) Installation view. Ed.1/5 (2015) Marmo Calacatta Oro - Private collection. https://imageproxy.viewbook.com/24529/dd4988ef2d06db139e2030533fb80361_hd.jpg https://imageproxy.viewbook.com/24529/46e6a4c3ffaa7dc94c93596c4689e747_hd.jpg https://imageproxy.viewbook.com/24529/756f5f6dd0e1294ea11b4bb40f86f0f2_hd.jpg Family Album (GP) Installation view. Ed.3/5 (2016) French Issorie Marble - APT Global Collection. http://www.notalike.com/alike/wallpaper 2023-02-21 weekly 0.5 https://imageproxy.viewbook.com/649e6ca660167d56227ffa91da530c01_hd.jpg Guardiani / Wallpaper Milan Design Week event http://www.notalike.com/alike/clients 2023-02-21 weekly 0.5 http://www.notalike.com/784289 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/202a96b72a692a6a4b5671c949f36464_hd.jpg PER FORTUNA (Fortunately) Il ragazzo morto e le comete (The dead boy and comets) is the first novel by Goffredo Parise, Italian writer, journalist, poet and a screen playwright active from the ‘50. The book is considered one of the most ingenious and surprising debuts of Italian literature of the Twentieth Century with a structure close to a fairytale and a neo-liberty and neo-simbolista way of writing. Reading the book I decided to focus on the research of identity through childhood, objects, images, fortuity, fantasy, reality, diversity and the matter of being an artist. https://imageproxy.viewbook.com/24529/5594365bbe78678cd50feb68631ab2a9_hd.jpg Objects from my personal archive. In my research I collect objects that I use for my pictures as components of a imaginary and temporary sculpture. I study them through a traditional photographic approach. After the final picture (the sculpture matrix) I put them in boxes and I never use them again. My work is based on accumulation and subtraction in which the function of the subject and the medium itself are constantly under discussion. Objects are taken out of a daily circulation and hidden as treasures or memorabilia. https://imageproxy.viewbook.com/24529/d3290c250c673a1c5d463dbf5af9460b_hd.jpg https://imageproxy.viewbook.com/24529/0c95397b6fe39512c5c1ed7541accf13_hd.jpg https://imageproxy.viewbook.com/24529/ca09a23ab0e84a3c05384fee9456a4a1_hd.jpg https://imageproxy.viewbook.com/24529/d4c63a27946feb9111d7b392d5ade5bf_hd.jpg https://imageproxy.viewbook.com/24529/57a5edbf1ea92c8c0b8ba92f2f1a36e4_hd.jpg https://imageproxy.viewbook.com/24529/7b1414069a14df0810b665d72168a6fd_hd.jpg https://imageproxy.viewbook.com/24529/d0d78d15fbe7b8a51853399849926315_hd.jpg https://imageproxy.viewbook.com/704d354332a8f4dfd54ad1230fa30cb8_hd.jpg Installation view. ARTISSIMA Off / Fondazione Sandro Penna - FUORI!, 2013. https://imageproxy.viewbook.com/24529/0224e7a14f1fae0d409028cf71eabd3e_hd.jpg EPIFANIE Finds and archives.Temporary composition on ground. https://imageproxy.viewbook.com/ec524977d36db293e84edf095b4f083a_hd.jpg My work is composed by a text and 2 pictures about unreal sculptures, one for the magazine, one for the show. The text is about a Leonardo Castellani critics on Goffredo Parise. https://imageproxy.viewbook.com/f1e48951426aa5971afdc97696a78178_hd.jpg The new issue of Sodoma at the show in Torino, Italy.The project, curated by artist Maurizio Bongiovanni, involves 33 italian artists with a text and a work for the group show at Fuori/Foundation: Corrado Levi, Afterall, Paola Angelini, Elena Arzuffi, Enrico Boccioletti, Maurizio Bongiovanni, Jacopo Casadei, David Casini, Umberto Chiodi, Matteo Cremonesi, Vanni Cuoghi, Giovanni De Francesco, Pier Giorgio De Pinto, Matteo Fato, Gaia Fugazza, Nicola Gobbetto, Sabina Grasso, Pesce Khete, L'orMa, Andrea La Rocca, Yari Miele, Gianni Moretti, Giovanni Manunta Pastorello, Alice Pedroletti, Marco Pezzotta, Gabriele Picco, Sergio Racanati, Jacopo Rinaldi, Laura Santamaria, Alessandro Sau, Stefano Serusi, Valter Luca Signorile, Gian Maria Tosatti, Virginia Zanetti. https://imageproxy.viewbook.com/2053668c8f034b0ff91fd0690d2b6e33_hd.jpg http://www.notalike.com/cv 2026-03-30 weekly 0.5 http://www.notalike.com/alike/logbooks 2023-02-21 weekly 0.5 https://imageproxy.viewbook.com/fd137d49a49435d97aad973b6339ec47_hd.jpg https://imageproxy.viewbook.com/2e63d625ff002d3800103116c3ebe598_hd.jpg L.A. https://imageproxy.viewbook.com/05fc177c388568dade132c84881d97ba_hd.jpg Johnson https://imageproxy.viewbook.com/7fda92bcb9074186d46d758839f65600_hd.jpg Jacko (25.06.2009) - Gary (Indiana, US) https://imageproxy.viewbook.com/d6c444ac6cc8e0d17beb2e6d28f70f49_hd.jpg https://imageproxy.viewbook.com/0492ed78903f1137848b687f817be438_hd.jpg L.A. https://imageproxy.viewbook.com/e04a195358fabbd339ac407ef5cf96a2_hd.jpg https://imageproxy.viewbook.com/af8a697cd7aa324d5f3ed2fee56a5879_hd.jpg Johnson https://imageproxy.viewbook.com/888b3a1f456f0ec6155f922cebbf3926_hd.jpg https://imageproxy.viewbook.com/a31b9025f8fb44037cbb7026c1c4e686_hd.jpg https://imageproxy.viewbook.com/c45834ef938aaf592b4a4944084d22d9_hd.jpg L.A. https://imageproxy.viewbook.com/2fcc39ea9f077f6980a1d1896c9851dd_hd.jpg https://imageproxy.viewbook.com/47deadd0299dabdfc0f213fae427a195_hd.jpg Johnson https://imageproxy.viewbook.com/c4927cfec5fae0f4c4f1379c6598dd5d_hd.jpg https://imageproxy.viewbook.com/dfba4c4f1b7c24ebf4f20ee045194499_hd.jpg https://imageproxy.viewbook.com/4fcb5cf020455bbfbf767e46bfe42cdd_hd.jpg L.A. https://imageproxy.viewbook.com/307ff860d9eb2b57ac3191a06613f236_hd.jpg https://imageproxy.viewbook.com/59f0000686883b8483e2b6757dafbbd8_hd.jpg Johnson https://imageproxy.viewbook.com/1be29870ab54d556c74a9ce765802b48_hd.jpg https://imageproxy.viewbook.com/6699a001973112d130dff7e9524fa274_hd.jpg https://imageproxy.viewbook.com/1c7823758e308c2878a9f8f620f08fb7_hd.jpg L.A. https://imageproxy.viewbook.com/40d791208cac58352af1915906a3096c_hd.jpg https://imageproxy.viewbook.com/83fd2e0ebd169a87ddba19742fecbbe5_hd.jpg https://imageproxy.viewbook.com/98200daaa8741e034c046be15abaae76_hd.jpg 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community based process | In the pictures: Metodo Salgari Milano, 2014. Installation views: Portable monuments. Final outcome: Metodo Salgari, Piazza Salgari Milano, the book. https://imageproxy.viewbook.com/24529/6b242a22d4a603e3cffd6e8a241ae05a_hd.jpg Emilio Salgari (1862-1911) Emilio Salgari was an Italian writer who - without traveling outside his nation- wrote numerous novels set in several distant countries, distributed on all the continents, which he got to know just through news and images found in magazines, books, newspapers. One hundred years later, this mechanism of knowledge of distant places through media, by renouncing to a direct experience, has become totally ordinary. https://imageproxy.viewbook.com/24529/3fd2e236808be9de41c567ea8a5b4854_hd.jpg The project With the aim to reflect on this way of "knowing from a distance", our project wants to recreate a virtual memory, based on the sharing of pre-established knowledge and information with groups living the specific places in which we intervene. 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https://imageproxy.viewbook.com/24529/ba7e646d571d69162d38a354616bc40e_hd.jpg https://imageproxy.viewbook.com/24529/96e0a2a3ccf87648569d0c783a8a4732_hd.jpg https://imageproxy.viewbook.com/24529/9f545603ed4419342210b8de91ea2e5e_hd.jpg https://imageproxy.viewbook.com/24529/5f94acc35003d4380eb3fc62fe469020_hd.jpg https://imageproxy.viewbook.com/24529/2f596f2f9c060866832f0f29f4c4c6b4_hd.jpg https://imageproxy.viewbook.com/24529/3efec6f31f51d1480b59dc7f2b6654d5_hd.jpg https://imageproxy.viewbook.com/24529/de65bdf93f548ca187064ad696ae5600_hd.jpg https://imageproxy.viewbook.com/24529/dfc6522ea7419be5edbf836e63ffc5e2_hd.jpg https://imageproxy.viewbook.com/24529/ac9734fcf11d486dd3470f68b9eabe75_hd.jpg https://imageproxy.viewbook.com/24529/3c27c4138e30fc60e78c0db48f168847_hd.jpg https://imageproxy.viewbook.com/24529/f4ce1629d1a3b8387e6f99e4d54923d4_hd.jpg https://imageproxy.viewbook.com/24529/bece3a4c49ab3003ac664243c996e136_hd.jpg https://imageproxy.viewbook.com/24529/df0cc8a9ad808d8a1a81f66367a61c35_hd.jpg https://imageproxy.viewbook.com/24529/1fb7535e20c73739392855bb33e2eb3d_hd.jpg http://www.notalike.com/a 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/7c1e3642ad935eb68e642ae33a10f3db_hd.jpg | THE INSTITUTE OF THINGS TO COME Centro di ricerca temporaneo sul futuro che tra febbraio e settembre 2017 ha avuto sede nella project-room della Fondazione Sandretto Re Rebaudengo di Torino. E' stato articolato in un ciclo di quattro mostre personali collegate a un programma di formazione concepito per interrogare il presente, proiettando il nostro sguardo nel futuro. Il progetto prende ispirazione dal celebre romanzo di H. G. Wells, The Shape of Things to Come, in cui l’autore narra la storia del mondo dal 1933, anno di pubblicazione del libro, fino al 2106, trasformando la visione sul futuro in una fittizia cronaca storica. Da queste premesse e prendendo in esame il concetto di “finzione come critica”, l’obiettivo di THE INSTITUTE OF THINGS TO COME è quello di interrogare il modo in cui proiettiamo in avanti i nostri desideri, le nostre paure e aspettative, allenandoci a condizioni esistenziali sconosciute, e immaginando alternative a ciò che esiste. https://imageproxy.viewbook.com/24529/aa1bb3695e4850f53caa7812905d7b80_hd.jpg | A cura di Ludovica Carbotta e Valerio Del Baglivo. THE INSTITUTE OF THINGS TO COME ha invitato gli artisti BEDWYR WILLIAMS, KAPWANI KIWANGA, ALEX CECCHETTI, LOUISE HERVÉ & CHLOÉ MAILLET a presentare un lavoro che prefigura e indaga possibili scenari futuri, articolando una stagione composta di quattro mostre personali. Attingendo a tecniche e metodologie proprie del cinema sci-fi, della performance e del pensiero scientifico-accademico, racconti di scenari apocalittici, identità mutevoli, mondi sottomarini e sistemi politici inventati, si sovrappongono a realtà familiari, teorie scientifiche ben note e verità storiche, fino a influenzarle o a renderle precarie. https://imageproxy.viewbook.com/24529/8d5a2481af776ee32147cc2d7cbc9dfb_hd.jpg | FUTURE RUINS: READING THE CITY, WRITING ITS FUTURE Perché i racconti di finzione emergono? Che cosa cercano di affrontare e / o porre rimedio? https://imageproxy.viewbook.com/24529/6bbc6e62998423d1504be761a9f1b64e_hd.jpg | Workshop con Kapwani Kiwanga e Mirene Arsanios Questo workshop guidato da Mirene Arsanios e Kapwani Kiwanga esplora il format dei racconto di finzione come strumento che consente la proiezione e l’immaginazione di nuovi futuri. Spesso i racconti di finzioni pongono un forte accento sulla costruzione di mondi alternative e città immaginifiche. La città di Torino è quindi considerata sia come un palcoscenico che come una risorsa da cui far partire varie escursioni programmate. La storia e l’architettura della città faranno da spunto per iniziare discussioni sulla realtà urbana circostante, e il modo in cui questa potrebbero essere ri-immaginata e ri-scritta. La speculazione immaginifica, del resto, non è un esercizio di fantasia selvaggia; piuttosto prevede un’interrogazione su ciò che può essere immaginato e perché. https://imageproxy.viewbook.com/24529/9db6686b6bfc5e0467fa6f3b38697b31_hd.jpg https://imageproxy.viewbook.com/24529/15a6125ab2349051fc406e8aca807b09_hd.jpg https://imageproxy.viewbook.com/24529/114e4e3a1542ef7e04372ee0d4d0c224_hd.jpg https://imageproxy.viewbook.com/24529/1c245bedd54004249cb0f64c2bcc6fdb_hd.jpg https://imageproxy.viewbook.com/24529/aaffa369f0722a6b31c61ddef3d258c7_hd.jpg https://imageproxy.viewbook.com/24529/b4f3cbdcc556585937dff1d8320ef6e9_hd.jpg https://imageproxy.viewbook.com/24529/14ed4d291fb9eb08f60b599a71388be6_hd.jpg "A" | text for the zine. There’s a dog with a missing leg. Somewhere else there’s a leg with a missing dog. In both cases something is missing, creating a space in between the two parts that don’t have a specific time or a specific role. I will call that space “A”. Between us and the surrounding world – simply intended as a composition of objects, plants, architecture, animals, and humans – there are always empty spaces where nothing happens, no one lives, silence is the main noise, gender is not defined. An organic architecture that modifies itself while we change, that changes while we evolve. https://imageproxy.viewbook.com/24529/940d2e87b478c39d619ba4de441ea5af_hd.jpg Empty spaces filled with neutral information: utopian landscapes resulting from the removal of everything that affects us both physically and morally. Spaces proceeding from shadows, leftover objects, and displays. Immaterial artifacts from an undiscovered past, imaginary keys for an imaginary future, but also neutral spaces because they are immaterial to our present. Missing pieces from unknown statues, fragments of someone’s life. Are those pieces lost in the past because we don’t see and posses them in our present? Where are they attached to what we are considering missing part in this present? Is this border real? https://imageproxy.viewbook.com/24529/49b879ac33f762fc069b0ca28ceb676e_hd.jpg The “A” space is the residual space: a place between what we feel and don’t. Lines crossing a certain time, in movement, undefined. The letter a, in grammar, represents one or something. It’s the first letter of the alphabet and in Italian, as in other languages, it’s a privative prefix that changes the meaning of the word to its opposite. In English a is an indefinite article, it doesn’t have any connotation. The “A” space then is missing something, because lost or taken. It also initiates something, marks a beginning because of its position. https://imageproxy.viewbook.com/24529/2e0329e24fa871471f88ff98c79d2631_hd.jpg The privative condition then becomes the beginning of a new undefined status; as in photography or sculpture, the negative is both matrix and subject, depending on the point of view. This organic, undefined and immaterial architecture is both empty and full of meanings and possibilities. It draws shapes without a previous idea of them. https://imageproxy.viewbook.com/24529/c83a42932c0dcd8a6ffe5f8782d4a22e_hd.jpg https://imageproxy.viewbook.com/24529/53cad2a983c8a50b8dddd30058cddb6f_hd.jpg https://imageproxy.viewbook.com/24529/345cda4e460c91147aa05275357dd204_hd.jpg https://imageproxy.viewbook.com/24529/213fd29fe2791defb27250afb5ce1c77_hd.jpg http://www.notalike.com/the-clash 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/ce9bd48c2964c4b00ef1e3b1cb07ab45_hd.jpg IT | The Clash (Scontrarsi) È davvero possibile imparare a parlare un'altra lingua? https://imageproxy.viewbook.com/24529/6dbadcd9d73252e6f6fecfc678c05a5b_hd.jpg In questi due lavori - il puzzle e le fotografie - sono riportate delle frasi emerse da un dialogo tra tre persone in cui la comunicazione è resa difficile proprio dalle diverse provenienze. L'inglese, madrelingua di una delle tre persone, diventa strumento con cui determinare come l'altro debba essere o comportarsi ed è usato dalla seconda persona per determinare il concetto di 'sociale' con cui sembra essere giusto doversi esprimere nei confronti di qualcuno. Entrambe le frasi nella lingua della terza persona coinvolta sono espressioni aggressive e maleducate, totalmente in contrasto con la cultura e l'educazione comune. https://imageproxy.viewbook.com/24529/84875357b4fe7701af13d567e508d952_hd.jpg L'immagine scelta è un'immagine ambigua. L'automobile sembra essere stata coinvolta in un incidente, ma non si capisce bene cosa sia successo. Nel ricreare il puzzle artista e pubblico tentano di ricostruire qualcosa, senza sapere che cosa. Un dialogo senza parole, un momento in cui parlare non serve, lo scopo è stare insieme e immaginare, indipendentemente dalla lingua che si parla. https://imageproxy.viewbook.com/24529/60b1d13e68bde2e644941ab1ac77f44c_hd.jpg [...] credo che si impari a usare una lingua al meglio delle personali capacità e sensibilità. Rispettandone i tecnicismi e personalizzando l'uso della grammatica, mutandone le espressioni classiche per esprimere la personalità, riuscendo a saltare da un formalità espressiva 'professionale' - quando serve - a una più libera e sincera - quando si è solo se stessi. https://imageproxy.viewbook.com/24529/8e953fa4f7e52043efd2722d422b62fc_hd.jpg The Clash (Scontrarsi) Artist book, 2016. Puzzle for two people without instructions. Performative object. http://www.notalike.com/vogue 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/9a21cc9b8081cc13d7d997bcc17f0fd0_hd.jpg VOGUE Italia | 01.2019 Interview. Text by Francesca Molteni. Photographer Alessandro Furchino Capria. https://imageproxy.viewbook.com/24529/9229c91c2e101cd06641dcbe544da6ba_hd.jpg Interview Text by Francesca Molteni | Photographer: Alessandro Furchino Capria | Styling Francesca Cefis | Makeup Giulia Cigarini | Hairstyle Daniela Magginetti https://imageproxy.viewbook.com/24529/8f6412853de10c54c81beb6281ff243a_hd.jpg http://www.notalike.com/mauritius 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/e41ef74b50985616e6068e02cd124974_hd.jpg https://imageproxy.viewbook.com/24529/1cdd2dc00f9320f05dfeff83d95e456b_hd.jpg https://imageproxy.viewbook.com/24529/6018e0057074759a533799dfd857314b_hd.jpg https://imageproxy.viewbook.com/24529/1d7b66bd620bb71e68ec9f922a2b74bc_hd.jpg https://imageproxy.viewbook.com/24529/cce7691d6fe197e959c94185dcae2c79_hd.jpg https://imageproxy.viewbook.com/24529/040637a3bf3f41cfd4de650527935ad6_hd.jpg https://imageproxy.viewbook.com/24529/daeb0e7addf71e29edc1a455c26abb6e_hd.jpg https://imageproxy.viewbook.com/24529/3046e8e0a24e55bf342d95df819a4cdf_hd.jpg https://imageproxy.viewbook.com/24529/230bd1256deb4fc963f80f28310223e1_hd.jpg https://imageproxy.viewbook.com/24529/ee5ef44c258f38e5e00c2bb2379c753d_hd.jpg https://imageproxy.viewbook.com/24529/7ed3bf7727f7620527a62dc4de74452e_hd.jpg https://imageproxy.viewbook.com/24529/d1ff207b449ae7ca80be8b7b1391fe08_hd.jpg http://www.notalike.com/roaming 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/b572f919b9dbd2a03b2ee8d99a3eaabf_hd.jpg ROAMING On file. PLATFORMA, MNAC-ANEXA, BUCHAREST (RO), 2013 Artists: Sigurður Atli Sigurðsson, Ermanno Cristini, Alessandro Di Pietro, Irena Lagator, Giancarlo Norese, Andrea Palasti, Alice Pedroletti, Luca Scarabelli, The Bureau of Melodramatic Research, Paolo Tognozzi. Photo: Alice Pedroletti. Curated by Alessandro Castiglioni, Ermanno Cristini https://imageproxy.viewbook.com/24529/8c7c5c6df595b46a44ddfc322c9728cd_hd.jpg ROAMING Based upon an idea by Ermanno Cristini, consists of a series of exhibitions, curated by Alessandro Castiglioni, that last only the time of their inauguration. Like flashes surviving in the photographer's finger, then floating in the indistinct dimension of the web. Located in strong and representative spaces, thanks to their physical presence and the importance of their story - former industrial building which have been recovered - but also for their symbolic presence - institutional seats like museums -, the exhibitions are characterized by their rapidity and the way the space is occupied. https://imageproxy.viewbook.com/24529/42a9e181358b282b347361e5b0365922_hd.jpg (Alice Pedroletti) The artists change according to an invitation chain which neutralizes the concept of the curator itself. There's a shadow of unspoken in the succession of invitations, because the affinity is established between the one who invites and the one who gets broken just afterwards. This generates a mechanism of chaos and coincidence, a heterogeneous one which is kept together by individuals, in a sort of "veiled curatorship". In contradiction with the amplitude and the aura of locations, the artworks mark a discreet presence: in the corners, in the gaps, on the ground, on the top of a stair; besides, they are mixed with other works in the museum, which allows them to be discovered gradually, as though they show themselves only at a second glance. This is in open contrast with the fugitiveness and transience of the event. https://imageproxy.viewbook.com/24529/f9ee8932e574b19170c29b3a1992dad9_hd.jpg However, in this way the exhibitions are transformed into an event, the image by the photographer is the only element which remains of the works of art and their relationship with the space. The work of art is bound to circulation only in the forms of images. Which is the work of art, then? The one created by the artist, or by the photographer, or the whole operation itself? In this way, the photographer becomes part of the artist nucleus; furthermore the photographers change at every single initiative, in order to allow different perspectives: the advertiser's, the art photographer's, the architecture photographer's - corresponding to different ways of crossing the boundary between work of art and image, between reality and representation, between real and virtual. https://imageproxy.viewbook.com/24529/7709fb60fdb60604552907f669754277_hd.jpg But what happens when the simulacrum - transformed into a system of pixels - is projected onto web, thus being mounted into the web? Paradoxically, the only element of stability in the exhibitions occurs in a purely virtual dimension, a delocalized and virtual one. What changes, then, in the art work status, when its material, its space and its time are transformed? What Roaming activates can be called a polarity breakaway: littleness as opposed to the greatness of the spaces, emptiness as opposed to the fullness by the public at the inauguration, the delay with regard to the acceleration of the event, the reality with regard to its representation, the physical with regard to the virtual... https://imageproxy.viewbook.com/24529/7e503fbbba61ac281c6caed73c7bea36_hd.jpg (Alessandro Di Pietro) In this breakaway, the will of the art work clashes with its destiny; but maybe this is the only way for this will to be accomplished, unveiling the ultra-subtleness which is nowadays all the more a necessity of the art work: "... something that isn't caught with the sight, but with the gaze, with the attention, with the mind (...), the paper's hollowness between the two faces of a subtle sheet" (Elio Grazioli, Una differenza ultrasottile, A+L n°7, primavera 2006). https://imageproxy.viewbook.com/24529/6763437f024b48db4c9da3675d39c903_hd.jpg https://imageproxy.viewbook.com/24529/c4ee3c04a2ceebf806ed863865fca38c_hd.jpg https://imageproxy.viewbook.com/24529/173bcec3175d78be1cac13a67b56feb4_hd.jpg https://imageproxy.viewbook.com/24529/99aa3cf1e9ed2ca48cf8ddff2db5b63f_hd.jpg https://imageproxy.viewbook.com/24529/83cc7db7d7c87b6121d84cbca82748ec_hd.jpg https://imageproxy.viewbook.com/24529/8a1e75f678b24855c67eda61e6264684_hd.jpg (Giancarlo Norese) https://imageproxy.viewbook.com/24529/928a5cb88dc3e8e7b03290bdeaaf9c90_hd.jpg (The Bureau of Melodramatic Research) https://imageproxy.viewbook.com/24529/f23c91d49ebd785419ab461e79a8d357_hd.jpg https://imageproxy.viewbook.com/24529/7898a3058793b0e307ac9f7fbc869a00_hd.jpg https://imageproxy.viewbook.com/24529/beff431851b09c759f2f84cbc472854b_hd.jpg http://www.notalike.com/pinksummer 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/97801a6973e3c16e3b863336cd5bbd58_hd.jpg OPENCALL Filling the absence. OPENCALL Filling the absence, a cura di Pinksummer (Genova). Una mostra con lavori di Yona Friedman e Peter Fend. A cura di Andrea Canziani ed Emanuele Piccardo, con il contributo di Elisa R. Linn e Lennart Wolff. https://imageproxy.viewbook.com/24529/728fde6354a90e8b39f36d47ca74b340_hd.jpg Azioni per un paesaggio (A). Ho lavorato con Photoshop manipolando l’immagine di partenza con diverse azioni . In quello che vedo non esistono passato e futuro, ma solo ciò che osservo. Il paesaggio è ferito da diverse architetture inserite con violenza, sia nella presenza che nella loro assenza. Architetture aliene al luogo ed imponenti, ma che risultano poi fragili. Mi sono domandata come risolvere quella visione spezzata e disarmonica. Ho isolato gli elementi “cielo”, “collina”, “ponte spezzato” e li ho spostati in modo da riempire quel vuoto visivo con un’architettura naturale, lasciando l’immagine apparentemente inalterata. Ho poi ripulito l’immagine da ogni segno di polvere della scansione, fino all’ultimo granello, come in un rituale sacro. https://imageproxy.viewbook.com/24529/0d19315943b9221fa90f5e8bdab93c88_hd.jpg Azioni per un paesaggio (B). Opposto a questo primo esercizio sul pieno, c’è il tentativo vuoto di ricostruire l’idea di ponte attraverso i due elementi isolati dal paesaggio e riuniti nello spazio del foglio. Quello che manca è tutto: a sottolineare come l’origine stessa di architettura vada ripensata, soprattutto quando diviene oggetto di funzione e non elemento di unione. https://imageproxy.viewbook.com/24529/f02670cb071b44e11264d46a05ee1fb7_hd.jpg Nel 1973 Gordon Matta-Clark, invitato a Genova dalla galleria Forma, realizza uno dei suoi primi interventi di cutting legale: A W-Hole House. L’artista trasforma l’architettura di una casa abbandonata a Sestri Ponente, poco lontano dalla Val Polcevera e dai quartieri di Sampierdarena e Cornigliano, in una anarchitettura, che vorremmo intendere qui, innanzi tutto, come un’azione di interruzione del pensiero convenzionale. “Anarchitettura è fare spazio senza costruirlo” – scrive Matta-Clark – “Anarchitettura aggiunge una nozione di eventi non materiali… L’anarchitettura è più vicina al perfetto gioco dei vuoti …”. https://imageproxy.viewbook.com/24529/171448379aba2248a2de8fb295576cc4_hd.jpg A coloro che parteciperanno a questa call si chiede di lavorare con l’assenza ed eventualmente di riempirla. Si tratta di una provocazione elusiva, non cinica, ci piacerebbe che il ponte crollato, come la casa del progetto di Matta-Clark A W-Hole House, diventasse, con il suo grande cut, una struttura anarchica, priva di senso univoco, al di là di ogni confine dogmatico, con una sua propria bellezza spaesante atta a ricevere un’intrusione fuori da qualsivoglia consenso paternalizzato e paternalizzante. Lavorare in assenza e con l’assenza, è dialogare con qualcuno o qualcosa che avrebbe dovuto trovarsi in quel luogo, o che è stato in quello specifico spazio per un certo tempo. Vi si chiederebbe di lavorare ossimoricamente con una presenza/assenza, nell’intento forse di provare a abilitare una mobilità (dialettica?) diversa. Significa, per noi, immaginare che si possa ridistribuire una massa, carica di tensione e forse anche di ambiguità, per trasformarla in uno dei futuri possibili. https://imageproxy.viewbook.com/24529/0171d60c4016251b50158f8062923846_hd.jpg L’assenza, a livello neurologico, è una fugace sospensione della coscienza, una crisi improvvisa, di cui poi rimane l’impressione che sia accaduto qualcosa di profondamente anomalo (assurdo?). Vorremmo che il taglio del viadotto sul torrente Polcevera lavorasse insieme a voi, invitandovi all’intrusione, ospitando le proprie trasformazioni, come se il fisico e il concettuale si adagiassero sul medesimo istante dentro a una “presentologia” liberata, magari da un soffio improvviso della democrazia, dal tempo sequenziale. Ciò che perverrà entro il 15 marzo sarà mostrato alla galleria Pinksummer nel contesto della mostra Filling the absence di Yona Friedman e Peter Fend, ispirata alla simbologia di un ponte, che precipitando ha manifestato tutta la pericolosità di un artificio atto a conciliare perché per dirla con Georg Simmel di Ponte e Porta “Soltanto l’essere umano di fronte alla natura possiede la capacità di unire e di dividere” rendendo la vita forma. http://www.notalike.com/reverie-nhomiah-en 2025-01-21 weekly 0.5 http://www.notalike.com/862562 2023-09-29 weekly 0.5 https://imageproxy.viewbook.com/24529/0cd6343d844637df1843b0b201705fb9_hd.jpg Schwanenwerder Insel - Cordts Art Foundation Artist in Residency. Scholarship 2022-23. I will explore the history of Schwanenwerder, geographically and historically. My work will be photographic and sculptural, using archival material and mockups. https://imageproxy.viewbook.com/24529/41066d6fd2931ef5dc75c45320e132f6_hd.jpg https://imageproxy.viewbook.com/24529/fa7b71d0e3a43b26b2b5f5b23247596c_hd.jpg Schwanenwerder Insel Coming soon... https://imageproxy.viewbook.com/24529/3beff1269faffc3b5587c064573f651b_hd.jpg https://imageproxy.viewbook.com/24529/99237146da5b004e859f3dffb527bac0_hd.jpg https://imageproxy.viewbook.com/24529/4a54d8955a4ebd700383af3afa1c4576_hd.jpg https://imageproxy.viewbook.com/24529/14a25f9d538c1978b5d08b6464a6a974_hd.jpg https://imageproxy.viewbook.com/24529/ca45f33ece82d4db3a171d66e1a742d5_hd.jpg https://imageproxy.viewbook.com/24529/8b424dbea9390c58eb5033ba092208b5_hd.jpg https://imageproxy.viewbook.com/24529/885dddc2c4d773f8b65b88f3b3a3ad2b_hd.jpg https://imageproxy.viewbook.com/24529/ab398c3ca9f25d06203477f7bac9e6c0_hd.jpg https://imageproxy.viewbook.com/24529/3ac0f8a2a2fd39097c3bf02720f850cf_hd.jpg https://imageproxy.viewbook.com/24529/90d73850be7c280f5c82fcb909fe9ac1_hd.jpg https://imageproxy.viewbook.com/24529/740649ef5660ab04d561161cb3d38a7f_hd.jpg https://imageproxy.viewbook.com/24529/27af2800bcb7bee39528201589092b2a_hd.jpg https://imageproxy.viewbook.com/24529/e9d2076cd71927708edbcf655a51399c_hd.jpg https://imageproxy.viewbook.com/24529/81f164a7a13e5ce9a0ad95bf671abda4_hd.jpg https://imageproxy.viewbook.com/24529/c13521e9eaf067ef84b1d1d868508c8d_hd.jpg https://imageproxy.viewbook.com/24529/89d2cbef7fa3144e57bc10f7760061b9_hd.jpg https://imageproxy.viewbook.com/24529/7601658ad5edc4ac7133668a88dc93af_hd.jpg https://imageproxy.viewbook.com/24529/453f938763b44e2bb88c525a239267c7_hd.jpg https://imageproxy.viewbook.com/24529/4403e70ea990ee52fde9e0a7871753a4_hd.jpg https://imageproxy.viewbook.com/24529/277dd013532a1354bc65e851e40185ae_hd.jpg https://imageproxy.viewbook.com/24529/ad0ecb0dcd01b4cd47a988f7695928be_hd.jpg https://imageproxy.viewbook.com/24529/b7ee3a7249012ebd623758781f67afdb_hd.jpg https://imageproxy.viewbook.com/24529/068d23ed15ed91314f09bfcf25b6d3b7_hd.jpg https://imageproxy.viewbook.com/24529/ac099a863ac1a0e1912ffc525a4ea8ac_hd.jpg https://imageproxy.viewbook.com/24529/fb2bedad4844337259cc11a4d55ef880_hd.jpg https://imageproxy.viewbook.com/24529/ec21281fb9834a33bf8bc87107da9373_hd.jpg https://imageproxy.viewbook.com/24529/ffc2269cf1bee4c40dba93e6066e16d8_hd.jpg https://imageproxy.viewbook.com/24529/68a16ea574d87ee62135dd5b1f575c3a_hd.jpg https://imageproxy.viewbook.com/24529/c7d31146d6a9da15a8609f3ccc910fe4_hd.jpg https://imageproxy.viewbook.com/24529/36fe84406028e998906e7fdc232a2c09_hd.jpg https://imageproxy.viewbook.com/24529/615fb4da577663b2721d8dd0f172f659_hd.jpg https://imageproxy.viewbook.com/24529/9182d3392060ae12ac0e0d24023ed2bc_hd.jpg https://imageproxy.viewbook.com/24529/9f2f21c688957dc270c739904f552993_hd.jpg https://imageproxy.viewbook.com/24529/76f75a88c39cb163694ad8b0bc4dda0c_hd.jpg https://imageproxy.viewbook.com/24529/1c96ceec5c7c9614cd55a1b7dd3d81d6_hd.jpg https://imageproxy.viewbook.com/24529/7d6c005c5249c4763d08c67a116d70bf_hd.jpg https://imageproxy.viewbook.com/24529/9499a3973c175914a631d5ad68d7693d_hd.jpg https://imageproxy.viewbook.com/24529/7c880ed63767d521e1421b4aab78d8b8_hd.jpg https://imageproxy.viewbook.com/24529/89c43797c6591d67f019baebded2b8bd_hd.jpg https://imageproxy.viewbook.com/24529/5deae6b1b39cdfe336311a7c6065b916_hd.jpg https://imageproxy.viewbook.com/24529/d6287fcd749b07510292b71475410211_hd.jpg https://imageproxy.viewbook.com/24529/7384251f49d9de4692ba041a4dcab4f4_hd.jpg http://www.notalike.com/islandish-fr-nl 2025-01-21 weekly 0.5 http://www.notalike.com/metodo-salgari-milano-1 2025-01-21 weekly 0.5 https://imageproxy.viewbook.com/24529/6b244202e79e809ffa15a5ced9308327_hd.jpg Metodo Salgari Metodo Salgari is a nomadic art event, invented and curated by Andrea Balestrero, Nina Fiocco, Rogelio Sánchez Velázquez which has the objective of a “fantastic” cartography of the real world realized developing artistic/ architectonic installations through a community based process | In the pictures: Metodo Salgari Milano, 2014. Installation views: Portable monuments. Final outcome: Metodo Salgari, Piazza Salgari Milano, the book. https://imageproxy.viewbook.com/24529/6b242a22d4a603e3cffd6e8a241ae05a_hd.jpg Emilio Salgari (1862-1911) Emilio Salgari was an Italian writer who - without traveling outside his nation- wrote numerous novels set in several distant countries, distributed on all the continents, which he got to know just through news and images found in magazines, books, newspapers. One hundred years later, this mechanism of knowledge of distant places through media, by renouncing to a direct experience, has become totally ordinary. https://imageproxy.viewbook.com/24529/3fd2e236808be9de41c567ea8a5b4854_hd.jpg The project With the aim to reflect on this way of "knowing from a distance", our project wants to recreate a virtual memory, based on the sharing of pre-established knowledge and information with groups living the specific places in which we intervene. Metodo Salgari considers a form of thinking and acting which suggests a non-objective approach to knowledge. The understanding is intended as the subjective involvement into an active and conscious process of building an imagination that is shared and not flattening contradictions and differences, but rather accepting them. 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